mash Tagged Articles at Cinematical

The great master filmmaker Robert Altman died last night at a Los Angeles hospital. The writer-director pretty much pioneered a new style of movies using multiple characters and storylines with overlapping dialogue and plots, and he continued making movies well through a time when those he influenced were attempting to copy him. Last year, while shooting A Prairie Home Companion, Altman was assisted by Paul Thomas Anderson, whose Magnolia was almost like a remake of Altman's Short Cuts, just in case the elder filmmaker was to pass on. He didn't.

I guess I took it for granted that he might just continue making movies forever, but at 81, Altman had given us so many classic films, that I can't be too selfishly upset to see him go. I'm going to spend the rest of the day celebrating his life and work rather than sulking in mourning. Many of my favorite films were directed by Altman. He made my favorite western (McCabe & Mrs. Miller), my favorite movie about Hollywood (The Player), my favorite movie about the Korean War (MASH), my favorite wedding movie (A Wedding) and my favorite movie about country music (Nashville). I'm even a big fan of Popeye.

Altman was nominated for five directing Oscars, but never won an Academy Award until he was given an honorary award at this year's ceremony.

Along with Martin Scorsese, Alfred Hitchcock, King Vidor, and Clarence Brown, Robert Altman holds the dubious record for most best director Oscar nominations without a win: all five men have been "just happy to be here" five times. Now, though, Altman, whose nominations have been for MASH, The Player, Nashville, Short Cuts, and Gosford Park, is going to get his well-deserved statuette, even if it is just honorary.

It's hard to overstate what Altman has meant to American movies. Always unconventional, his improvisational techniques, innovative use of sound, long takes, and broad, rambling stories have, over the years, given Hollywood entirely new ways too look at filmmaking. Though they can never like the man enough to just vote for him already, Academy members decided Altman deserves a lifetime award because of his "innovation, his redefinition of genres, his invention of new ways of using the film medium and his reinvigoration of old ones." Amen.

I think it's safe to assume that Altman will not be spending the next two months carefully revising his acceptance speech. Whatever he says, we'll get to hear it on March 5, during the thirteen hour Oscar ceremony.