matthew lillard Tagged Articles at Cinematical

Not long ago I wrote about a movie premiering at the Slamdance Film Festival called Spooner, starring Matthew Lillard, and during said post I mentioned that Spooner director (and Cinematical friend) Drake Doremus had previously written and directed an awesome short film called The Shirt back in 2006. Unfortunately at the time The Shirt was not available to watch online, but earlier today Drake read the post and was cool enough to throw the short up on YouTube so that you fine Cinematical readers can enjoy its beautiful absurdity. What's it about? It's about this dude who's trying to find the kind of shirt that will change his life. We'll let you know how Spooner turned out a bit later in the week, so for now check out The Shirt below and the trailer for Spooner (find info on how to purchase Slamdance tix over here) after the jump.

WARNING: This short contains foul language and two brief sexual acts, but no nudity.

Talk all you want about Sundance, but some of my favorite films often come out of the Slamdance Film Festival, Sundance's illegitimate dorky little half-cousin. While Sundance features clean, glamorous "message movies" starring people you're very familiar with, Slamdance films are a little rough around the edges; cultish with a touch of fanboyish flavor. Oh, and their docs are always very good. Last year saw Dear Zachary come out of Slamdance, and the year before was The King of Kong. One of the docs entering the 2009 Slamdance Film Fest with a little buzz behind it is Zombie Girl: The Movie, a doc about a 12-year-old girl who attempts to make her own feature-length zombie flick. Not only is it ridiculously hard to make your own feature-length film on a shoestring budget (I know from experience), but imagine if it was a horror movie ... and you were 12. Check out the trailer below, and learn more about Zombie Girl: The Movie over on its official website.




Check out the Spooner trailer after the jump ...

If someone came to me and asked, "Erik, if you could pick any two actors to appear opposite one another on screen, who would it be?" -- I'd probably tell them Kermit the Frog and Javier Bardem. But my second choice would most certainly be Lindsay Lohan and Jack Black. E! News reports that Lohan has decided to get back to work, and she'll do so by starring in the comedy Ye Olde Times, opposite everyone's favorite slightly overweight funnyman, Jack Black. The film follows "two rival Renaissance Faire troupes as they make their way through the competitive circuit." Currently, there's no word on whether Lohan will be competing with Black or against him, but regardless this film just hit my "Must See When Intoxicated" list.

Lohan, who recently left rehab to shoot the tango flick Dare to Love Me, seems keen to hop right back into the spotlight. Earlier in the week, her nude photo spread for New York Magazine was revealed, and while I'm not sure which step on the 12-step program includes nude photos for a prominent magazine, I'm sure it's probably toward the latter end. Ye Olde Times, which will be directed by R.A. White, also stars Cary Elwes, Matthew Lillard, David Arquette and Orlando Jones. The film will most likely hit at some point this year.

I suppose that reviewing an Uwe Boll film is a lot like having a fancy restaurant critic do a write-up on McDonald's new McGristle sandwich -- but I'm not "fancy" by any definition of the word, and I've grown madly in love with Uwe Boll's enthusiastically slipshod filmmaking techniques. So to those who thought miracles were actually possible, I have some disappointing news: Boll's latest, In the Name of the King: A Dungeon Siege Tale, is every bit as consistently awful as the director's earlier offerings -- only it's 126 minutes long. And that's just not fair.

Also unfair is the stunningly blatant way in which Mr. Boll tries to rip off the Lord of the Rings trilogy in this chintzy little epic. Every other sequence has a musical cue, a costume, a bit of dialog, or a background character that just fell off the Hobbit truck. If imitation is the sincerest form of flattery, then Uwe Boll just spent 126 minutes telling Peter Jackson how thin, talented and gorgeous he is. To be completely fair, I did notice a few components (mainly the action scene editing and a few moments of strangely effective cinematography) that manage to improve upon films like Alone in the Dark, House of the Dead and BloodRayne -- but really, you could probably improve upon those three movies using only a cell phone camera and a powerful flashlight.

For a flick that runs two hours, the plot is distressingly skimpy: Villains are ransacking the countryside, so a farmer called Farmer takes up arms, grabs a few sidekicks, and heads out to destroy the evil and perpetually cackling Boss Villain. That's it, really. But we're not going to see an Uwe Boll video game adaptation for the plot, are we? No. We're usually watching his flicks for the sheer unintentional hilarity of it all, but King is even better because it's an ensemble piece! We've got...

In May, the battle of the Renaissance Fairs was set. Jack Black signed to play tutor-of-love Professor Shockworthy in Ye Olde Times, the story of "two rival fairs vying for ownership of all things Middle Ages." I've already been imagining Black donning some fishnets, and channeling some Transsylvanian sauciness and professorly exposition, while wondering how Tim Robbins, Will Arnett, Cary Elwes, and John C. Reilly fit in the mix. (Although Elwes is the only one of this group listed on IMDb.) Now The Hollywood Reporter has posted that David Arquette, Matthew Lillard, and Orlando Jones are the latest names to join the cast.

Fittingly typecast, Arquette and Lillard will play actors in a medieval troupe who work with a cheesy Renaissance Fair. This should be old hat for David when the pic gears up -- he's currently filming Hamlet 2, a comedy about a drama teacher trying to save his department by developing a sequel to Hamlet with his kids. Jones, meanwhile, is part of a rival troupe "committed to only serious productions of real Shakespeare." I wouldn't be surprised if Elwes is also one of the other serious Shakespearian actors. That part's all clear, but then things get vague as Justin Chatwin (War of the Worlds) is so specifically "the romantic male lead." Again, there's no actresses listed with this production yet, so I'm forced to believe we're going to get some sexy man-lovin'. Or, maybe they'll go the old-school theater route and have men play the female roles as well. That could make things interesting. Unfortunately, there's no word on when this project will begin production.

You might remember that I told you about a little flick called Endless Bummer earlier this month, that Joan Jett nabbed a role in. The premise is simple -- it's 1984, and some jerks steal a surfboard from a Ventura beach. The owner and his friends then drive to the Valley to get it back. While most of the cast was in place, they didn't have their surf shop owner. In a completely not-surprising casting move, The Hollywood Reporter says that Matthew Lillard is taking on the job.

Basically, his character is a veteran surfer who owns a surf shop and makes surfboards -- and he made the one that is stolen, so he helps the teens get it back. Lighthouse's Steven Siebert says: "This is a genuine story of a pivotal day for a group of young Ventura surfers in 1984. We are excited to be working with such a talented ensemble of actors, each of whom brings a unique element to the real-life personalities they are portraying." I really like Lillard -- no matter what craptacular roles he takes on, but I really hope that this is one of his better ones. His roles as Cereal Killer and Stuart Macher can't negate some of the shlock forever. Then again, surf movies are one of the genres that can make schlock acceptable -- thanks to all the hard work of Frankie and Annette.

Yes, folks. It is time for another scantily-clad movie fuelled with silly logic and lots of sex. Matthew Lillard, of Scream and Scooby fame is teaming up with Efren Ramirez (Pedro Sanchez from Napoleon Dynamite) to look for an American Summer. However, this is definitely not the Wet Hot variety, at least, not in a 1980's frolicking camp sort of way. Instead, take Deuce Bigalow: Male Gigolo, the P.I.M.P. scene from Dude, Where's My Car? and some Accepted, mix it all together, and you've got Flipzide Studios' Summer.

Lillard will star as a pool boy whose parents think he's going to school at Harvard. (I guess they don't talk, or have call display to see that their boy is in the land of the sun.) When his apartment building is fumigated for termites, he grabs an escort neighbor and his friend and moves them all into the empty mansion he works at. As if that wasn't enough, he pimps out the escort with the help of the gardener next-door (Ramirez), who acts as the muscle. (There's no word yet on the girl who will be lucky enough to be Lillard's prostitute.)

That sounds all sorts of logical, doesn't it? Just about as logical as casting a 37-year-old Lillard as a faux Harvard student... Unless he's supposed to be a mature student applicant, or his parents are just that dumb. What do you think? Will this be a White Castle surprise wonder, or an Epic, eye-burning failure?

Odds and ends from Monday;

• Hopping into a more adult, grown-up role, Matthew Lillard has signed on to play the guy who screws everything up in One of Our Own, to be directed by Abe Levy. The indie drama will focus on a thirtysomething couple who seek out a young woman to carry their child when all other efforts fail. However, chaos erupts when the man's boss (Lillard) falls in love with the surrogate and wants to father the child himself. I enjoyed Lillard's family-man performance in The Groomsmen and look forward to the more dramatic direction he's taking with his career.
• With shooting set to start next month in Toronto, New Line has finally completed casting for their big-screen version of Hairspray by signing Jim Broadbent to play Wilbur Turnblad, father to the pic's main character, Tracy. IMDB originally listed Billy Crystal in the role, though there's no word on whether he was signed on and dropped out, or was never involved in the project to begin with. Broadbent joins John Travolta, Queen Latifah, Michelle Pfeiffer, Amanda Bynes, Zac Efron and newcomer Nikki Blonsky in the cast. Adam Shankman is set to direct from Leslie Dixon's script, based on the Broadway musical which was inspired by the John Waters film.
• Production Weekly reports the Wachowski Brothers' take on the Speed Racer cartoon is ready to launch into pre-production, and is just waiting for Warner Bros. to greenlight the film. They've currently set up shop in Warner's Burbank offices, which were previously occupied by the folks behind Bryan Singer's remake of Logan's Run. Hmm, it definitely sounds like Logan is running straight out of town. Based on a pitch by Vince Vaughn back in 2004, the brothers brought new life to the project after showing interest in giving the classic toon a modern, Wachowski-esque spin.

Ten years after winning the Sundance Grand Jury Prize for his film The Brothers McMullen, writer/director/actor Edward Burns continues to regurgitate the same worn-out themes of love, marriage, friendship and family. With his latest film The Groomsmen, once again, Burns chooses a quaint New York City suburban neighborhood as his setting, while also managing to surround his wooden acting with a decent supporting cast. However, with a script that has more pot holes than the Long Island Expressway, The Groomsmen lacks a tremendous amount of focus, thus leaving its audience desperately in search of an exit.

With only one week left until his wedding, Paulie (Burns) is in a funk. Though they've been together for awhile, according to his friends, the only reason Paulie is marrying Sue (Brittany Murphy) is because he accidentally got her pregnant. Regardless, something is bothering Paulie and, unless he can sort out his issues in one week's time, there's a chance he may make the biggest mistake of his life.

While Sue is off placing the finishing touches on her wedding, as well as preparing their house for the arrival of a new child, Paulie spends this time hanging out with his groomsmen at the local bar, the golf course and the softball field. His lack of enthusiasm towards the future frustrates Sue and the two end up arguing (about the same exact thing) over and over throughout the film. It's this sort of redundancy that ultimately prevents The Groomsmen from rising above the surface. Instead, Burns chooses to drown his characters in repetitive dialogue until, eventually, the lights come on and you realize an hour and a half of your life has just been wasted.

We're heading into Week Two of the Seattle International Film Festival, and the excitement shows no signs of dissipating. One of the things I love most about this fest is how the audience members are just genuinely pumped about every single film, and how open people are to giving films a chance. Whether films sit well with an audience or not, there are always clusters of folks huddled outside the venues post-film, animatedly discussing the perceived merits of a film (or lack thereof). Let's go eavesdrop on some other folks writing about SIFF to see what people are buzzing about.

• Pop Culture A-Go-Go is blogging a daily SIFF diary, with short descriptions and film recommendations from one to five stars. My fave description of a film on this blog, about South Korean flick Sa-Kwa: "Dull South Korean film following the main character's love life. She gets dumped by her boyfriend. She gets married and has a kid. She is unhappy and has an affair with her old boyfriend. Then she dumps him and wants a divorce from her husband. Are you bored reading the description? I was bored typing it. Now imagine watching that "story" unfold over two fricking hours. Bored now." Alrighty, then. Thanks for saving me two hours of my life, Pop Culture.
• New to SIFF and not sure what to see or how to get around? The Seattle Post-Intelligencer has a handy-dandy Guide to SIFF to make your film-watching easier.
• Emerald Sunshine had a Matthew Lillard encounter at the screening of Bickford Shmeckler's Cool Ideas (the film is not getting great buzz, btw)-- and was unimpressed.
• Roya is blogging her SIFF adventures daily, with her take on the films she's seeing and a report on the freakish behavior of audience members. One of her Audience Watch stories is about a Sigher, and she notes there seem to be a lot of those Sighers at SIFF this year (maybe there's a convention of downtrodden mothers going on or something). I had a Sigher behind me at Somersault, and I damn near turned around and smacked him after the 89,000th loud sigh. Wonder if he's the same guy Roya got stuck next to.
• The Stranger's Annie Wagner is talking up the OTHER film festival here, the Seattle True Independent Film Festival (STIFF). Also, be sure to check out her very excellent, in-depth interview with Al Gore. Is he gonna run for Prez in '08? Your guess is as good as anyone's, but if he does, will it start a trend of ex-politicians making movies about their causes? Who wants to see a Jimmy Carter doc at Sundance next year?
• Check out all the latest pics in the SIFF photo pool over on Flickr. If I ever get it together enough to remember to actually bring my camera with me, I'll be posting a photoblog here, as well as over at Flickr.