method acting Tagged Articles at Cinematical
When is a Performance Too Painfully Real to Watch?
Filed under: Celebrities and Controversy », DIY/Filmmaking »

There are times when watching an actor or actress onscreen is absolutely painful, and not because their performance is bad. Sometimes it's just obvious that they're drawing on their personal lives to bring that character to life, and in this tabloid day and age, it's often too easy to know exactly what's making them go all Method on us.
Take Robin Wright Penn. In State of Play, she plays Anne Collins, wife of Ben Affleck's suave senator. Their marriage is falling apart in full view of the public and the paparazzi, and Mrs. Collins obligingly plays the loyal stoic during press conferences. It's impossible not to see art imitating life a little bit, and it's especially difficult given that Penn seems to throb with emotional turmoil in every scene. It's an incredible thing to watch and wonder about, though I'm not sure it's for the right reasons.
Did Penn take the role as a bit of therapy for herself, or because it was easy to identify with Collins? Is she even acting at all? If she isn't, is it brilliance to employ your own anguish to the benefit of a character, or is that cheating? I honestly can't decide, and I don't even know if I'm somehow being unfair to the performance simply because I do know of the back-and-forth divorce proceedings of the Penns. All I know is that it's incredibly difficult to watch, and that whenever she comes onscreen I want her to leave because she makes me uncomfortable with her visible grief.
Take Robin Wright Penn. In State of Play, she plays Anne Collins, wife of Ben Affleck's suave senator. Their marriage is falling apart in full view of the public and the paparazzi, and Mrs. Collins obligingly plays the loyal stoic during press conferences. It's impossible not to see art imitating life a little bit, and it's especially difficult given that Penn seems to throb with emotional turmoil in every scene. It's an incredible thing to watch and wonder about, though I'm not sure it's for the right reasons.
Did Penn take the role as a bit of therapy for herself, or because it was easy to identify with Collins? Is she even acting at all? If she isn't, is it brilliance to employ your own anguish to the benefit of a character, or is that cheating? I honestly can't decide, and I don't even know if I'm somehow being unfair to the performance simply because I do know of the back-and-forth divorce proceedings of the Penns. All I know is that it's incredibly difficult to watch, and that whenever she comes onscreen I want her to leave because she makes me uncomfortable with her visible grief.
Bob Hoskins Talks Method Acting, Retirement, Says Making 'Super Mario Bros.' Was a "F**king Nightmare"
Filed under: Animation », Home Entertainment », Games and Game Movies »
I watched Who Framed Roger Rabbit again the other night (loved every minute of it for the hundredth time), and now that I'm older I'm able to appreciate the greatness of Bob Hoskins as Eddie Valiant. Essentially playing with himself in every scene, he completely commits, never winks at the audience, and totally convinces the viewer that man and cartoon walk side by side. In a sense, he's the movie's finest special effect. In addition to being a terrific actor, a new piece on Hoskins over at The Guardian reveals him to be a humble, hilarious and brutally honest interview. He talks about growing up in north London ("You don't end up with a face like this if you're hard, do ya? This comes from having too much mouth and nothing to back it up with. The nose has been broken so many times."), about getting his start in the business ("When I told my relations I'm gonna be an actor, they said: 'Don't be f**king daft. Forget it! You've got to be kidding, aintcha?') and scoffs at "Method Acting" ("Nah! Nah, that's Lee Strasberg, that's bollocks! Like how to look busy. It's just looking busy, impressing the boss. That's bollocks, going through all this cobblers. Living it out and all that. Bollocks. Total cobblers!")It's Hoskins' frank discussion of his work that amused me the most, particularly his not-so-fond remembrance of the film that single-handedly destroyed my youthful innocence: "The worst thing I ever did? Super Mario Brothers. It was a f**kin' nightmare. The whole experience was a nightmare. It had a husband-and-wife team directing, whose arrogance had been mistaken for talent. After so many weeks their own agent told them to get off the set! F**kin' nightmare. F**kin' idiots." Seems like ol' Bob might be right, that married couple -- Annabel Jankel and Rocky Morton -- haven't directed a feature film since. Hoskins is 64 years old, but blows off the idea of retirement. He's got loads of projects lined up, and he mentions in the interview that he is into smaller roles now. I told you he was asked to play Fezziwig in Robert Zemeckis' planned re-re-re-re-make of A Christmas Carol, and he's got a supporting role in this month's Sparkle. Says Hoskins, "You reach a point where the cameo is the governor. You go in there for a couple of weeks, you're paid a lot of money, everybody treats you like the crown jewels, you're in and out, and if the film's a load of shit, nobody blames you, y'knowwhadimean. It's wonderful." Great actor, entertaining dude, and I'm definitely going to start working "Total cobblers!" into my everyday conversation.









