Wow. You just don't expect to see a movie this awful playing at the Sundance Film Festival (even if a good deal of the film was shot in Utah). Truth be told, I don't expect to see a movie like this anywhere, but man oh man. I always try to think of something positive to say, no matter what the movie is, but this experience has defeated, deflated and depressed me. I'm actually a little irritated about it.

The flick is a very broad comedy called Adventures of Power, because the lead character is named Power. It's a waaaayyyy-too-late Napoleon Dynamite retread that would have been just as witless had it arrived two weeks after that overrated little hit. For the record, I have nothing against writer / director / lead actor Ari Gold; as a matter of fact, this movie was my very first experience with the guy -- despite the fact that he's already appeared in several indies and some award-winning short films. But going only by what I just witnessed in Adventures of Power, Mr. Gold is A) a plainly bland and lifeless director, B) a (gotta say it) pretty damn terrible screenwriter, and C) a lead actor with the screen presence of cottage cheese.

The latest in the vdubrocks campaign ads features one of my fave directors, Christopher Guest, reprising his This is Spinal Tap character, Nigel Tufnel. You can check out Nigel rocking it out in his highly fashionable kilt, black tshirt, tube socks and sneakers, while standing on (and falling off of) the roof of a white Jetta rising up from the stage, while white Rabbits mark the four corners of the stage. The first ad in the campaign featured U2s Slash** rocking the casbah with black GTIs set up like amp stacks. Personally, I think its hilarious that they've brought Nigel, a fake musician, out of the vaults for this campaign.

Watching Nigel rock it out in the ad, I couldn't help but think ... wouldn't it be cool for Guest to bring Spinal Tap back for a new mockuementary about the aging rock-and-rollers getting together for a reunion show for VH1? I can't be the only person out there who would love to see Tufnel, David St. Hubbins (Michael McKean), and Derek Smalls (Harry Shearer) bringing it on again, right? The "band" reunited a couple of times in the past, in 1992 for the album Break Like the Wind, for which they did a promo tour and "videos", in 1998 for a short film called Spinal Tap: The Final Tour, in 2000 when they launched a mock website called "Tapster," and in 2001 for a "Back From the Dead" tour that spanned nine cities. Oh, and there was a 2004 documentary about the band as well.

But seriously -- we've had Waiting for Guffman, Best in Show, A Mighty Wind and For Your Consideration. Isn't it about time we saw Spinal Tap back on the big screen -- utilizing the rest of the of Guest's fab ensemble cast? Picture Catherine O'Hara and Jennifer Coolidge as aging groupies! Parker Posey as, say, Nigel's daughter -- or better yet, as a younger groupie competing against O'Hara for the band's attention. And while we're at it, how about Guest in duel roles? He could reprise Corky St. Clair as the director of the reunion show! Oh, the possibilities are endless. Who else out there would love to see Guest bring back Spinal Tap?

[ via our sister site, Autoblog ]

**SIncerest apologies to both Slash (who, as our readers pointed out, is from Guns 'n Roses, NOT U2, and to The Edge, who IS from U2, for my error there. And thanks to our readers for pointing it out. And yes, I grew up on both bands, and yes, I know better. Shame, shame on me. I guess I have to give back my cool 1980s jean jacket covered with safety pins and rock band buttons now, along with my hip collection of U2 and GNR cassette tapes. Darn. -KV

The UK's Times Online has an interesting piece up about great Hollywood director-muse partnerships, from John Wayne and John Ford, to George Cukor and Katherine Hepburn, to Ingmar Bergman and Liv Ullman. As the article's author Ian Johns notes, these kinds of filmmaker-actor partnerships are less common these days, as directors have a wider array of big-name stars to choose from. Yet, there are still some profitable and creative partnerships out there. Martin Scorsese appears to have moved on from this 1970s and '80s pairing with Robert DeNiro to his modern creative muse, Leonardo DiCaprio, with whom he has made Gangs of New York, The Aviator, and now The Departed, with a fourth partnership -- a film about Theodore Roosevelt -- reportedly in the works. Russel Crowe and Ridley Scott worked together first in The Gladiator, then most recently in this year's TIFF offering A Good Year, and they went straight from that into shooting American Gangster together.

Johns goes on to make mention of Pedro Almodóvar's ensemble cast in Volver, where the director featured his favorite muse of the moment, Penelope Cruz alongside Carmen Maura, whom he directed in the 1980s. He doesn't mention my favorite director/ensemble combo of the moment, Christopher Guest and his amazing repeat performers, including Eugene Levy (with whom Guest also co-writes), Fred Willard, Catherine O'Hara, Bob Balaban, Michael McKean and Parker Posey, to name only a few. So pivotal are these actors to Guest's latest films that I can't imagine him making a film without them at this point. They work together with an incredible ease that makes the improvisational style of Guest's films really work.

The article does give props to one of my favorite director/actor pairings: François Truffaut and his on-screen alter-ego, Jean-Pierre Léaud. One of the greatest joys of watching movies in my cinematically geeky life has been watching Léaud grow from boy to man as Antoine Doinel, starting in 1959's The 400 Blows, the film that first earned Truffaut respect at Cannes, when Léaud was just 15, through 1979's Love on the Run -- a 20-year run of great filmmaking. Leaud worked with other directors as well, of course, including Jean-Luc Godard, with whom he made 10 films, including Week End in 1967 and, nearly 20 years later, Détective in 1985, but nothing ever quite matched the magic of Léaud with Truffaut.

Who are some of your favorite director-actor pairs? And who would you like to see work together more?