michael tolkin Tagged Articles at Cinematical

According to the New York Daily News, Catherine Zeta-Jones will no longer co-star in Nine, the film adaptation of the hit Broadway musical, which itself was an adaptation of Fellini's classic film 8 1/2. Zeta-Jones would have played the role of Claudia, "the alluring muse of skirt-chasing director Guido Contini." The reason for the falling out is allegedly -- it's always allegedly with the Daily News -- because director Rob Marshall (the inexplicably Best Picture-winning Chicago) "wouldn't give in to her demand to beef up her role." The script is adapted by Michael Tolkin (The Player), and apparently the creative team wasn't willing to change the story around. A friend of Zeta-Jones told the Daily News "She was never 100% committed to Nine. She had a meeting with Rob. She'd love to work with him again. But she felt she'd done the same sort of role in Chicago. The script wasn't an issue."

Marshall has moved on and is looking for a younger actress to hop in and play Claudia. The list of possibles includes Natalie Portman, Liv Tyler, Keira Knightley, Kate Hudson, and Gwyneth Paltrow. (In what world is Gwyneth Paltrow a reasonable substitute for Zeta-Jones?) The cast of Nine, one of the more attractive bunches of actors in recent memory, features Javier Bardem as Guido, Sophia Loren as Guido's mother, Penelope Cruz as his mistress Carla, and Marion Cotillard as Luisa Contini. Reportedly (another word for "allegedly"), Katie Holmes was "heartbroken" when Marshall turned her down for a role. Who would you guys like to see in the part? We'll keep you posted on how this drama turns out.

Additionally, Variety has announced today that the Weinstein Co. has officially delayed production on Nine due to the script not being ready.

In honor of the striking screenwriters, I wanted to write a list of my favorites, either contemporary or all-time. But I decided that it would be more respectful to not exclude any of them. Even the bad writers need recognition right now. I've tried writing screenplays, and I salute anyone who has had one produced, whether brilliant or not. Even if it weren't difficult to actually write a script, it's certainly tough to deal with the b.s. of Hollywood and the sad truth that your vision will likely not make it to the screen as devised. So, instead of concentrating on real writers, I figured I'd look at screenwriter characters, specifically those portraying the hardships of the job.

"Joe Gillis" from Sunset Blvd. (1950, Billy Wilder).

I imagine there's nothing scarier for a struggling screenwriter than the thought of ending up like poor Joe Gillis (William Holden). The opening shot of Wilder's classic shows the character floating face down in a swimming pool, and immediately he's labeled "an unsuccessful screenwriter." This sets up a hopelessness for the character, and for writers in general, as the film then flashes back to one of the greatest stories of Hollywood cynicism ever made. Gillis not only represents the difficulty of making it as a screenwriter, he also shares some juicy lines about how writers aren't recognized enough by the public ("Audiences don't know somebody sits down and writes a picture; they think the actors make it up as they go along."); about drastic alterations to his scripts ("The last one I wrote was about Okies in the dust bowl. You'd never know because when it reached the screen, the whole thing played on a torpedo boat.") and about the desperation that turns good writers into seemingly hack writers (replying to talk of his once promising talent, he says, "That was last year. This year I'm trying to make a living."). There were screenwriter characters before him, and plenty after, but Gillis will forever be the quintessential example.

Variety is reporting that director/choreographer Rob Marshall and uber-producer Harvey Weinstein have started putting together a cast for Nine, a film adaptation of the hit Broadway musical. Javier Bardem was just offered the role of director Guido Contini, who "experiences a creative and personal crisis as he tries to balance all the women in his life." The musical was inspired by Federico Fellini's classic 8 1/2, and the Contini role was originated onstage by the great Raul Julia. In its recent Broadway revival, Contini was played by Antonio Banderas. I love Bardem, but I have to wonder why Banderas isn't reprising his role here. He played the part in 2003 and he still looks like a million bucks, so the reason can't be that he's gotten too old. Curious.

Regardless, the real appeal of this film is going to be its women. If Marshall gets his first choices, this will be one beautiful cast. Marion Cotillard (Russell Crowe's love interest in A Good Year) is set to play Contini's wife. Penelope Cruz, whom I never thought too highly of until her terrific work in Volver, is in talks to play Contini's mistress, Carla. Marshall hopes to sign his Chicago co-star Catherine Zeta-Jones to play "the director's muse." Zeta-Jones isn't signed yet, but judging by what she told MTV's Movie Blog last month, she's a done deal. Said Jones, "I'd read the phone book with Rob Marshall. To put a musical in a director's hands, for me it can only be [him]." Marshall is also trying to get Sophia Loren, one of the sexiest women of all time, on board to play Contini's mother, who comes to Contini as a ghost. Michael Tolkin, best known for adapting his novel The Player for Robert Altman, is adapting the script. I'm no fan of Marshall, I thought Chicago was insanely overrated, and Mem-Snores of a Geisha was agony to sit through. Still, I dig musicals and it'd be great to see all of these gorgeous women on the big screen at once.

Director Rob Marshall is returning to movie musicals -- he directed the Oscar-winning Chicago, then was less successful with Memoirs of a Geisha. His new project, Nine, is (like Chicago) an adaptation of a Broadway musical, but the stage production of Nine is itself a reworking of the Federico Fellini film 8 1/2. The Weinstein Company has just announced the writer who will adapt Nine for the big screen: Michael Tolkin, whose script credits include Changing Lanes, Deep Impact and Gleaming the Cube. However, Tolkin is probably best known for his novel The Player, which he also adapted into a movie, and followed up with a sequel book last year, The Return of the Player.

I had never heard of the musical Nine before, which was originally staged on Broadway in 1982 starring Raul Julia (sigh ... I miss him) and won several Tony awards. The New York Public Library site has a very revealing photo of Anita Morris from the production. Like the Fellini movie, Nine is about a film director (not at all like Fellini) who is blocked on his current project and finds help by fantasizing about the women from his past. A 2003 revival starred Antonio Banderas. No news yet on casting -- I'm wondering if Banderas is still considered a viable option for the lead in the movie. I like him even in dumb movies like Take the Lead, and it would be delightful to see him in a musical like this one. The Weinstein Company says that the casting choices will influence whether the movie is released at the end of 2008 or later, and I am sure that with Marshall at the helm, they are thinking "Oscar season."