michelle williams Tagged Articles at Cinematical
New Trailer for Martin Scorsese's 'Shutter Island'
Filed under: Drama », Thrillers », Fandom », Movie Marketing », Trailers and Clips »

My first thoughts after watching the new trailer for Marty Scorsese's Shutter Island were ... "it looks damn creepy ... I dig it!" The trailer is over on Apple right now (watch it here in several different formats) and it sorta looks like a ghost story; a nifty psychological thriller for the director who took home Oscars the last time he had a feature narrative on the big screen (and I say feature narrative because if I simply said "movie" you'd all jump on me with "Nooooo you're wrong -- his last film was the Rolling Stones doc, Erik. How about you fact check blogger!"). Fact. Checked.
Based on the Dennis Lehane (Mystic River, Gone Baby Gone) novel, Shutter Island stars Leonardo DiCaprio and Mark Ruffalo as a couple of U.S. Marshals who travel to the remote Shutter Island to investigate the disappearance of a murderess/patient at the island's strange loony bin where, naturally, a guy like Ben Kingsley runs the show. I swear, Kingsley totally knows how to creep you out with those freaky eyes and that bald head and that icy stare. Goose bumps. Film looks good; it almost feels like Marty took what could've been a simple thriller dumped into theaters in the middle of winter starring Jessica Alba and That Guy Who Guest Starred on Gossip Girl and turned it into a pretty meaty (and enticing) fall (or winter) snack attack.
What do you think?
Ryan Gosling and Michelle Williams Sign Up for a 'Blue Valentine'
Filed under: Drama », Independent », Casting »
News first broke about Blue Valentine back in 2007, with the quite unique and distinct plot of "a couple whose relationship is jeopardized when they find themselves in different places in their lives." We're getting only a wee bit more now, two years later, as the film jumped out of ThinkFilm and finally hits production, but at least it's matched with leads who will make it interesting.Variety reports that Ryan Gosling and Michelle Williams have signed on to star in the indie drama, which will follow a couple in a failing marriage. "As their relationship hits the rocks, they recall better days." Derek Cianfrance, who will direct, penned the script with Cami Delavigne and Joey Curtis, while Mike Vogel, John Doman, and Maryann Plunkett fill in the rest of the cast.
At this rate, Gosling will run through all of Hollywood's blondes in no time -- Rachel McAdams, Kirsten Dunst, Williams... But in all seriousness, I've got a feeling these two will make a good pair, and maybe they'll both tap into their high school television angst as they reminisce. Haven't we always been waiting for the watery Breaker High to meet Dawson's Creek?
Watch This: 'Greed', Starring Natalie Portman and Michelle Williams
Filed under: Fandom », Trailers and Clips »
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Did you know that Roman Polanski directed a short film posing as a perfume ad starring Natalie Portman and Michelle Williams? Well, you know now. Greed is apparently the latest project from the Italian performance artist Francesco Vezzoli, and it's a very short film made to look like a perfume advertisement about two girls who duke it out over the right to wear this new fragrance. Dazed Digital has the short up on their site alongside this description:
"Directed by Roman Polanski and featuring Natalie Portman and Michelle Williams embroiled in a fierce battle over the fanciful scent, the spurious campaign attempts to isolate and imitate the hype created by the promotion of a new luxury product in the mass market."
Truth be told, I was expecting something a bit more than what the final product gives us, but it's Polanski and Portman and Williams (both of whom roll around on the floor together), so perhaps that'll be enough for some people. Check out the trailer below and the entire short film over at Dazed Digital.
Indie Winners: 'Wendy and Lucy'
Filed under: Drama », Independent », Box Office », Cinematical Indie »
Whoa! Keanu Reeves may have won the popularity contest with his one-note performance as an alien, but specialty audiences came out in big numbers for a variety of limited releases, according to estimates compiled by Box Office Mojo. In addition to the films mentioned by Eugene in his overall look at the charts -- Gran Torino, Doubt, The Reader, Slumdog Millionaire -- other good performers included Steven Soderbergh's Che and Gus Van Sant's Milk. Che inspired sell-outs at the two theaters where it opened in New York and Los Angeles, despite its four-hour plus running-time. Milk expanded to 328 theaters and had a per-screen average just a little less than The Day the Earth Stood Still.
Amidst that high-powered competition, Kelly Reichardt's Wendy and Lucy more than held its own, earning $10,700 per screen at the two theaters in New York (Film Forum) and Los Angeles (Laemmle Sunset 5) where it opened. No doubt the film benefited from the presence of Michelle Williams in the lead role, which is an odd thing in itself. Her celebrity status, such as it is, accrues from her relationship with Heath Ledger, but her own career, especially post-Dawson's Creek, bespeaks her interest in pursuing roles in the most independent of films.
If Williams' name value makes more people curious to check out Wendy and Lucy, so much the better. Summarizing the reviews, Eric D. Snider wrote: "The consensus is that it's a tender, beautifully shot, emotionally intimate little film." Reichardt's previous film, Old Joy, was a quiet masterpiece. Wendy and Lucy expands into suburban Los Angeles this coming Friday, and then it will slowly roll out to other theaters nationwide over the next couple of months.
Review: Wendy and Lucy
Filed under: Drama », Independent », New Releases », Theatrical Reviews »

(We're reposting our Wendy and Lucy review to coincide with the film's theatrical release)
By: Kim Voynar
Director Kelly Reichardt's much-anticipated follow-up to her critically acclaimed 2006 fest circuit hit, Old Joy, continues to show Reichardt's remarkable gift for classically simple, deeply engaging storytelling. Wendy and Lucy is the story of Wendy (Michelle Williams), a down-on-her-luck girl who's hoping to turn things around for herself with a summer job at a fishing cannery in Alaska.
Wendy's making the trek from Indiana to Alaska in her beat-up Honda, accompanied only by her dog, Lucy, and about $600 to make the entire trip. When her car breaks down in a small Oregon town, Wendy is forced to make a series of increasingly difficult choices, and to rely upon the kindness (or not) of strangers to resolve her plight.
Wendy loses Lucy in this small, insular town at a time when she most needs the comfort of her canine companion to pull her through. Her agony in losing her only friend in this time of personal crisis is palpable; when Wendy endlessly walks the streets calling for Lucy, her increasing desperation rings through in the tiny wavering of her voice on the edge of emotional breakdown. The kindness of an aged security guard becomes the sole tether that keeps Wendy from losing it completely; Wendy's relationship with the guard shows how the kindness of a single stranger to a person in need can make the difference between holding it together or falling apart.
400 Screens, 400 Blows - The Women of Synecdoche
Filed under: Columns », 400 Screens, 400 Blows »

400 Screens, 400 Blows is a weekly column that takes an in-depth look at the films playing below the radar, beneath the top ten, and on 400 screens or less.
Awards season has begun, and I doubt you'll be seeing much mention of Charlie Kaufman's Synecdoche, New York (115 screens), except possibly in the "production design" categories. And the truth is that the film only partially works; it's quasi-insane in a good way, but it hits upon ideas that were better explored in Being John Malkovich (1999) and Adaptation (2002). It does have a great cast, however, and it's a shame that they'll all be overlooked. Philip Seymour Hoffman, of course, will shake it off and probably win some honors for Doubt. He's one of the greatest actors of our time, and we'll probably be watching high-quality Philip Seymour Hoffman movies for decades to come. No, I'd rather focus on the many great women that drift in and out of the film. Thank goodness for them.
Catherine Keener has been nominated for two Oscars (for Being John Malkovich and Capote) and for my money she'd be nominated for her devastatingly funny performance in Hamlet 2. She's clearly smart and amazingly versatile; she can play a bored housewife, but she can also turn men's heads with very little effort. Her gift is that she can hook you and then play with you by switching gears so fast you can't see them. She's lately segued into a series of wonderful character roles and will probably be around for some time.
Michelle Williams Supposedly Plans Heath Ledger Film
Filed under: RumorMonger », Celebrities and Controversy », Fandom », DIY/Filmmaking »
Citing an unnamed source -- you know, one of those reliable anonymous types -- Showbiz Spy is reporting that Michelle Williams plans to make a movie about her late ex, Heath Ledger, in order to provide a record of him for the former couple's toddler, Matilda. No details have been released yet, which leaves a lot of questions up in the air. Is it going to be a straightforward documentary? A biopic? Some mixture of both? If this source is to be trusted, it seems unlikely that Williams simply wants to assemble family footage to screen privately for her daughter when she gets older. A Ledger film made for general audiences would probably reveal his unrealized career intentions and help solidify his posthumous James Dean-like reputation, but it's hard to say what approach Williams would want to take, since we don't even know what role she'll have in the production (producer? director? consultant?). Based on the skimpy information provided by Showbiz Spy, Williams' idea sounds somewhat similar to a recent documentary project that's been riding the festival to great acclaim in recent months: Kurt Kuenne's devastating Dear Zachary: A Letter to his Son About His Father, which begins with the documentarian planning to collect the memories of his murdered friend for the departed man's young child (the story takes a shocking turn after the first hour or so). Whatever the final product, surely Williams wants to avoid letting E! True Hollywood Story have the final say on Ledger's myth. Who can blame her?
More Pics from Scorsese's 'Ashecliffe'
Filed under: Drama », Fandom », Images »

Just over a week ago, Jessica shared a few far-off, behind-the-fence pics of Ashecliffe, the project formerly known as Shutter Island. There was a shot of Leonardo DiCaprio and Martin Scorsese, and now, over at Just Jared, there are close-up peeks of Leo, plus cast members Michelle Williams and Mark Ruffalo. If you remember, this is the 1950s drama about a US Marshal who investigates the disappearance of a murderess from a hospital for the criminally insane, a woman who might be hiding on Shutter Island.
JJ pointed out that it looks like Ms. Williams could be pregnant in this picture, which would put a whole sadder spin on her character's story arc. As Patrick pointed out when the actress signed up for the role -- Leo's character (the US Marshal) "is grieving over the recent death of his wife, who was killed in a fire by one of the inhabitants of the facility."
Between this and Incendiary, Williams has a lot of familial death on the way, which is even eerier considering the events of this year. But luckily, she's also got films like Synecdoche, New York to balance things out.
Photos from Martin Scorsese's 'Ashecliffe'
Filed under: Drama », Mystery & Suspense », Paramount », Sony », Movie Marketing », Images »

I'll always remember reading a review of Casino where a reviewer said that even a mediocre Martin Scorsese movie is better than the 'best' movie made by any other director. That particular piece of wisdom has always stuck with me whenever I was plunking down my hard earned dollars on a Scorsese film that wasn't necessarily 'my thing' -- cough, Kundun, cough. So with that in mind, you can be sure that I'll be there on opening day for his new thriller, Ashecliffe (formerly Shutter Island). The Boston Herald recently scored some pictures of star Leonardo DiCaprio and Scorsese on the set of the period thriller, with the added bonus of getting to see DiCaprio brandishing some firearms (thankfully, it was for the movie).
The film is based on a novel by Dennis Lehane (Mystic River), and centers on two U.S. marshals who are sent to investigate the disappearance of a patient from a hospital for the criminally insane. Things start to go downhill when a riot on the island has them trapped, and not to mention some events that are outside of the realm of the everyday. Mark Ruffalo joins the cast as DiCaprio's partner, and Michelle Williams also stars as DiCaprio's wife. The film immediately brings Spellbound to mind, and knowing what a Hitchcock fan Scorsese is, I will look forward to seeing Scorsese work in a few of those 'master of suspense' touches.
Ashcliffe is scheduled to arrive in theaters on October 2nd, 2009.
Cannes Review: Wendy and Lucy
Filed under: Independent », Cannes », Theatrical Reviews », Festival Reports », Cinematical Indie »

Director Kelly Reichardt's much-anticipated follow-up to her critically acclaimed 2006 fest circuit hit, Old Joy, continues to show Reichardt's remarkable gift for classically simple, deeply engaging storytelling. Wendy and Lucy is the story of Wendy (Michelle Williams), a down-on-her-luck girl who's hoping to turn things around for herself with a summer job at a fishing cannery in Alaska.
Wendy's making the trek from Indiana to Alaska in her beat-up Honda, accompanied only by her dog, Lucy, and about $600 to make the entire trip. When her car breaks down in a small Oregon town, Wendy is forced to make a series of increasingly difficult choices, and to rely upon the kindness (or not) of strangers to resolve her plight.









