Every once in a while, a follow-up news piece pops up that makes me wonder where I've been. In case you missed it as well -- there's a new anthology hitting screens this year called 8, and it's got a bunch of interesting directors attached. There are the likes of Jane Campion, Gael Garcia Bernal, Mira Nair, Gus Van Sant, and Wim Wenders, plus Gaspar Noe, Abderrahmane Sissako, and Jan Kounen.

Unlike the "I Love You" odes to famous cities, the film will tackle 8 themes and 8 films from famous directors that focus on the progress, set-backs, and challenges that face our planet. It's not just an environmental picture, but rather, it focuses on themes of poverty/hunger (Sissako's Tiya's Dream), education (Garcia Bernal's The Letter), gender equality (Nair's How Can It Be), child mortality (Van Sant's Mansion on the Hill), maternal health (Kounen's The Story of Panshin Beka), HIV/AIDS and other diseases (Noe's SIDA), environmental sustainability (Campion's The Water Diary) and development (Wenders' Person to Person).

It's sort of like Invisibles, which Kim reviewed from SIFF last year, and which also had a short from Wim Wenders. Now Variety reports that Marta McGonagle (iCarly) has signed on for a role in his segment -- although there is no word on what his segment, titled Person to Person, will be specifically about. For now, you can get a bunch of information from the film's website.

Amelia Earhart -- we hardly knew ya. But we're about to know the gal a whole lot more as it appears that planned biopic starring Hilary Swank (as Earhart) has brought on a new director to replace Phillip Noyce (who recently left the project). Yup, Moviehole (who've been all over this film) reports that Mira Nair has signed on to helm the flick, which will most likely begin shooting soon. Nair is a solid director; she's the woman behind The Namesake (which I liked very much), and definitely knows how to work with period films (see: Vanity Fair).

The film, currently titled (I believe) The Story of Amelia Earhart, is due out in 2009 and will star Swank as the American aviation pioneer. Earhart is probably most known for disappearing over the Pacific Ocean while attempting a circumnavigational flight across the globe in 1937, but she was also the first woman to receive the Distinguished Flying Cross, which she was awarded as the first woman "aviatrix" to fly solo across the Atlantic Ocean, so says Wikipedia. She also wrote best-selling books and helped launch The Ninety-Nines, which is an organization for women pilots. Needless to say, it's about time Earhart got the glossy, big-screen Hollywood treatment -- and with Swank and Nair involved, I'm sure this will be a film we hear a lot more of come Oscar time.

Have you recovered from your holiday eating binge? Are you ready for some pie? Reviewing Waitress at Sundance earlier this year, Cinematical's James Rocchi described it as "a light, breezy romantic comedy with a crackerjack cast and a certain degree of faux-Southern charm that never descends to cornpone mawkishness, and also has a whip-smart comedic sensibility in every scene." The late Adrienne Shelly wrote, directed, and co-stars with Keri Russell, Nathan Fillion and Andy Griffith. The DVD includes several featurettes and an audio commentary with Russell and producer Michael Roiff.

The Namesake very much impressed our own Kim Voynar, who called it "a deeply felt look at the ties of family and birthplace, the loneliness of living far from your home, and the connections that hold everything together, sometimes in ways we don't appreciate until much later." Mira Nair directed; the film stars Irfan Khan, Tabu, Kal Penn and Sahira Nair. The DVD features an audio commentary by director Nair and several featurettes, plus deleted scenes.

Critics gave high marks (83% positive, per Rotten Tomatoes) to documentary Manufactured Landscapes. It's said to be an "investigation of photographer Edward Burtynsky's legacy, with its aesthetic studies of industrial landscapes. ... It uses the topic of Burtynsky as a springboard." Jennifer Baichwal directed. The DVD includes additional scenes, a stills gallery and a discussion with Baichwal and Burtynsky.

We can never get too many rebellious child prodigy dramas, can we? Vitus fairly well divided critics: 34 positive and 21 negative, according to Rotten Tomatoes. The veteran and versatile Bruno Ganz is the most recognizable name in the cast. The DVD features an interview with Ganz, a "making of" feature and an audio commentary by director Fredi M. Murer.

Well it looks like we can chalk up another victim of the writers strike. Right after news broke that The Weinsteins had put their big-screen version of the musical Nine on hold, it now looks like Johnny Depp's Shantaram will be joining the list of casualties as well. Variety reports that Warner Bros. has halted production on the adaptation of Gregory David Robert's best-selling novel. Depp was set to co-produce and star in the drama about "an Australian heroin addict who escapes a maximum-security prison, reinvents himself as a doctor in the slums of India and eventually uses gun-running and counterfeiting skills to fight against the invading Russian troops in Afghanistan". Mira Nair had signed on to direct back in January after Australian director Peter Weir left the project due to those pesky "artistic differences".

As was the case with The Weinsteins Nine, Shantaram's delay was a direct result of the strike. Mainly because it meant there was zero chance of any re-writes taking place before the film was set to begin shooting. According to Variety, screenwriter Eric Roth (Forrest Gump) was working on the project until the very last minute before the strike. But when combined with the problems securing a location for the shoot due to monsoon season in India, it looks like the film is going to be put on hold for the foreseeable future. I wouldn't worry though, the film has been a passion project for Depp for some time now, so I doubt he will let if fall by the wayside. There is no word yet on whether Depp is looking for a replacement project in the meantime, but stay tuned for any updates that come our way.

Love is spreading through the cinematic world like wildfire. After Paris, je t'aime brought together the likes of the Coen Brothers, Tom Tykwer, Isabel Coixet, Gurinder Chada and other leading directors to create this varied and sectional account of Paris and love, we're now getting one about New York (with a Chinese version also on the way). Producer Emmanuel Benbihy is currently harnessing a new incarnation of directors to whip up New York, I Love You. This collection includes: Zach Braff, Mira Nair, Park Chan-Wook and Fatih Akin.

I'm kind of surprised Ethan Hawke isn't among them, or maybe Richard Linklater. The former, at the very least, is all about Gotham and the throes of love. Benhiby says: "we really want to surprise audiences with young, hip filmmakers with their own personal style and movie language."

Young and hip is great and all, but to me that sounds like they're just trying to commodify the idea, which gives me scary flashbacks to Reality Bites. Each section will be 5 minutes long to create a 100-minute final cut, and a thirteenth director will also be chosen to create transition sequences to "make the movie much more fluid." Please, please don't let the guy have actors' heads swirling on a big pizza! However, it'll be interesting to see what these directors can do with five minutes. Music video directors have jumped from the short story to the long feature, but I wonder how these guys will fair with such a small bit of time to get their point across. We should know soon enough -- they actually want the film to be out for a first-quarter 2008 release.

So, what are your thoughts? New York love -- yay or nay?

Indie niblets for you:

• It's been a few months since director Adrienne Shelly died at the hands of a short-tempered construction worker. Now, while her final film gears up for a pie-licious May release, a number of awards and initiatives have been announced to continue women's filmmaking in her memory. The American Film Institute is launching a production grant what will underwrite a Master Class in Directing under her name, Columbia University is starting an annual Adrienne Shelly Award for best female directors, New York Women in Film & Television is launching an ASF Finishing Funds Grant and an annual ASF scholarship with be awarded annually at the Maurice Kanbar Institute of Film and Television (part of NYU). It's great news for future female filmmakers, but it's a shame that it couldn't come years later, after Shelly enjoyed an extremely long and successful life.
• As part of a Q&A with TOMB, Mira Nair, the Indian director responsible for works like Vanity Fair and The Namesake chatted briefly about another feature in the works -- this time, a documentary on The Beatles. Nair has an interesting spin on the epic band. It will delve into inspiration and how it strikes. In the late 60's, the group went to India, where it is said they created most of their White Album and part of Abbey Road. As Nair describes: "This moment of amazing inspiration that the Beatles had in this remote place on the banks of the Ganges -- how does it happen?" It could be a great view into the band, and at the very least, have some great tunes to accompany it.
  
• Walter's son, Charlie Matthau, is getting busier and gearing up for another film to add to Freaky Deaky, which I posted about in January. He will direct Mikey & Dolores, a jazz-infused love story about an unlucky talent manager who falls for a jazz singer who is a client of his. The lead is being played by David Proval, who also penned the script with wife Cheryl Meccariello, and there is no word yet on his love interest. However, according to Matthau, he's looking at a tasty little cast to round things off. He says that he is in talks with Eric Roberts, Steven Bauer, Vincent Pastore and Tanna Frederick, with two already signed on -- Don Rickles as a standup comic and Pete Rose as a Vegas celebrity. It will shoot this May in Vegas and L.A.
  

The Namesake, director Mira Nair's adaptation of the book by Jhumpa Lahiri, is a deeply felt look at the ties of family and birthplace, the loneliness of living far from your home, and the connections that hold everything together, sometimes in ways we don't appreciate until much later. Nair examines these issues by focusing her lens on two generations of the Ganguli family: husband Ashoke (Irrfan Khan) and wife Ashima (Tabu), a Bengali couple who immigrated to New York from India, and their children, Gogol and Sonia, who were born and raised in America.

Ashima moves halfway around the world to live with her new husband, Ashoke, following an arranged marriage. Leaving behind the warm, familiar climate of Calcutta, Ashima must adjust to life in New York in winter. Lonely, cold and depressed, Ashima nonetheless does her best to make her way in her new home, as she learns to love her new husband. Before long two children, son Gogol (Kal Penn) and daughter Sonia (Sahira Nair) have expanded their little family and bound them to their new country, and the Gangulis move to a house in the 'burbs in Nyack.

Of all the actors who are regularly mentioned on Cinematical, Johnny Depp certainly seems to be the most popular. So, I am glad to be able to give the readers another update on Depp's passion project, Shantaram, which has just acquired a new director. Indian auteur Mira Nair has signed on to the film, which is based on Gregory David Roberts' mostly autobiographical novel. Shooting is now slated to begin later this year, once Depp is done with Sweeney Todd.

It has been awhile since we last heard about this film -- its formerly attached director, Peter Weir, dropped out last summer. But there were probably few worries that Depp would run out of projects to work on. Aside from Sweeney, he's also slated for The Rum Diary and maybe Rex Mundi. Plus, his production company has a number of adaptations he could star in. Still, Shantaram is the film that Depp paid $2 million for rights to, so he was probably most interested in getting it off and running again.

Director Mira Nair's latest film, The Namesake, adapted from the novel by Pulitzer Prize-winning author Jhumpa Lahiri, is a story about a young Indian-American man who wants desparately to fit in among his fellow Americans, even as his parents are unwilling to let go of their heritage and traditions. James Rocchi had the opportunity to sit down with Nair for a video interview to talk about her film. You can download the video here (42.1MB, 10:08 minutes) or watch it over at Netscape.

Today was the first day of the Telluride Film Festival. I have lots of lovely pics sitting on my digital camera to show you; unfortunately, the cable I need to download the pics is in Seattle, and the closest place to buy a replacement is 40 miles from here. Telluride is beautiful, but very isolated. Never fear, though, for the charming and delightful Eugene Hernandez, one of Cinematical's pals from indieWIRE, has a cable with him that he's going to let me borrow. If we can work out the complexities of our respective viewing schedules long enough for me to download my images tomorrow, then tomorrow night's dispatch will be decidedly more visual.

So, Day One. I got in Thursday evening after a full day of travel that included a three-hour drive from Gunnison after several hours of plane travel. The drive was lovely, so it went quickly enough, but I was too tired Thursday night to do anything other than check in at the Press Office, mosey up the mountain to my lodgings, order dinner in and collapse for the night. Friday dawned bright and sunny after Thursday's menacing clouds and occasional rain, and I can honestly say I've never seen anywhere prettier than Telluride on a clear and sunny day, not even Seattle. It's just majestic. I took the gondola down to the Press Orientation, where I picked up the official bright yellow "press" lanyard that distinguishes press from everyone else with a bright yellow badge. Much like at Sundance, every is always eyeballing each other's badges to see if you're someone important -- especially the blue badges, which are for guests, many of whom are filmmakers.