miracle on 34th street Tagged Articles at Cinematical

Trailers have been part of the movie-going experience for almost a century, dating back to when they were shown after the feature (hence "trailers"), not before. Today, many people cite the coming attractions as one of their favorite things about going to the movies, and what's not to like? A trailer often has every single good thing about a movie, condensed into 2 1/2 minutes. That saves you a lot of time.

The scholars at IFC.com have compiled their list of the 50 greatest trailers of all time, presented in the very popular one-item-per-page format that all Internet users love. Great trailers aren't necessarily for great movies. In fact, a lot of these selections are for bad movies. It's the trailers that are good. And what constitutes "good"? IFC says, "Ultimately, we decided that the best trailers are those that most effectively combine art and commerce, and that sell and entertain with equal skill." Amen to that.

I'll be a spoiler and tell you their choices for the top five: Jerry Seinfeld's Comedian at #5, Miracle on 34th Street at #4, followed by Cloverfield, Psycho, and, in the top spot -- the best trailer of all time -- Alien. What do we make of the fact that the top three (in IFC's estimation) are for thrillers? And what did they leave off the list?

We've got the Alien trailer from YouTube after the jump, where no one can hear you scream.

I was a fan of The Simpsons back when they were still on The Tracy Ullman Show. But back then, I was a fan of anything on television. Those old shorts weren't even that funny. A few years later, though, when I grew out of watching TV, I remained loyal only to The Simpsons. Why? Because it got funnier, but also as a movie geek, I couldn't get enough of the series' constant homages to cinema. It seemed there were references in every single episodes. Some were little throwaway bits, either verbal or visual winks, while others were more blatant, full-on tributes or parodies. In both cases, there are sequences using near-exact shot duplication -- something only an animated show could do so well -- and these are the kinds of nods that kept me a fan for years and years and years (I did kind of abandon the series in its regular run after about 12 years, though).

There have been a number of guides and websites to The Simpsons that provide lists of movie references and parodies. However, none of them are visually comprehensive. Coming close, though, are a few sites that place side by side a Simpsons still and its corresponding reference. Here, we can really see how dead-on some of those frames are, and how loosely adapted some others are. So, in preparation for the soon-to-be-released Simpsons Movie DVD, a blog titled The Adventures of Accordian Guy in the 21st Century (aka JoeyDevilla.com) put up a decent collection of these comparison shots over the weekend. He admits he found the images, but his spread is appreciated, nonetheless. He also doesn't list the movies, so I'll take a second and list the ones included: The Shining; Vertigo; The Graduate; Citizen Kane; Miracle on 34th Street; A Clockwork Orange; The Godfather, Part II; Goodfellas; Tom Jones; The Karate Kid; Psycho; Full Metal Jacket; The Longest Day; Apocalypse Now; Stripes; An Officer and a Gentleman; The Ten Commandments; North by Northwest and Saboteur. Additionally, the blog has posted small, individual sections on Simpsons tributes to Raiders of the Lost Ark; Citizen Kane; Midnight Express; It's a Wonderful Life; 2001: A Space Odyssey; The Pride of the Yankees; One Flew Over the Cuckoo's Nest; How the Grinch Stole Christmas and Steamboat Willie.

Obviously there are countless more movies the blog doesn't include (commenters mention some good ones), as well as a number of shots and references within his list that are excluded. But we must understand that a comprehensive project would take a long, long time. However, if you know Spanish (or even if you don't), you could take a look at Actualidad Simpson's movie reference section, which is apparently where the blog got the images (I couldn't tell you if they took them from elsewhere), and where there are lots, lots, lots more (with titles).

I was just re-watching my favorite Christmas movie, Miracle on 34th Street (1947) on DVD, though I was lucky enough to see it several years ago on the big screen. I like it because it has a real sense of the hustle-bustle of the season, of a chill in the air and the feel of ducking indoors for a hot cup of coffee. It even has an impressive documentary feel during the Macy's Thanksgiving parade sequence. It feels entirely modern, with its frank discussion of psychiatry and of the crass commercialism of Christmas. Of course, I'm a sucker for all the sentimental hogwash as well. I get all choked up when Kris Kringle sings with the Dutch girl.

One thing I noticed, though. Fox has released a new DVD of the film. I don't own it; I'm perfectly happy with my old edition from 1999. The new disc comes with a colorized version of the film as well as the original black and white, but it also comes with a full-color box cover, advertising Santa (Edmund Gwenn) in his bold red and white suit and ruddy pink face. I know Santa is always supposed to look like that, but I don't miss color in Miracle on 34th Street. Certainly the producers had the choice to film in color if they'd wanted to, and certainly color was more expensive, but they chose black and white and they stuck with it, knowing that it wouldn't detract from the film experience. It didn't. It was a hit and won three Oscars.