movie ratings Tagged Articles at Cinematical
UK Wants More Sex, Less Glue-Sniffing
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In the U.S., movie ratings are sometimes "baffling, illogical or just plain outrageous," as Eric D. Snider wrote last year. Greater leniency is granted to blockbuster action movies, as long as the beheadings and other violent acts are not too bloody or explicit, while more peaceful-minded feature narratives and documentaries find themselves saddled with a rating that restricts their audiences because they have one too many 'f-bombs.'
In the U.K., the British Board of Film Classification has issued its latest set of guidelines "following consultation with about 9,000 people aged 16 and older," according to Reuters (via The Independent). "The clear message was that [explicit sex scenes in movies such as Michael Winterbottom's 9 Songs] were acceptable at 18." The article notes that "films with an '18' tag are restricted to patrons 18 years of age and older." Greater concern was expressed about on-screen solvent abuse, such as glue-sniffing. Rules have now been stiffened in response, and more restrictive ratings may be issued in the future.
Of those surveyed, the report claimed agreement with ratings given "in 99 per cent of all cases" for films they had watched. Are film rating systems better or worse in other countries? I've never lived outside the U.S., so I'd be interested in hearing from our international readers about their impressions, positive or negative. For those inside the U.S., do you agree with the ratings given to movies you've seen? Or does the MPAA get it wrong more often than right?
Discuss: Movies That Deserved a Different Rating
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Over the past few weeks, movie ratings have been a popular topic for discussion. While Kevin Smith's upcoming Zack and Miri Make a Porno appealed an NC-17 rating (and won), The Dark Knight was enjoying a record-setting box office take and a pretty controversial PG-13 rating. Once again, we ask: Why is sex more inappropriate than violence? Should raunchy language and a few "thrusts" be condemned while a dude with half his face falling off and a psychopathic, murderous clown get off practically unscathed? And are there other issues at work here? Does a film with a giant budget and an all-star cast get it "easier" than a smaller film with a lesser-known cast and a director who chain smokes profanity?
No doubt there are shady politics at play here (as is all over this fine country of ours), and over the years there have been a number of films that deserved a different rating. Over on OMG Lists, they currently have up a list of six wrongly rated movies; films that, for one reason or another, deserved either a lower or a higher rating. It's a weird system, for sure -- these days, if you're a comedy, you kinda want that 'R' rating because your box office take will most likely be higher. However, if you're a horror flick, you want to try for a PG-13. Strange world we live in ...
But anyway, among the films featured on their list are Planes, Trains and Automobiles, which, at the time, received an R-rating because of a few profanity-laced scenes, but totally could've gotten away with a PG-13. Or what about Jaws ... with its PG rating! Hey, it's a film about a giant shark that devours people -- bring the whole family!
MPAA Continues Without a Clue
Filed under: Drama », Horror », Independent », Exhibition », Movie Marketing », Cinematical Indie »
Forget about whether or not the MPAA is actually making improvements to the film ratings system. You can believe that it is, or you can believe that it isn't. The important thing is that the board should be communicating more clearly to moviegoers the point of film ratings and the reasons for a film being rated what it is rated. The worse thing for independent cinema is not that films may unfairly receive an NC-17 rating; it is that the public misunderstands the NC-17 rating. This problem is still mostly the fault of the MPAA, along with the National Association of Theatre Owners (NATO). Fortunately, the MPAA may be finally acknowledging this. Last week, when the MPAA's ratings revision proposal was announced, there was mention of a plan to provide more specific descriptors for R-rated films, addressing whether they are more or less inappropriate for children. I wrote hopefully that this was a plan to steer away from the poisonous NC-17 rating. But in his official declaration of the new policies, Dan Glickman stated the opposite. The MPAA, he said, would like the world to love and embrace the NC-17.









