nia vardalos Tagged Articles at Cinematical

Nothing can really compare to the craptacular showing of ZYZZYX Road, the film that brought in a whopping $30. That's no typo -- it didn't bring in $30 million, not even $30 thousand. I'm not sure any film could ever compete with that, except for maybe a For Justin & Kelly sequel, but there is a stinker this summer that comes sort of close.

It was set to be her big comeback. Two films, one she was headlining, and one that she wrote, directed, and starred in. The first made the rounds, but the other didn't go much further than a blog post or two. Figure out who I'm writing about yet? Yes, it's Nia Vardalos and her feature I Hate Valentine's Day. Gordon and the Whale dug into the little feature that couldn't, revealing that after spending $5 million and making well over $200 million on My Big Fat Greek Wedding, Valentine's Day only brought in eleven thousand dollars in the U.S., from three theaters. Sure, the film hit almost a million with its foreign run, but that doesn't even cover the film's estimated $3 million price tag. Ouch.

Nevertheless, Tom Hanks' Playtone loves her. The TV show might have tanked, as well as her long-awaited follow-up feature (and disappointing showings on the rest of her post-stardom work), but she's in line for two more Playtone productions -- one writing, and one writing and acting. Will they bring more success? It'd be nice, but at this point, it'd also be a shocker. Maybe they should have waited until February 14 to release this puppy. At least then they'd have gotten the coupley audience.

So here we have it, the summer movie season finally winding down, and maybe it's just us, but a couple of peculiar trends have cropped up since May that we thought were worth bringing to light. For starters, we've only further elaborated on Eric's early indicator that puking was 'in' this year (seriously, it's gotten to be a pretty considerable theme), and as for the rest, you can check them out after the jump. Some spoilers follow. And if there are any corrections or additions to be made, please pipe up in the comments, and do so gently.

The other day I watched My Life in Ruins out of curiosity and because I was bored. In the past, I've been quite cynical about the movie and Nia Vardalos's upcoming film I Hate Valentine's Day, but when all was said and done, I was a captive audience. And you know what? I like Nia Vardalos. I want to root for her. But it was in spite of myself that not only did I like it... I cried.

Yes, despite the hackneyed plot – woman uproots her life, is cranky and miserable and loveless, then gets her groove back, along with a hunky fellow; despite the use of every possible ethnic and sexual stereotype possible; despite a love interest whose name is Poupi Kakas; and despite the complete lack of innovation in terms of the romantic comedy genre.... I liked it. And I cried. And I was very embarrassed.

I cry at a lot of movies, which is awkward, since I see a lot of movies, often with colleagues, friends, and publicists. After seeing The Fall, which I adored, another viewer asked me if I was okay. I bawled during the excellent movie Bright Star, although I am 99 percent sure everyone else did too. I even cried during Seven Pounds, one of the most ludicrous and manipulative "feel-good" movies I've ever had the trauma of sitting through. And after seeing The Family Stone one Christmas, hoping for the light-hearted comedy that the trailers promised, I left the theater dazed and angry at how mean-spirited and sad it was.

There are certain things that set me off, but even the lamest Sunday afternoon guilty pleasure can get me sniffling.

Are you a movie crier? Which movies have you cried at? (No need to get gory with whys and wherefores.) Were you in a public theater? What do you do when you start tearing up (or sobbing)?

By now you've probably caught fellow Cinematical writer Dawn Taylor's posts about desiring female Pixar leads and wanting some Bechdel rule-abiding women in Star Trek. Both posts got their share of positive comments, but they also got a slew of knee-jerk reactions and vitriol. I don't want to rehash what Dawn already expressed well, nor get into another argument about specific female characterizations. Instead, I want to look into this neverending trend where any desire for a strong female character leads to complaints and accusations of a political agenda.

Ask for a certain type of female protagonist, discuss inequalities, gripe about the proliferation of poorly developed female characters, and in a flash, comments will pour in with a myriad of political catchwords like: feminist agenda, feminist rants, equality of the sexes, affirmative action, sexist conspiracy, and political correctness. These will be joined by painfully inaccurate sentiments that equate a desire for female success with wanting "every unfulfilled desire," Hollywood bending to charity and catering to specific audiences, wanting to exclude men from film, a lack of acceptance at the equality already reached, and of course, that including strong female protagonists is somehow sacrificing or tainting good work. (All of the reactions mentioned in this paragraph can be found in the comments on Dawn's two posts.)

The fact of the matter is: Wanting interesting and diverse female protagonists is not a political agenda. It's a widespread human trait found in both sexes: the desire to find camaraderie and others who are relatable and recognizable.

Throughout My Life in Ruins, a couple of characters are frequently reminded that they are not as funny as they think they are. Unfortunately, this also applies to the movie itself. It wants to be a bubbly and occasionally zany comedy with a touch of romance surrounded by gorgeous Greek scenery ... but it often feels flat and forced, and even the landscapes seemed blah. It's being touted as a follow-up to My Big Fat Greek Wedding, with the same lead actress (Nia Vardalos), but it doesn't have the pleasing blend of comedy and family sentiment that made its predecessor a success.

The movie is about a five-day tour of legendary ruins in Greece (thus the title). Georgia (Vardalos), a former history instructor whose stopgap job as a tour guide has extended for years. She hates her job, fusses because she's being assigned "second-class" tourists, and finds fault with everything in Greece that isn't at least 2,000 years old. Various Greeks -- her boss, her bus driver -- tell her that she has lost her kefi, a Greek word meaning joie de vivre or mojo or the ability to not annoy the audience. She just needs to relax and get laid and stop worrying her pretty head about things.

Nia Vardalos, who wrote and starred in My Big Fat Greek Wedding and stars in the Tribeca closer My Life in Ruins, has another rom-com on tap. I Hate Valentine's Day, which she wrote and directed, pairs her up with onscreen hubby from Greek Wedding John Corbett. Remember him back when he was the philosophically inclined DJ from "Northern Exposure," back before he went on "Sex and the City" and started a country band? Those were the days.

Nia Vardalos is a single NYC gal who refuses to go on more than five dates with anyone. Naturally, her resolve is tested when John Corbett and his debonair ways come calling. Will she change her mind? Does she have some secret heartbreak in her past? Will there be lots of jokes about chin hair and Windex? My Spidey sense says yes! And somewhere in there, Zoe Kazan (The Exploding Girl, Revolutionary Road), Rachel Dratch ("Saturday Night Live"), and Judah Friedlander (30 Rock, abuser of trucker hats) come in.

There have been notable women in the world since that first apple-curious gal was made from an extra rib, and Hollywood has even covered many of their stories. But it just can't seem to allow that bubble to burst fully into the X-X spectrum. The lack of female directors has been well chronicled: We've seen the challenge in following the Bechdel Rule, and the list goes on and on. Most recently, we've watched as Catherine Hardwicke earned the best box office opening for a female director ever, only to be axed and replaced by Chris Weitz for the Twilight sequel, New Moon. Not exactly the best way to wrap up 2008 and kick off 2009, but life goes on and so do we.

Hollywood also moves on, and luckily there are still women to watch for. Some are older, and some are quite young; a few have the pressures of sophomore features, and one isn't even real. But they're all women who will mold the face of Hollywood in 2009. Read on and make sure to comment with the woman (or women) of Hollywood that you're waiting to see in the new year!

Cinematical has just been informed that Nia Vardalos' My Life in Ruins has scheduled a May 8, 2009 release date, which, so far, puts it opposite Star Trek as the weekend's only other wide release. And yes, we're told it will be a wide release, and that a brand, spanky new trailer will arrive soon (pay no attention to the one leaked online earlier in the month). Produced by Tom Hanks and Rita Wilson, Ruins stars Nia Vardalos as she returns to her Greek roots (and to the country itself) as a tour guide who discovers her romantic side while showing a ragtag group of tourists around. Directed by Donald Petrie (How to Lose a Guy in 10 Days), Richard Dreyfuss and Rachel Dratch also star.

Fox Searchlight must have a good feeling about this flick if they're throwing it out right at the beginning of the summer -- and opposite the giganto Star Trek -- though the film's low-key vibes and romantic scenery will counter the ridiculous Trekker fanboy-ish quite well. Will My Life in Ruins bring Vardalos some more big, fat Greek luck? We shall see ...

Four years after Connie and Carla failed to set the world on fire, Nia Vardalos has left the writing to someone else while returning to the safe turf of Greece for her new film, My Life in Ruins. Vardalos plays an Athens tour guide tired of all the grating tourists, obnoxious locals, and scheming colleagues in her life, and if the trailer -- link removed at request of studio -- (for those who don't mind Greek subtitles) is any indication, things might just change for the better soon enough.

There has yet to be any specific Stateside release date announced -- Fox Searchlight tentatively has it scheduled for 2009 -- but the crowdpleaser pedigree of Vardalos and director Donald Petrie certainly doesn't hurt the film's chances of outgrossing the $8 million that Connie raked in theatrically (whether or not the downright loud pairing of Harland Williams and Rachel Dratch will is a different story).

Also in the name of safe-bet follow-ups is I Hate Valentine's Day, a rom-com written and directed by Vardalos that reunites her with My Big Fat Greek Wedding love interest John Corbett. That project also bears an equally vague '09 release date, but I have trouble thinking that it couldn't be out of post-production and in theaters by next February.

It looked like Nia Vardalos' career was over after the crappy, buzz-sucking television adaptation that was My Big Fat Greek Life. Then, a whole slew of years later, we hear that she's coming back with My Life in Ruins. The film hasn't even had its world premiere in Greece yet (it screens on May 22), and she's got another one on the way. At least this time, she's not following a film up with a crappy TV show. (Man, it was such a disappointing adaptation...) To make it even more appealing, she's also going back to her big hit roots.

Variety reports that Vardalos is once again getting sexy with her My Big Fat Greek Wedding co-star John Corbett for the upcoming romcom I Hate Valentine's Day. The project, which was written by the actress and will mark her directorial debut, is being called "a comedy for the romantically challenged." It focuses on "a romantic, carefree florist who charms a commitment-phobic restaurant owner into trying her theory of 'relationship-less' dating."

Ideally, I'd like to see that remain a "relationship-less" scenario, just to be something different, but I'm sure one or both of them will succumb to the throes of passion and fall in lurve. It is a flick for Valentine's Day after all.

But I ask you: Can this live up to their first pairing?