Welcome back to The Write Stuff! I'm thrilled that there is such a strong interest in screenwriting out there. Thank you all so much for your comments last week, both here and on my site. All of your questions and comments will be addressed in the coming weeks, so stay tuned and keep them coming!

The first interview for the column is with red-hot screenwriter Adam F. Goldberg. Adam is living the dream. He writes for both television and film, and his upcoming movie projects include Fanboys, the live-action Jetsons movie, and They Came from Upstairs. Cinematical spoke with the incredibly busy Goldberg about his scripts, his process, and Goonies: The Musical.

Cinematical: You said you were being "enslaved by a director," what are you working on? And should I call the authorities?

Adam F. Goldberg: Perhaps call them for my hacky writing! It's called They Came From Upstairs for Fox. It's a family movie, kinda like Gremlins -- but with aliens. The spec was written by Mark Burton and was sold for like $1.7 mil. I believe I am making about .0001212 of that. It's been a really cool project. The movie was in pre-production and the studio realized the script wasn't ready and shut it down pretty late in the game. I came aboard to get the train back on the tracks which is always high pressure and very difficult to do. I handed in 40 pages and they re-greenlit the movie and we're casting and location scouting now. I'm on draft two currently, working next to the director and bringing his vision into it.

Cinematical: Is that an awkward process at all -- being brought in to re-write a fellow writer? Do you ever run into hurt feelings or bruised egos? I guess the $1.7 million makes the pill easier to swallow.

AFG: Well, I come from the TV world, writing on sitcoms and that's very collaborative. You have to sit in the room and watch 10 other writers tear apart your script right in front of you. That bruises your ego. As for movies, more often than not a writer can only go so far and it's your job to bat clean up. It's never a great feeling to have your screenplay rewritten, but hopefully you've moved onto your next project, so it doesn't sting so much. And believe me, that $1.7 payday is like winning the lottery. I hope I can sell a spec one day. I've had little luck in that department.

It goes to show, sometimes inspiration can come from the unlikeliest of places. Variety reports that Universal has just picked up the 'supernatural comedy' Jeff the Immortal. Written by Chris Bishop, the story revolves around "...a slacker who discovers he has supernatural powers but uses these new-found powers for selfish reasons." This is where the unlikely inspiration comes in; it turns out Bishop came up with the idea for Jeff the Immortal after watching the Christopher Lambert fantasy classic film Highlander. Instead of an immortal Scottish clansman embroiled in an epic battle, Bishop decided to go with aimless slackers -- this is a comedy after all.

Chris Bishop started his comedy writing career on The Drew Carey Show back in 1995, and has worked on and off in TV since then. Jeff the Immortal will be his first feature film script. Bishop has also just handed in a first draft to Warner Independent for the remake of Night of the Living Dorks (Nacht der lebenden Loser, Die), a 2004 German comedy about three losers who bungle a voodoo ritual and wind up as the living dead. On board to produce Jeff for Universal is Marc Platt Productions. Platt is also behind Angelina Jolie's comic book flick Wanted and the Jonathan Demme comedy Dancing with Shiva. Since Jeff is still in the early stages of production, there is no word on a director or star. But lately, comedies have proven they can pull in the box-office, so I would guess that Universal will want to get to work as soon as possible.

Here's a D-licious, highbrow collection of news for the weekend:

• A few years ago, there was a little German horror comedy called Night of the Living Dorks. Three dorks do a voodoo ritual, later die in a car accident, come back as zombies and then try to make the most of their condition. Since zombies are so hot right now, it was only a matter of time before we got a remake, and now it's here, at the hands of Warner Independent Pictures and Chris Bishop, who will write the script. I'm sure it will be whatever you think it's going to be. The group of producers on the film hail from Vertigo, who are responsible for remakes like The Departed, so that bodes well for the flick.
• Continuing with the ultra-mature and serious fare, there is Donkey Punch. Yes, that's the real title. A debut feature for Warp X, as well as writer/director Olly Blackburn, the film follows a group of people delighting in a hedonistic weekend in Spain. One afternoon, too much drugging and sexing leads to an accidental death on a yacht, which results in them having to fight to survive. Whether there will be an actual "donkey punch" in the film, I don't know. The flick will start shooting in South Africa next week, and it stars Jaime Winstone (who is in the just-picked-up Daddy's Girl), Tom Burke, Nichola Burley and Julian Morris.
• Rounding out this collection of D-starting horror, we've got The Demonology of Desire. It's a second film from Rue Morgue founder-turned-short film director Rodrigo Gudino, and Twitch has some gory stills to feast on. The premise: Ramona makes a wish that is answered when she meets Eric. However, there's "dark fantastical depths" to the boyhood crush, and the film reportedly mixes fable, romantic thriller and artcore horror. Vague, eh? The stills show a cage and some bloody flesh, if that helps clear things up for you.