nirvana Tagged Articles at Cinematical

Nirvana held on to its legacy for about a decade, but little by little their power and mystery is being stripped away. When I first started hearing their music in movies and television, it didn't bother me nearly as much as I expected it to. "All Apologies" was used brilliantly in a late episode of Six Feet Under. "Something in the Way" was put to good use for an effective scene in Jarhead. But then, it all started to fall apart. "Breed" used in Shoot 'Em Up and a baseball video game? Eight Nirvana songs used, badly, on Cold Case? Just how much heroin money does Courtney Love need? Lately, several films have dealt with the life of Nirvana frontman Kurt Cobain. Gus van Sant gave us the staggeringly boring Last Days. I'm eager to see the new documentary Kurt Cobain: About a Son. And Variety has just announced a big-screen adaptation of what many consider the definitive Cobain biography -- Charles Cross' excellent Heavier Than Heaven.

Apparently, "the producers and studio would not address whether they had locked down music rights, or the nature of the story they are trying to tell." Cobain's widow Courtney Love is listed as an executive producer, so I'd imagine they'll have pretty unlimited access to Nirvana's vaults. No director has been announced, but David Benioff will write the script. That makes me a little more comfortable with the idea, because I think he's a fantastic writer. Benioff adapted his novel The 25th Hour for Spike Lee, and that's one of my favorite films of the decade. Still, the whole thing fills me with unease. So much of this could go very wrong and further tarnish the Nirvana legacy. I wonder what they're going to do about Krist Novoselic and Dave Grohl? Won't it be a little odd to see those two portrayed by actors? And since their relationship with producer Love is so strained, what if she paints them in a negative light? Ewan McGregor was rumored to play Cobain at the beginning of the year (I could see that), and something tells me Jared Leto is calling his agent as we speak. Ugh. Who would you cast?

I've now missed seeing A.J. Schnack's film Kurt Cobain About a Son at least three times -- last year at Toronto, and this year at both AFI Dallas and Seattle. But now, thank goodness and all things flannel and depressing, I'll have another chance to see it, and so will you. Over at indieWIRE, Eugene Hernandez posted the other day that Balcony Releasing will debut the film at the IFC Center in New York City on October 3, followed by a Los Angeles opening at the Nuart a few days later. The film will play Seattle, Cobain's hometown, at The Varsity on October 12, and will get a DVD release early next year.

If you're not familiar with the film (read more about it on its official website) it's based on some 25 hours of previously unheard audio interviews with Cobain conducted about a year before Cobain's suicide by Michael Azerrad as research and background for his book Come as You Are: The Story of Nirvana. In the interviews, Cobain discusses everything from his childhood, to music, to dealing with fame. I was a little old when Nivrana's album Nevermind came out to start dressing in flannel shirts and ripped jeans, but I've always loved Nirvana's music. Cobain's angst, no doubt, felt very personal to him, but his music conveyed those emotions universally; anyone who's been an adolescent and felt isolated from the status quo could find comfort and commonality in Nirvana's music.

October seems a long way off at the moment, but here's a roundup of write-ups of the film, which is currently sitting at 83% with a smattering of reviews on Rotten Tomatoes, to get you excited about it in the meantime. Oh, and when you're done with that, you can check out Schnacks' blog, All these wonderful things, where his latest post takes on the issue that's been taking the film and book blogging worlds by storm this week: embargoes. It's a well-written piece, so check it out.

"In 'Kurt Cobain About a Son,' Director AJ Schnack takes a fresh approach to non-fiction storytelling, turning the idea of the traditional music doc on its head ..." -- Jonny Leahan for indieWIRE


"It's clear almost immediately that Kurt Cobain: About a Son has little to offer detractors of the deceased Nirvana singer, though AJ Schnack's directorial choices admittedly lend the proceedings a surprisingly artful sort of vibe."
-- Reel Film's Toronto 2006 Update

"This film is not a typical rockumentary full of celebrity and friendly talking heads, archival concert footage or anecdotes and pictures from Kurt's past. What this is, simply, is Kurt Cobain's voice, carrying on an extended conversation." -- Mark Bell, Film Threat


"Impressionistic docu "Kurt Cobain About a Son" is a counterpoint to the iconic late Nirvana rocker's legacy." -- Dennis Harvey, Variety