In the original Bangkok Dangerous, the main character (an assassin) was deaf-mute. A very interesting angle for a killer, and one that would've made for good conversations had that aspect of the film made its way into the English-language remake. Ah, but it's not to be. I mean, could you imagine hiring Nicolas Cage for a film and then giving him no lines? Seriously -- the guy overacts as it is; what in the world would it look like if Cage had to tell us everything through facial expressions? There's a chance the dude's cheeks would literally explode on camera.

But anyway, above you will find the trailer for Bangkok Dangerous; a remake of the 1999 Pang Brothers film, directed by the boys behind the original. Here, Cage plays an assassin who travels to Thailand to kill a bunch of people, but falls for a local Thai girl in the process. Cue feelings of regret ... yada yada. For those who saw the original, how do you feel about them removing such a crucial part for the remake?

Bangkok Dangerous hits theaters on August 22.

He may not be a wrestler, but Nicolas Cage certainly knows how to be dangerous in Bangkok. Back in June of 2006, the National Treasure-hunting actor signed on for the Pang Brothers' (Oxide Pang Chun and Danny Pang) remake of their 1999 action film, Bangkok Dangerous. Now The Hollywood Reporter posts that Lionsgate has picked up the North American distribution rights to the film, which they will push out to us this summer.

Bangkok follows Cage as "an anonymous assassin who travels to the city to handle four kills for an underworld crime boss, but his conscience becomes his enemy when he meets a local Thai girl." You might notice that the deaf-mute angle on Cage's character is missing this time around. Why? According to an old interview with the filmmakers: "We'd like to keep him the same, but we understand that from a marketing purpose Nic needs to have some lines." In other words, they were convinced to change the character? That's really too bad, since that's an interesting angle for a hitman -- someone who can't hear the results of his work. Instead, his girlfriend will get the deaf treatment. Still, it's the Pang Brothers, so maybe that won't matter.

The Storm Riders was a riotously silly martial arts fantasy that divided audiences when it was released in 1998 -- either you got with the groove and rocked out to the comic book style writ large or you fled in terror from its extravagant empty exercise in style over substance. Initially I recoiled from its excesses, but a second viewing (only partially influenced by a moderate intake of a certain alcoholic beverage) was much more enjoyable. To get a better idea of the craziness, check out Kozo's review at LoveHKFilm.com.

Directed by Andrew Lau (Infernal Affairs), The Storm Riders was a huge hit and a much-needed shot in the arm for the beleaguered post-Handover Hong Kong film industry. Given the industry's proclivity for churning out sequels in rapid succession, it's rather surprising that a direct sequel was not immediately forthcoming, but soon the wait will be over. Screen Daily is reporting that Universe Entertainment has hired Danny and Oxide Pang (The Eye, The Messengers) to helm a sequel.

The original film was based on a comic book series and featured an all-star lineup headlined by Aaron Kwok and Ekin Cheng. Three months ago, Grady Hendrix of Kaiju Shakedown reported that one of the Pang Brothers was interested in buying the rights to the comic book; his version would be unrelated to Andrew Lau's film but with Chen and Kwok returning as the heroes, Wind and Cloud (cool character names, by the way). Lau reportedly had his own plans for a direct sequel which have not yet come to fruition.

The comic book series has enjoyed a near 20-year run, so there are plenty of stories to go around. An animated feature based on the series and entitled Storm Rider Clash of the Evils is due out next year. We'll have to wait for details to see what live-action story the Pang Brothers will be telling.

Down-on-his-luck private eye Tam (Aaron Kwok) is asked by a man to find a woman who is trying to kill him. Tam takes the case but instead of locating the mysterious woman he starts turning up dead bodies. Welcome to the off-kilter world of The Detective, directed by Oxide Pang. He and his brother Danny Pang made Bangkok Dangerous, which they are remaking in English with Nicolas Cage, The Eye , which is being remade by two French directors in English with Jessica Alba, and The Messengers, which isn't being remade because it was shot in English and made a good deal of money in relation to its budget.

The Pang Brothers are quite prolific; in the last five years or so, they've made three other films together as a team, Oxide has directed four others on his own and Danny has made three solo efforts. I very much enjoyed the energy and style of Bangkok Dangerous and The Eye, admired certain elements of The Eye 2, and was bored silly by The Messengers, but I haven't seen their other work. The Detective opened strong in Hong Kong last week, earning HK$1 million on its first day of release, according to Hong Kong-based entertainment news site batgwa.com. The Detective also opened in Singapore last week and opens today in Malaysia. Reviewer Kozo of LoveHKFilm.com calls it "more of a ride than a complete experience, but Oxide Pang puts together a very enjoyable ride." Stefan Shih of movieXclusive.com had some reservations yet wrote: "still recommended for the visuals, sound design and [Aaron] Kwok's charismatic one man show." The film also received a positive nod from Cammy Zulkifli of Cinema Online in Malaysia.

Aaron Kwok has been a romantic pop idol for many years while also starring in movies in which his dramatic talents have sometimes been questioned. Entertaining blogger Soupdragon commented in her review: "He's an obsession just biding its time before it takes over all over again. ... Sometimes you rediscover [old obsessions] and find it's going to be a blatant case of not-stalgia ... Other times you remember exactly why they were obsessions [in the] first place. This is a clear case of the latter." She puts the film on the top of her list for 2007. Sadly, The Detective doesn't appear to have North American distribution yet.

The first two photos from The Eye have hit Bloody Disgusting, and the first thought that popped into my head was: "Why is Jessica Alba so angry at her oven?" Yup, that's the beautiful Alba to the right of your screen (click on the pic for a larger version), and as you can see the cupcakes clearly aren't f**king done yet! When we last checked in on The Eye, Cinematical's Kevin Kelly was visiting the set; watching all those production people dress up a scene that was to be shot in the rain. Said scene was also the first shot of Alba's character in the film, and so lots and lots of work was going into making the thing sail.

The Eye has been around for quite some time now. First off, it's a remake of the 2002 film directed by the Pang Bros., and I know that this American version has been in the works for a few years. I remember watching about 40 minutes of the original and not liking it for some reason. Perhaps it just hit me at the wrong time (as some films often do), but I've always loved the story. Essentially, Alba plays a blind violinist who gets a cornea transplant that allows her to see for the first time since childhood. However, when she begins to experience visions of death dragging souls of of this world and into the next -- not only does it drive her crazy -- but she also looks to find out who owned the eyes originally. It's definitely one of Alba's most ambitious roles, and it will be nice to see her in a film where her outstanding figure is not the main focus. Not that there's anything wrong with Alba and/or her figure, but I'd like to see the girl show a little bit more range, instead of ass. I believe she has it in her; she just needs the right material. French helmers David Moreau and Xavier Palud are directing the remake off the original 2002 screenplay and a new one penned by a bunch of different people, with Sebastian Gutierrez (Snakes on a Plane) getting top billing. February 1, 2008 is when they're dropping this one. Watch out for it.

Lionsgate recently invited Cinematical out to the set of The Eye, a new supernatural thriller starring Jessica Alba, Alessandro Nivola, and Parker Posey, and directed by David Moreau and Xavier Palud. They were shooting in downtown Los Angeles and ironically, the weather was completely sunny and beautiful all weekend but they had to make it look like a nasty gray downpour was happening. Come Monday morning, it was completely gray and rainy for real throughout Los Angeles, just the way the filmmakers would have wanted it. The sheer amount of work involved just to make it look like it is raining when it's not (they don't just crank the knob on a hose) is pretty impressive, and it makes you realize how much work has to go into something so simple.

We watched them coordinate massive amounts of water, corral extras, block actors and meticulously plan out camera shots. There was a massive amount of work going into this, because it's the first time we see Allison (Alba) in the film. Besides the pouring rain, she has to juggle a violin, her bag, a cane, an umbrella, and pull it off like someone who has been doing it for years. Oh yeah, and she's also blind. All of this information in a single shot helps not only establish the look and feel of the film, but it tells you loads about Alba's character without a single line of dialogue.

The Eye is a remake of the Chinese film Gin Gwai, directed by the Pang Brothers, about a young woman who has been blind for most of her life, then has a corneal transplant that restores her vision. However, she has difficulty dealing with the transition, and begins to hallucinate. Her new vision not only allows her to see what we see, but she can peep into the 'spirit realms' as well. She sets out to discover the mystery behind her vision, and to learn more about the donor of her corneas. The original is more about the mystery of it all than about spooky ghosts and ghouls flying around, and hopefully this remake will stay true to that. We're all starting to feel a bit burnt out on the Japanese horror remakes.

Today we read from the Horror Movie Bible, chapter 13, verse 666: "When there are no Asian horror movies left to remake, Asian filmmakers will alight to Hollywood and create Americanized versions of The Ring, The Grudge and Dark Water and lo the PG-13 rating will be applied -- and it will be not good." But since The Messengers was written by a really cool horror geek named Mark Wheaton, I walked into an opening day matinee screening of the flick with some high hopes. Despite everything the TV spots, the trailers and the pre-release buzz had been telling me, I was actively intent on trying to enjoy The Messengers. Sorry to say that my pilot light of enthusiasm was snuffed out after less than twelve minutes of on-screen activity. This is a stunningly inert, painfully derivative, shamelessly cheap and aggressively dull ghost story that delivers nothing you haven't seen before. About 43 times.

Clocking in at a scant 84 minutes (and that's including a tiresome prologue and a lengthy opening credits sequence), The Messengers is The Grudge on a farm (The Grarm!) -- and it's about as thrilling as that description implies. It's about a family of four (Mom, Dad, Teenage Daughter, Mute Boy Toddler) who bail on Chicago in favor of Nowheresville, North Dakota. (Dad's got a bee in his bonnet about becoming a sunflower farmer, darnit, and nothing's gonna get in the way of that dream!) While Mom, Dad and Mute Toddler go about settling into their new home, teenage daughter has a problem; basically, she sees shadows, visions, apparitions, etc. -- and of course nobody believes her. (There's a ridiculously prolonged backstory about why Mom and Dad don't completely trust Teenage Daughter, but it's much too silly to get into at this point.)

What do you do when there are no more Asian horror flicks left to rip off remake? Well, you hire some of the finest Asian filmmakers, fly 'em over here, and hire them to churn out American horror movies, of course! After having Takashi Shimizu remake his own The Grudge for American audiences (and to much profit, of course), Sony tapped the vaunted Pang Brothers (The Eye) to helm something kinda similar to the most popular Asian horrorshows ... but not really. This explains why this new trailer for The Messengers looks a whole lot like just another haunted house piece, only with pale phantom limbs where they shouldn't be and those creepy twisted bodies that twitch around in icky fashion. (Call it The Amityville Horror meets The Grudge, as if there's much difference in the first place.)

Written by Mark Wheaton (Firestorm: Last Stand at Yellowstone) from a story by Todd Farmer (Jason X), The Messengers seems to be about a teenage girl who sees spooky spirits after her family moves into a dusty old house. Imagine that.

If there's a saving grace here (aside from it being a horror movie and therefore something I must see eventually) it could be the cast: Kristen Stewart, Penelope Ann Miller, Dylan McDermott and John Corbett can usually contribute enough for a half-decent 90-some minutes. Either way, you can expect a PG-13 all the way from The Messengers, as it hails from Sam Raimi's Ghost House Pictures, the diet-horror production shingle that gave you Boogeyman and The Grudge 2. Let's just hope the movie's a lot better than the trailer. The Messengers opens on February 9.

I've marveled before at how dramatically Nicolas Cage has upped his work-rate recently -- instead of making a movie every year or so, he's now hell-bent on turning out at least three every year, and if all of his planned projects stay on schedule, he looks to be keeping that pace up through at least 2008. As if the eleven (or so) films he already has in various stage of production weren't enough, Cage has now officially signed on to star in the Pang brothers' remake of their 1999 action flick, Bangkok Dangerous. In the movie, Cage will play a hitman who takes a deaf-mute sharpshooting kid -- the casting of that role is going to be key, obviously -- under his wing while visiting Bangkok to kill a few people. (He also, as you might expect, falls in love while he's there.) As you all know, I tend to be bitter about all remakes, but at least writer Jason Richman had the decency not do the typical Hollywood thing of transplanting the movie to, say, Austin or something. Plus, the fact that the Pang brothers are once again at the helm is probably a good sign. Right?

I've not seen the original film but, based on the reviews I read this morning, I clearly need to do so. Those of you who have seen it, please weigh in, both on the original and the potential for remake success.