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Darren Aronofsky In Talks to Direct the Irish Micky Ward Biopic

Filed under: Drama », Sports », Paramount »

It is an experience that many great filmmakers before have had to go through. Now it is Darren Aronofsky's turn. He flopped big with a pet project, last fall's The Fountain, and now he must work as a for-hire on a studio film he's not personally invested in. Fortunately Aronofsky's strengths as a filmmaker are enough that he won't be stuck with just any old project. Instead he may be able to work with actors as popular, talented and bankable as Matt Damon and Mark Wahlberg, both whom are set to star in Paramount's boxing biopic The Fighter. Aronofsky is currently in talks to helm the movie, which we told you about in February.

If Aronofsky signs on, it will likely be his next film, probably even ahead of Black Swan, which was put on the fast-track back in January. But if he passes on the project, it could be because he's a big fan of Billy Elliot (you know, for choosing ballet over boxing). It is hard to imagine Aronofsky making a mainstream boxing movie focusing on themes of brotherhood and redemption -- this is how the studio has been describing the concentration of Paul Attanasio's rewrite of the script -- but this only makes me hope that he takes the job. Sometimes it is more interesting to see a stylish filmmaker take on work that is unexpected of him. There's always the possibility for disaster, but there's also a great chance that it will at least be a cool-looking disaster.

Review: The Good German - Jeffrey's Take

Filed under: Drama », Thrillers », New Releases », Warner Brothers », Theatrical Reviews », George Clooney »


It's a fairly rare and always interesting phenomenon when a filmmaker releases two films in the same year. John Ford made three in 1939, Stagecoach, Young Mr. Lincoln and Drums Along the Mohawk. Alfred Hitchcock released two in 1941, the thriller Suspicion and the romantic comedy Mr. and Mrs. Smith. Howard Hawks had a one-two punch in 1952 with his Western adventure The Big Sky and a screwball comedy Monkey Business. And in 2002, director Phillip Noyce impressed critics everywhere with two politically-tinged dramas, Rabbit-Proof Fence and The Quiet American. But in these and other cases, one can always see the connection, if nothing else a particular sensibility or personality in each work.

I'm hard pressed to think of two more different films than Steven Soderbergh's Bubble and The Good German, released at the far opposite ends of 2006. The shot-on-video Bubble seemed to push the edges of the future of cinema with its astonishing deep-focus cinematography, its impressive working-class settings and its captivating characters (played by amateur actors). Additionally, the film tried a new stunt, being almost simultaneously released in theaters and on DVD. Whereas The Good German gets its inspiration entirely from the past, presented in luminous black-and-white film, set in post-World War II Berlin and featuring good old-fashioned movie stars.

 
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