peter lord Tagged Articles at Cinematical

I was so, so, so happy when Aardman Animation (Wallace and Gromit in the Curse of the Were-Rabbit) got a new distribution deal with Sony two months ago. And now I'm so, so, so happy that the two studios have announced four new projects, all of which sound amazing. It isn't clear what film will arrive in theaters first, nor in what order these films will be released at all, but considering Aardman's deal with Sony is only for three years, I'm guessing at least one of these will be in theaters by the end of 2008.

• First of note is the directorial return of Aardman co-founder Peter Lord (Chicken Run), who will be make an animated feature based on Gideon Defoe's The Pirates! series of books (the first, titled The Pirates! in an Adventure with Scientists, features Charles Darwin as a main character). The script is being written by Lord and Defoe with British television vets Andy Riley and Kevin Cecil (they also wrote the upcoming feature Gnomeo and Juliet).
• Oscar-winner Steve Box, who co-directed Curse of the Were-Rabbit, will direct The Cat Burglars, a supposed mix of Wallace and Gromit and Ocean's Eleven that equals "family-friendly Tarantino." Writing this one, along with Box, are partners Matthew Graham and Ashley Pharaoh (British TV's Life on Mars).
  
• Four-time Oscar-winner Nick Park, who created the Wallace and Gromit characters, is working on a new feature, but the studios haven't specified exactly what it is. A few months back, when Aardman was still in flux, Park was said to be working on a new W&G project, but it probably wasn't a feature film. However, now that Sony has made feature films more possible for the animation studio, we can be hopeful that another full-length outing from our favorite cheese-lovers is in the works.
• Finally Aardman has tapped a special new screenwriter to work on an animated action film for the holiday season. Peter Baynham, who was nominated (with four other guys) for an Oscar for writing Borat, is scripting Operation Rudolph, which portrays Santa and the North Pole as being like a high-tech military force (a peaceful, present-delivering force).
  

It should be a green-tie affair at the opening night gala of this year's Tribeca Film Festival. The event, happening April 25, will be hosted by Al Gore and is set to feature some entertainment that will focus on the global warming issue. This entertainment is part of a partnership with the SOS (Save Our Selves) Campaign, which raises climate crisis awareness and will include live performances from some of the artists participating in SOS' Live Earth concert series happening on July 7. The acts set for the gala weren't revealed, but some of those involved with the Live Earth shows include Red Hot Chili Peppers, John Mayer, John Legend, Black Eyed Peas, Korn and Melissa Etheridge, who recently won an Oscar for the song she wrote for the Gore-featured documentary An Inconvenient Truth.

Also, the night will include the premiere of seven short films, each of which deals with the problems and the solutions of the crisis and each of which is shorter than ten minutes. The directors and titles of these shorts were not yet revealed either, because the seven showcased films have not been chosen yet. They will be selected by the festival's planners from the 60 shorts that were commissioned by SOS. Some of the filmmakers who participated include Jonathan Glazer, Kevin Macdonald, Abel Ferrara, Amy Berg, Ari Sandel, the doc duo Heidi Ewing and Rachel Grady and someone from Aardman Animation (Peter Lord? Nick Park?). It isn't completely made clear, but it seems that all 60 of the commissioned films will be shown during the Live Earth event. So, if you can't make it to New York City for the world premiere of the seven shorts, you can see at least those if not all of them at one of the concerts (so far the only locations announced are Shanghai, Sydney, London and Johannesburg, while the cities in the U.S., Brazil, Japan and Antarctica are TBA). I probably won't be able to attend the gala or one of the concerts, so hopefully there will be another place for me to see the films. After all, this is the best news for shorts fans since Cannes' announced its own opening night compilation.

Because there is still good in this world, it has taken only about three months for Aardman Animation to find a new partnership in Hollywood. The animation studio, which DreamWorks mistakenly flushed away back in January, has a new deal with Sony, and it sounds like it will be a much better team-up for the Aardman gang than their last. Reportedly, Aardman will not face the same sort of assimilation it faced at DreamWorks, where its most recent picture, Flushed Away, suffered from too much Hollywoodization. Instead, it is expected to produce a new title every 18 months, each with different budgets and some being made with CGI (as opposed to the studio's signature claymation style), all with less restriction from Sony and all based out of Aardman's home base in Bristol rather than out of Hollywood. The deal is presently set at a three year agreement, but Sony seems hopeful about the partnership lasting a long time.

Sony should benefit just as much from the deal, which will increase its output of animated films. The studio recently got into the competitive animation market full force, and so far with Monster House and Open Season it has only been performing so-so (its next release is Surfs Up, coming out June 8). Aardman will be bringing familiar characters to the table, though, with confirmed new Wallace & Gromit features. The Aardman name is also a fairly known brand around the world, which should prove profitable for overseas distribution (which Sony seems to appreciate even more than others). The partnership already has four projects in the works -- they obvioulsy aren't wasting any time -- but we are still probably a few years away from seeing the first collaboration (I'm hoping one is the animated mockumentary Tortoise vs. Hare). Although I wish Sony could now grab Crood Awakening, which had originated as an Aardman project, away from DreamWorks, I am otherwise really happy about this partnership. I may even be happier than Wallace at a cheese buffet.

Everyone knew it was coming. Following the disappointing box office of Flushed Away, there was speculation that it would happen. And now it is certain: Dreamworks has cut Aardman Animation loose. Sadly, the studio is now also citing the weak performance of the Oscar-winning Wallace & Gromit in The Curse of the Were-Rabbit as an added reason for the end of the partnership. Aside from winning prestigious awards, that film made more than $192 million worldwide (actually, only $20 million more than Flushed Away). I guess when you're used to Shrek 2-size figures ($920 million), though, a lot of numbers look small.

I'm not too worried about Aardman. They were doing amazing work before the Dreamworks deal, and they'll do amazing work after. The animation studio still has a thing going with CBS, which is sitting on seven episodes of a Creature Comforts series, which I think is based on Nick Park's Oscar-winning short. However, there may not be any features from Aardman for awhile. I was very upset to learn that Crood Awakening, which was co-written by John Cleese and was to be the next Aardman feature, is being left behind at Dreamworks, where it will presumably be shelved for good. I'm sure that Dreamworks is hoping the Shrek movies will never lose their steam, but I just can't believe that there's much more to do with those characters.