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planet b-boy Tagged Articles at Cinematical

Screen Gems Heads for 'Planet B-Boy'

Filed under: Documentary », Music & Musicals », Deals », Scripts »

If you happen to have grown up during the 1980s, then you probably remember the oh-so-brief trend of break dancing (aka B-Boy) films. Granted, the trend didn't last long in Hollywood, but there were some memorable moments -- and I think we can all agree that Breakin' 2: Electric Boogaloo was the definitive low point. (Clearly you haven't seen Rappin', dear. -- SW)

But no matter how bad those films got, to this day I will still stay up way past my bedtime to catch Beat Street on the late show. After the thrill of the pop and lock had faded away, it seemed that B-Boy had become just another pop-culture footnote. Fast forward to the late 90's, and the B-Boy lifestyle made a resurgence on a global scale, and in Benson Lee's 2005 documentary B-Boy Planet, he showcased the B-Boy culture to awards and acclaim. These days dance flicks are everywhere you look, and according to The Hollywood Reporter, Screen Gems will be getting in on the fun.


Indie Weekend Box Office: 'Under the Same Moon' Lights It Up

Filed under: IFC », Magnolia », Box Office », Fox Searchlight », The Weinstein Co. », Cinematical Indie »

The big story of the weekend was the success enjoyed by Under the Same Moon (Fox Searchlight / The Weinstein Co.), which earned $8,910 per screen playing on 266 screens, according to estimates compiled by Leonard Klady at Movie City News. Our own Jette Kernion described it as "essentially an old-fashioned family melodrama." She pointed out that the film has an "overt agenda" in its message about U.S. undocumented workers, but concluded: "Despite its flaws, Under the Same Moon is an entertaining film that knows how to charm an audience."

Playing at one theater in New York and one in Los Angeles, Planet B-Boy (Elephant Eye Films) made $14,500 per screen, giving it the highest per-screen average. Benson Lee directed the documentary, "which weaves the stories of numerous crews from 18 nations vying in the Battle of the Year championship in Braunschweig, Germany," in the words of Ed Gonzalez in The Village Voice. "What most sticks is Planet B-Boy's aesthetic, which feels jocked from the school of Michael Moore."
 
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