politics Tagged Articles at Cinematical

OK, so just before we start, I want you to know that I'm going to try very hard not to make any jokes about the French in this post (even though a certain line of dialog from The Last of The Mohicans keeps running in my head). But, back to the news at hand: Variety is reporting that more than 2,000 French movie theaters will be turning off their lights between 6 and 7PM in protest of a new anti-piracy law, and since Wednesday is new release day in France, exhibitors thought that would be the most opportune time to make their point.

So what is their point exactly? Well, it turns out that French movie distributors are starting to feel the pains of rising services like VOD competing with first-run movie theaters for business. Originally, movie theaters were granted a six-month window of exclusivity before a flick could move on to other distribution channels, but under their new anti-piracy law, the home entertainment market will now only have to wait 4 months before a film becomes available for the DVD and VOD market. French cinema owners claim that this law is, "degrading of theater owners' economic conditions." (Even though, according to statistics, the box-office is up 3.4% from last year).

After the jump; French movie theaters aren't the only ones suffering...

It's not uncommon to hear people discussing -- or complaining about -- the ways in which Hollywood celebrities are involved in politics, whether they're airing their opinions during a concert or speaking in public on behalf of a politician. Barry Levinson (Diner, Good Morning Vietnam) thought this was an interesting enough topic to address in his documentary Poliwood, which focuses on the 2008 national Democratic and Republican conventions. Unfortunately, the documentary shows us little that we haven't already seen, and tends to preach to the converted.

Poliwood is subtitled "a Barry Levinson film essay," which signals us that this will be a more personal style of documentary. Levinson opens the movie with shots from his 1990 feature film Avalon and uses this footage to discuss the ways American lives have changed because of television. His focus is on the Creative Coalition, a non-partisan organization of celebrities that focuses on issues such as arts education. The documentary shifts to the 2008 Democratic National Convention in Denver, where Creative Coalition members such as Anne Hathaway, Tim Daly, and Ellen Burstyn talk about how they include politics in their lives. It's especially surreal to see Richard Schiff at the convention after his role on The West Wing -- in one scene, someone from the Clinton administration walks up to him and says "You played me!" -- but Schiff handles it all with good humor.

Can a horror movie have a political agenda? Well, that was the question I asked myself after reading '15 Horror Movies Socialists Could Love''. So as I started to think back to all the hacking and slashing I'd seen over the years, I looked for some some pattern or connection between what I choose at the box-office and what I do at the polling station -- and what did I come up with? Well, I'll get to that, but first I wanted to take a moment to look back at some of the films that have gained a reputation with critics and fans alike as movies with a so-called conservative or liberal state of mind:

'Red State Horror':

Friday the 13th (1980)
Conservatives supposedly love this movie because it's all about no-good kids getting what they deserve. Sexy teens don't stand a chance in this franchise from the moment they take a drink, get high, or get naked. Plus, it's one of the few horror films with a moral about the importance of a good work ethic.

Frankenstein
It's science vs. religion in the story of a man who presumes to know more than God...and I think we all remember how that turns out.

Lost Boys
Family values are all over this one, and when a divorced mom pays more attention to a her love life than her two sons, look what happens. So even with a pot-smoking grandpa, plenty of critics agree that this film is all about Regan's America and the triumph of family over no-good, rock n' roll loving, motorcycle-driving youth gangs.

Tremors
2nd Amendment fans praise this tale of a band of locals fending off giant worms and the gun-toting survivalists that help save the day -- Take that Brady Bill!

Check out the rest at HorrorSquad!

So here's the $64,000 question: Are rape jokes funny? Jody Hill's Observe and Report has just gotten its first dose of bad publicity (not counting the Paul Blart: Mall Cop connection) thanks to a post in the NY Magazine's Vulture blog. They've posed the question: "Does Seth Rogen Rape Anna Faris in Observe and Report?" ... and, as you can imagine, this has sparked a debate among feminists and film critics alike.

Now if you've seen the Red-Band trailer for the comedy about a Travis Bickle-style security guard, you probably know what scene has caught the eye of critics. If not, here's a quick description: After a night of drinking and drugging, Rogen escorts a half-unconscious Faris (Brandi) to his home and the trailer later cuts to a scene in which Rogen is having sex with the incapacitated Brandi. Nice. When he hesitates, however, we hear a slurred voice pipe up with "Why are you stopping, motherf*****?" Guilt assuaged, right? I mean he's not raping her -- she's totally into it ... right? Well, I'll leave my opinion for a little later, but it seems like the answer at large has been a big fat whopping 'No'.

Over at Jezebel, fans have decided that Rogen and Hill have just gone too far, and that this is another in a long line of examples of the anti-woman stance today's successful comedies seem to be taking. But go for a stroll over past the New York Times and in their review of the scene, they acknowledge the rape, but also go on to say, "Before the scene is over she indicates that she had given her consent." Now Farris and Rogen have also participated in a little damage control regarding the scene in question, but unfortunately most of their answers have only managed to make it worse for those offended.

By now you've probably heard: Val Kilmer is considering running for governor of New Mexico in 2010. It seems that he's "looking for ways to be contributive," and if he can make "a substantial contribution," he'll run. And if he decides that there's a big contribution to be made ... well, he's determined to win: "If I run, I'm going to be the next governor." At least he's mastered the art of positive thinking.

THR also notes that if he runs, it won't be a conventional campaign. Kilmer says that it's all about getting out and listening to people, but will that also include shepherding in a new generation of politicians? When ol' Ronnie Reagan was entering the political world, he was coming out of a restricted Hollywood. Being an actor might have been a surprising twist, but Reagan didn't reveal much in his Hollywood work. But now: We've got terminators, professional wrestlers, and perhaps, egads, the man who played John Holmes. Will Kilmer swear that he only got high on film? Or, will he possibly make his varied film career a political selling point rather than ignoring it? I mean, he's a Real Genius, so anything is possible.

What do you think about Val's new interest, or would you prefer that he stuck with acting or condiments? And what do you think about today's actors getting into the political world? Are you comfortable having a man or woman in office after you've seen their bits?

When it comes to George Clooney's political leanings, I have to tell you, I'm a little conflicted. Does it make me a hypocrite that I cringe whenever most actors wax poetic on the state of the union, but whenever Clooney gets a little high on the horse I tend to give him a pass -- maybe it's because I usually agree with him, or maybe like most of the world, I just can't seem to say no to 'The Clooney'. So while most of Clooney's political fare has been a relatively easy sell, his latest politically charged flick definitely will not fall into that category. Luckily for him, he has found the perfect partner in crime. Variety reports that Clooney has joined forces with Liberal darling Aaron Sorkin to write a script for the film version of Jonathan Mahler's book, The Challenge: Hamdan v. Rumsfeld and the Fight Over Presidential Power.

Clooney is producing under his Smoke House banner, and is reportedly looking to direct and star as the Navy lawyer, Charles Swift. Along with the Georgetown U. law professor Neal Katyal, Swift worked tirelessly to ensure a fair trail for Osama bin Laden's driver, Salim Hamdan. Hamdan was captured back in 2001, and was convicted and sentenced to 5 1/2 years for providing material support to Al-Qaeda after being held at the infamous Guantanamo Bay prison. So even if you don't agree with Clooney and Sorkin's politics -- and I can guarantee that there are a lot of you out there who don't. I'll just be keeping my fingers crossed that The Challenge doesn't keep Sorkin so busy he doesn't have time for that other legal drama we have been hearing so much about.

So where does that leave me with actors and their politics? Plenty has already been said on the subject, so I won't rehash it all here. But while Iraq movies continue to crumble at the box-office, and the only presidents we are willing to dissect are the ones long past. I have to give Clooney credit for his willingness to tackle one hell of an unpopular subject -- don't you?

A couple of people have been griping about Wall-E director Andrew Stanton's refusal to admit that his cute little movie about a robot in love actually contains some pretty upfront green politics, but there's a far more polarizing reference in the film than its harmless pro-environment agenda. It's no major plot spoiler to reveal that, about an hour or so into the story, Fred Willard appears in a recorded message as the mysterious president of Earth's corporate government and orders the ship's captain (Jeff Garlin) to "stay the course." Wait, we've heard this one before: It was the go-to statement used by the Bush administration for about three years or so when describing its modus operandi in Iraq (the term was abandoned when staying the course started to sound like a bad idea). In Wall-E, the context is quite different -- it's an order to not do something, rather than take action -- but hard to ignore nonetheless.

Certain critics with (surprise!) conservative slants have taken issue with this. At Dirty Harry's Place, John Nolte expresses his disappointment in the first paragraph of his review: "Have we lost the wonderful studio who brought us The Incredibles and Ratatouille to Bush Derangement Syndrome?" he asks. New York Post critic Kyle Smith picked up the rant and decided to write his own, even though he hadn't seen the film yet: "This kind of crack, lame as it is, also breaks the spell of the movie by hurling you out of the theater and back into reality."

When it comes to sifting through all actors responsible for portraying the most powerful man on the planet, there's no shortage of options. John Travolta did a great Bill Clinton impersonation in Primary Colors and Timothy Bottoms delivered a near-perfect imitation of George W. Bush in both D.C. 9/11: Time of Crisis and That's My Bush! Neither one comes across as particularly flattering, so presidential nominee Barack Obama has chosen a safer bet: At a recent party in Los Angeles, Obama revealed that he prefers Jeff Bridges' conflicted commander-in-chief in The Contender. Granted, he may have said this simply to keep his audience happy -- in this case, Contender director Rod Lurie, one of the attendees who was willing to plop down $28,000 for the event. "'I just plugged your movie," Obama told Lurie, according to a report the director sent to Hollywood Elsewhere's Jeffrey Wells.

Still, when you're under the kind of intense scrutiny that Obama currently endures, Bridges actually seems like a pretty safe choice. Choose Anthony Hopkins in Nixon and it sounds like you're endorsing the bad guy. Choose Kevin Kline in Dave and you come across as disingenuous. Choose Peter Sellers in Dr. Strangelove and somebody will call you incompetent. Bridges, on the other hand, plays a fierce leader bound to his moral convictions. Of course, Obama also expressed sympathy over Lurie's short-lived television show Commander-in-Chief, which featured Geena Davis as the first woman president. Perhaps it's no coincidence that he and Hillary have publicly made amends.

I was talking with a friend the other day about the shocking decline in the quality of Kevin Spacey's films. It seems as though that Oscar for American Beauty was some sort of horrific curse, sending him into a long run of ill-advised, disastrous movie projects. Look at the man's filmography pre and then post Beauty. It's distressing! But Variety is reporting on a flick that sounds like it might turn things around. HBO Films' Recount will tell the story of the Florida results in the 2000 election, one of the most controversial political events of recent years. As Monika recently told you, Sydney Pollack was supposed to direct but dropped out due to "an undisclosed illness." Jay Roach, a director primarily known for broad comedy (Austin Powers: International Man of Mystery, Meet the Parents, and their lesser sequels), will now direct. Danny Strong wrote the screenplay. The film will document "the legal and political maneuvering from the point of view of both the Bush and Gore camps."

Spacey will star as Ron Klain, "former chief of staff to vice president Al Gore and one of the lead attorneys who challenged the voting results in Florida." In addition to Spacey, Recount has lined up one hell of a supporting cast: Laura Dern will play Katherine Harris, the Florida secretary of state who certified that George W. Bush had won the state. Denis Leary (what went wrong on this season of Rescue Me, DL?) plays Michael Whouley, a Democrat pollster. John Hurt plays Warren Christopher, a key player for Gore. Tom Wilkinson plays James Baker, brought in by the Republicans to see that the disputed results held up. And two Christopher Guest alums will duke it out in the courtroom. Ed Begley, Jr will play David Boies, the lawyer who appealed the results and argued for the Democrats. Bob Balaban plays Ben Ginsberg, head attorney for George W. Bush and Dick Cheney. See what I mean about that supporting cast? You won't have to demand a Recount -- look for the film on HBO during the 2008 presidential election.

In an effort to reduce what many consider a very real economic threat to the continued prosperity of Los Angeles, and California as a whole, The Hollywood Reporter is reporting that the State Assembly has sent a new bill aimed at curbing runaway production to the State Senate for consideration. The latest measure, dubbed AB-1969, was sent to the Senate after a 51-17 vote by the State Assembly and a rousing floor debate led by Democrat Paul Krekorian of Burbank. If approved at the Senate level, the as-yet unfunded measure would provide financial and other incentives to halt runaway production of film, television and commercials by creating a grant program through the California Film Commission.

This grant program, in order to receive funding, would either have to become part of Gov. Schwarzenegger's next budget or receive a separate funding influx from additional legislation. Unfortunately for those impacted by runaway production and for the Governor, this is not the first time a measure such as this has been proposed. In fact, we even brought you info about it before right here at Cinematical. At that time the measure did not pass and, according to the article, the Governor regrets its failure and vows this time it will be different -- although he provides no details on how this difference will be realized. Hopefully the measure will pass this time and we can keep production right here where it belongs -- in Los Angeles. After all, this is where it all started so it makes perfect sense that this is where it should stay.