I just got off the phone with Tim Roth, who, of course, stars as Emil Blonsky/Abomination in The Incredible Hulk (due out on Friday). We'll post our entire interview later this week, along with two reviews of the new (and definitely improved) Hulk, but to whet your appetite, here are a few non Hulk-related nuggets from the man himself. When I asked Roth about Inglorious Bastards and how Quentin Tarantino claimed to be heading for pre-production, he had this to say: "It's something me and Quentin had talked about over the years, and I don't know what's happening. If Quentin wants me, I'm there. But it's been years and years in the making. It's gonna be fun, though. If it's coming from Quentin, it's gonna be fun. I'm perfectly happy to roll up; I don't even need to read the script. Just tell me where to stand."

Additionally, and I thought this was kinda fun, I asked Roth if there were any characters of his he'd like to revisit at some point down the line. That's when he replied, "I'd like to do the Pulp Fiction character." I asked if he'd talked with Tarantino about doing a spin-off flick with Pumpkin and Honey Bunny: "Yeah, we did -- we talked about it before, because he thought they would've been good in Natural Born Killers; those two characters. We've often talked about it -- day dreams -- about taking those characters and making a film around them."

What say you? Would you be up for a Pulp Fiction spin-off featuring Pumpkin and Honey Bunny?

If you've ever had a bad first date -- and in the age of internet match-ups, it's all the more likely you've had at least a disappointing one -- you're not alone. Thanks to the awkwardness of getting to know somebody, and the nervousness that comes with that, it's a wonder any of us ever have good first dates. But as much as we end up fixating on the failure of a single bad date, we must remember that it's a part of life and has been since the dawn of man, when Adam had to deal with Eve ordering the forbidden item on the menu. Also, we must realize that it's all relative and there's always a worse date out there than the worst we've ever had. Often (and especially because it's Valentine's Day this Thursday), it's a good idea to look to the movies, and compare our worst first date to the worst first dates in cinema:


License to Drive (1988)

Imagine you're all set to get your driver's license, and the hottest girl in school has agreed to go out with you the night you pass the exam. But you don't pass the exam. Then you steal your grandpa's car. Then your date drinks too much and passes out for the rest of the night. Oh, and it only gets worse from there. License to Drive is just one of many films that shows us that a first date can be a crazy mix of Murphy's Law and the snowball effect. Also, like many comedies, it teaches us that an automobile can be destroyed many times over, and that it might be best if our first time driving, as well as our first time dating, be with a car that has little value.

If you haven't already noticed, today is Quentin Tarantino Day on Cinematical! This is the third time we've written about him -- first because of a scuffle in Park City, then a review of Hell Ride -- and now I bring you this pretty cool short film from Brazil called Tarantino's Mind. It's trippy, and there's tons of little nuggets of info in it, but basically the entire film follows two guys having a Tarantino-inspired conversation in a diner. It runs just over 10 minutes, and you'll need to put your reading glasses on, but it's damn good if I should say so myself.

One of the guys -- a Tarantino fanatic -- has just finished a thesis on the director, and he goes through each of his films pointing out similarities from other films. It's his belief that Tarantino created only one screenplay that "the geek divided into several parts." My favorite moment comes when he presents his theory on the briefcase from Pulp Fiction. Makes a lot of sense, and I can't believe I hadn't thought of that before. Anyway, take a break from whatever you're doing, clock out for ten minutes and check out this short. However, while it's in a foreign language, be aware that foul language is used and those words are displayed on the bottom of the screen. Enjoy!

It is interesting to learn that filmmaker Jieho Lee has a fondness for the ending of Fellini's Nights of Cabiria. However, it is not so interesting to realize that he can't let go of this fondness enough to create a genuine film moment of his own. For instance, there is one significant scene in Lee's The Air I Breathe that plays so much like an homage to the final shot of Cabiria that it takes away from the actual film it is a part of. The scene involves a major character's death, so it's hard to go into detail without spoiling it for you, but I can say that recognizing the blatant tribute may cause you to feel less for that character than you should otherwise during that scene. After all, it is difficult to care about a character that comes off as simply a tool for Lee's unnecessary acknowledgment, or re-creation, of a part of a favorite film.

Maybe I just shouldn't read a film's press notes prior to watching it (I don't usually), as I might not have caught the homage without noting Lee's mention of Cabiria in his director's statement. And perhaps I wouldn't have been thinking about Lee's other influences, from The Wizard of Oz to Samuel Fuller's The Naked Kiss, and unfairly comparing The Air I Breathe to them. But it doesn't matter, because The Air I Breathe would still feel completely derivative without knowledge of the exact works that inspired Lee. To me, despite what I learned from the press notes, the film was mostly reminiscent of Inarritu's Amores Perros, and not only because of where it was filmed, how it interconnects multiple stories or the fact that it features a bank robbery, a female celebrity confined to an apartment and an obligatory car accident of some kind.

Dang, there sure are a lot of hitman characters in the movies. And what's the difference between a hitman and an assassin, anyway? Does Jason Bourne count, or is he no longer a hitman/assassin by the time his cinematic story begins? Are Pulp Fiction's Vincent and Jules really hitmen or are they technically bagmen? Yeah, it's a difficult task to make a list of prominent hitmen in film. So, I'll let someone else make a "25 Greatest Hitmen" list; here, I present my seven favorites.

Feel free to mention your own preferences. With so many characters, whether easily falling within definition or not, I'm certainly leaving out a lot of good ones. But, as I said, these are my favorites. The cool, the funny, the interesting, they're the ones I enjoy watching over and over again, despite their lethal nature.


Martin Q. Blank in Grosse Pointe Blank (1997, George Armitage)

There is no better hitman than John Cusack's Martin Blank. He's good at his job, and he's funny, and he's willing to give it all up for love. Of course, he's bored enough by the occupation that he'd probably give it up for any good reason. It doesn't seem to matter to him that it's morally wrong; he's just another normal guy, dissatisfied with his job. And while it does seem to be a gag that's stretched thin, his issues do make him more entertaining than the usual silent-yet-conflicted hitmen. Plus, it's enjoyable to think that this is what really happened to Lloyd Dobbler, or Lane Meyer, or any other Cusack character from the '80s.

Signature line: "I was hired to kill you, but I'm not going to do it. It's either because I'm in love with your daughter or because I have a new found respect for life."

Ever since I found this story earlier today, I've been singing Purple Rain to myself all morning. And this is one of those songs I don't have memorized, so if you were near me you'd hear something like this: [To Purple Rain tune] "Don't tell me ... you could ever see me again -- Purple Rain ... Purrrple Rain." C'mon, like I'm the only person out there who fudges the words to songs. Guaranteed you will start humming this tune now, it's that addictive. Just don't blame me. Anyway, Vanity Fair magazine decided to list the 50 greatest movie soundtracks of all time, and at the top sits Purple Rain -- which consists of such memorable Prince tunes like Let's Go Crazy, When Doves Cry and I Would Die 4 U, among others. Personally, I think the soundtrack is great (even if the movie was kind of terrible), but I'm not crazy about giving the top spot to a soundtrack that featured one artist. Or perhaps that's more of a reason to reward it? Here's Vanity Fair's reasoning behind the choice: "[The] Purple Rain soundtrack was a flawless combination of funk, R&B, pop, metal, and even psychedelia into a sound that defined the '80s."

Be that as it may, but should Prince beat out, say, The Beatles? Yes, coming in at number two on their list is A Hard Day's Night, followed by an interesting choice in The Harder They Come. The rest of the top ten is as follows: Pulp Fiction, The Graduate, Superfly, Trainspotting, Saturday Night Fever, American Graffiti and The Big Chill. All very good soundtracks, although I may have pushed Pulp Fiction higher up on the list ... but I'm just a sucker for the music from that film. Unfortunately, Zach Braff's Garden State soundtrack did not reach the top 10. Sorry kids. And what's The Big Chill doing all the way at number 10? I mean, c'mon -- that soundtrack ruled (and as he says that, he opens up iTunes in a separate window). What do you think? Did they get the top 10 right? Would you have shifted things around. And please tell me which songs are now stuck in your head after reading this ...

I don't know why I think of Ving Rhames as a tough guy dramatic actor first and a comedic actor second. Even his most iconic role, as Marcellus Wallace in Pulp Fiction, was simply a straight-played comic part. Throughout his career he's been in a lot of comedies, from the truly awful (Stop! Or My Mom Will Shoot) to the near-perfect (Out of Sight). But I guess lately, aside from the recent I Now Pronounce You Chuck and Larry, he's been pigeon-holed as best-suited for crime thrillers, prison dramas and well-produced horror films, with an occasional fun action pic like the Mission:Impossible movies. Personally, I'd love him to do another movie that mixes all those genres with a touch of comedy, a la the guilty pleasure Con-Air, but I'll settle for just a comedy. According to The Hollywood Reporter, Rhames has signed on to Paramount Vantage's The Goods: The Don Ready Story, which Monika told us recently will star Jeremy Piven as a used car salesman. Also joining the cast is Anchorman's David Koechner.

It wasn't mentioned what kind of characters Rhames and Koechner will be playing, but hopefully they're fellow used car salesmen working alongside Piven, who, more specifically, is a guy who must save the struggling dealership over a Fourth of July weekend. The most logical idea, though, is that whatever Rhames' role, he will be some combination of humor and muscle; the combination is one of the reasons that Rhames can do comedy and still retain his reputation as a bad ass, unlike some other people (please don't ever put Rhames in a babysitting comedy!). The comedy will be produced by Will Ferrell and Adam McKay via their new company Gary Sanchez Productions, along with Chris Henchy (Entourage) and Kevin Messick (A Lot Like Love). The script was written by Rick Stempson and Andy Stock, who also wrote the upcoming Seann William Scott movie Gary the Tennis Coach. It will be directed by Chappelle's Show actor/writer/director Neal Brennan.

An employee of Ving Rhames' was allegedly mauled to death Friday by the actor's pet dogs. The victim's name has not been released, but he was in fact the caretaker for the dogs -- reportedly four of them, "the size of lions" -- for the past two years. Described only as a 40-year-old African American, he was spotted on the front lawn on the property adjacent to Rhames' early in the morning, at which point the LAPD was called. The four dogs, three bull mastiffs and one English bulldog, suspected to have been involved in the incident have been seized. Rhames was not at home and has so far not given a statement. Considering he's attached to star in a number of films in the next year, I'm guessing that he was on location somewhere.

This is the sort of tragedy I would expect to befall an employee of Marcellus Wallace, but not the actor who played him. The real Ving Rhames seems like too nice a guy to have this happen on or near his property. Of course, he didn't actually have anything to do with the incident, but obviously he has some mean-ass dogs. Hopefully he won't have to endure any wrongful death suits as a result of his decision to own such violent animals; certainly the unnamed man was a canine expert and had to have been responsible enough -- not to say he was at fault for his own death, but he knew the risk and the care required and unfortunately had a fatal accident despite that knowledge. From what the police have been able to determine, the caretaker died after jumping Rhames' fence onto the lawn next door. It has not been officially confirmed that the dogs were the cause of death; they are currently at a shelter being tested for traces of the man's blood. Although he had bites all over his body, it is possible the man suffered a heart attack or some other ailment. Photos of the dogs can be seen here and here.

It's like Pulp Fiction meets Sin City, with a twist of Michael Bay. At least that's what I got out of the following Variety article, which goes on to say that Universal has just snagged the spec script Fiasco Heights (which kind of sounds like a steamy mid-season high school drama on Fox) from writer Kyle Ward. Bay will produce through his Platinum Dunes banner, along with partners Andrew Form and Brad Fuller, as well as Chris Bender, JC Spink and Mason Novick. Script sale marks the first for Ward, who is currently an assistant over at Dreamworks. (I assume he promptly vacated that position once the sale was finalized.)

With no director attached yet (yes, as of now Bay is only producing), pic is described as taking place in a "stylized hyper-real environment" much like the one created for Sin City. Story apparently revolves around a hitman who must team up with a failed private eye in search of a missing woman and a very important briefcase. No word yet on what's in the briefcase (could it be the extra $15 million Grindhouse should have made this weekend?), but I'm sure we'll find out soon enough. This will mark the fifth pic for Bay's Platinum Dunes (The Texas Chainsaw Massacre remake, The Amityville Horror remake, The Hitcher remake and Texas Chainsaw Massacre: The Beginning being the first four), which was set up as a genre company to help launch the careers of new directors while spitting out fairly low-budgeted flicks. Thankfully, Fiasco Heights (am I the only one who hates that title?) is not some crappy remake, but is actually an original -- yes, original! -- thriller.

With only the most-anticipated blockbusters, fans can expect special midnight screenings the night before a movie's official release date. Certainly this will be the case with upcoming sequels Spider-Man 3, Harry Potter and the Order of the Phoenix and maybe even Pirates of the Caribbean: At World's End. But in a bit of a surprise move, Dimension will be offering such a sneak peek of its eagerly awaited double-feature-within-a-single-release, Grindhouse. The only problem is that it is being limited to select cities. So, if you aren't near a major metropolis, you'll just have to wait about ten hours until your local theater opens for the first matinee.

There are definitely enough followers of Quentin Tarantino and Robert Rodriguez to make these exclusive screenings sell out, so if you can get to one, make sure and order your tickets now. And if you want to make this event on par with the other release-eve sneaks that I've been to, you should dress up as your favorite character from the duo's other films, or if you so desire, from one of the two films they've made for Grindhouse (if anyone can do Rose McGowan's machine gun leg, I want pictures!). If you can't attend any of the shows tomorrow night, you can still at least watch Eli Roth's fake trailer that is included in the Grindhouse package, as it has already popped up online.

Here is the list of cities showing Grindhouse Thursday night: Atlanta, Boston, Chicago, Dallas, Houston, Las Vegas, Los Angeles, Miami, New York, Philadelphia, San Francisco, Seattle, Washington DC. (I guess Austin doesn't need another bonus, huh?)

For more of Cinematical's exclusive Grindhouse coverage, check out the following:

Grindhouse Junket Report, Part 1: QT Talks Future Grindhouse Projects, Rose McGowan Talks 'Black Oasis,' Zoe Bell Talks Stunts, Jordan Ladd On 'Hostel II,' More!

Grindhouse Junket Report, Part 2: Kurt Russell On Remakes, Rosario Dawson Talks 'OCT' Film, Marley Shelton Gives Deleted Scene Details, More!

Austin Grindhouse Part 1: Planet Red Carpet

Austin Grindhouse Part 2: Critic Proof

Cinematical Seven: My Favorite Grindhouse Movies