Every generation needs its own (emotionally) tortured teen horror movies. I had Brian DePalma's Carrie; will The Haunting of Molly Hartley be the torchbearer for the current generation? Err, hard to say, judging by the trailer MTV has unveiled. Molly Hartley has the religious nutjob mother, the cute caring boy (Chace Crawford), and a blond nemesis for our bruised brunette heroine (Haley Bennett), but we'll have to wait until October 31 to see if debuting director Mickey Liddell can deliver genuine thrills and chills. It doesn't bode well that the trailer fairly screams PG-13.

At least Molly Hartley will be shown in theaters. Despite Scott Weinberg's well-reasoned and thoroughly researched note to Lionsgate, it looks like Gregg Bishop's great Dance of the Dead will still be heading straight to DVD on October 20. While you rail at the heavens and place your pre-orders, take a moment and check out the age-restricted trailer that IGN has posted. Consider the trailer a true tease, in that it gives you just a hint at how funny, gory, and clever Dance of the Dead is in its feature-length glory.

Scott has also raved about the Spanish horror flick [REC], which has been remade into Quarantine, due out on October 10. William Goss echoed Scott's praise for the original, while slamming the remake's trailer. Well, [REC] directors Jaume Balagueró and Paco Plaza told Fangoria that they aren't too happy their film wasn't even given a chance in American theaters. Plaza said: "I would prefer them to release our movie as an art-house film in the U.S., and not to make a fool of themselves by copying it." Love that brutal European honesty!

Which film are you most excited about?

Our Comic Con came to a sweet finish last night at the Wrath of Con mega party hosted by folks like IESB, Bloody-Dee and Lakeshore. The roof at the Hard Rock Hotel here in San Diego was packed with writers, celebrities, dancers, rock stars and girls with tape on their boobs. It was a pretty fun night, and since the Crank 2 trailer screened at one point, the whole thing is a write off! While our tired Cinematical crew travels home today, here's a bunch of stuff to keep you busy till we come back tomorrow with the remainder of our coverage, including a very cool interview with James Gunn and our annual "Celebrities Love Weinberg" gallery.

• Disney debuted a teaser thingy for Pixar's Up, which will hit theaters next summer.
  
• The Terminator: Salvation panel was a blast, McG came out pumped and the extended trailer looked awesome. We'll have more from the panel and our interviews, but a couple things: The next trailer will debut with Quantum of Solace, it's not a definite PG-13 at this time (they have the studio's blessing should it turn into an R-rated affair), the film will end on a cliffhanger, the Con poster is to the right and a model of the T-600 is above, and, finally, watching Yelchin (as a young Kyle Reese) say "Come with me if you want to live" in the trailer gave me goosebumps.
  
• AICN tells us that Punisher: War Zone director Lexi Alexander has been booted from the film. She didn't show here at Con because she was on her "honeymoon," and she's wrapped up in a non-disclosure which means she ain't talking either. Why can't anyone make a Punisher flick without f**king it up? Is it really that hard to get one right?
• John Campea interviewing the girls from Bitch Slap in their hotel room ... in bed with them ... has to go down as THE interview at Con. Special Cinematical props go out to the entire team from Bitch Slap for marketing the hell out of their film at Con, guerilla-style throughout the entire weekend.
• Sam Raimi told the audience during his Drag Me to Hell panel that he's considering an Evil Dead 4.
  
• EW has a whole slew of photos from Underworld: Rise of the Lycans.
• Watchmen website now online. I'll be reading this as soon as I get home.
• Moviefone has some great preview and wrap up posts, along with even more galleries.
• Francis Lawrence making prequel to I Am Legend starring Will Smith.
• Who's buying this Heath Ledger as the Joker bobblehead doll?
• Finally, IGN has debuted a red band trailer for Quarantine.

We love you, we miss you and we'll be home soon. Leave the light on ...

Man, has this day brought us news of film-based video games aplenty -- one of which you can play for free right now and the rest of which some of you simply can't wait for.

But you'll have to. Wait, that is. They haven't made the darn things yet. Sheesh, hold your horses already.

Trade publication Variety tells us of these titles over the course of two separate articles. One piece points out Universal's plan to crank out several games based on their properties, but only names their highest-profile property at the moment: Wanted. If any of you have seen the film (and a $123 million gross would suggest as much), then you know just how well it should lend itself to the format, what with the bullet curving and knife fighting and Angelina Jolie ogling.

Anyone who watches a considerable amount of movies has a tendency to champion the occasional gem, a title bound - nay, fated - to be overlooked by the masses. As you may have noticed, we here at Cinematical are not immune to such behavior.

On other occasions, fans of films that are being remade will find themselves violently, vocally opposed to the idea of a tainted classic or fave, whereas cooler minds step in and point out that their precious original will exist no less in its wake.

With that said, I'm about to spout off on why I think American remake Quarantine is primed to squander the considerable merits of its source material, [REC].

(Now, what nitpicks I have are about to wander off into moderate spoiler territory, which is actually my greater concern. Ergo, any of you planning to catch either film in the near future might be best served by directing their browsers elsewhere, including away from the newly released trailer for Quarantine.)

As for the twelve of you who I know have either managed to see [REC] or who just plain don't care -- come on in, the water's whine...

Whenever Scott and I aren't out fighting crime together, we tend to be chatting each other up about horror films, as he has often either pointed me towards many a overlooked gem or brought to my attention the best titles currently making the festival rounds.

Whether or not Weinberg was the one who got me initially amped up for [REC], I can't accurately recall, but the point is that I can support his many praises over the film, and I think it's safe to say that we're both cautiously optimistic about the forthcoming American remake, Quarantine. It seems that Sony's smarter minds are also prone to cautious optimism, as Shock Till You Drop informs us that the film's release has been bumped up a week, from October 17th to October 10th.

Now, the 10th is a crowded weekend - we also have a crime thriller, a family adventure, and a teen sex romp - but what's important is that not only do none of those films appeal to the same horror-seeking demographic as Quarantine, whereas video game adaptation Max Payne might on the 17th, but the move gives it an extra week to rake it in until Saw V comes around and effectively dominates the market come the 24th.

As for me, I'm still curious about Quarantine director John Erick Dowdle's previous film, the still-unreleased The Poughkeepsie Tapes. Is it some sort of staring contest between them and the equally delayed All the Boys Love Mandy Lane, or what?

Any regular readers of the site know and love Scott Weinberg, who knows and loves the horror genre like nobody's business. He has already (rightfully) sung the praises of a freaky foreign handheld horror flick called [REC] (the American remake of which, Quarantine, is due out Stateside this October), and while I'd add my own voice to that choir, today comes news of a sequel to the original, vividly titled [REC] 2 (hey, it's a step above The De2cent).

Originally featured on Spanish-language site Aullidos, a simple and striking teaser poster comes bearing the news that a sequel was even in the works, touting precious little information besides the promised reunion of original helmers Jaume Balagueró and Paco Plaza. The original is good enough that I fear for any attempt to re-catch lightning in a bottle, but while it didn't beg for any sort of follow-up, it didn't quite eliminate the potential for one either.

Since this puppy doesn't even have an IMDb page yet, we'll keep you posted on more details as they come in. Otherwise, enjoy the trailer for [REC] included after the jump, since it reveals less about what goes down that fateful evening than what its American cousin has already managed to spoil.

[Thanks to Bloody-Disgusting for the heads-up.]

This week I've got a quintet of trailers for movies that recall other movies. It's Echoes of Movies Passed on this week's Trailer Park.

House Bunny
I can imagine the pitch meeting for this one starting with a suggestion to remake Legally Blonde, but without all that annoying charm and wit. That theory actually might hold water when you realize the screenplay for this one was written by the same team behind the Legally Blonde script. Anna Faris stars as a Playboy Bunny who, at the age of 27, finds herself kicked out of the Playboy mansion for getting too long in the tooth. With nowhere else to go, she takes a job as house mother to a sorority full of nerds/geeks/dorks, and everybody learns something important (I guess). If there's anything worthwhile here the trailer keeps it well hidden. Here's what Jessica thought.

My affection for the fantastic Spanish horror flick [REC] has been well-documented at this very website (and elsewhere), but now it's time to throw a little spotlight towards (you guessed it) the remake. I refuse to allow my enthusiasm for the first movie to foster an unkind perspective towards the remake, but basically ... if Quarantine is only half as good as [REC], then it's already twice as good as most studio-sponsored horror flicks.

Second studio flick from newcomer John Dowdle (his The Poughkeepsie Tapes is complete, but currently stuck on a shelf at MGM right now), Quarantine is about the horrors that go down when a news crew, some rescue workers and a bunch of clueless tenants are locked inside of an apartment building. (I'm not spoiling a thing, but let's say things get zombiefied.) The directors of the original flick had a lot of fun playing games with the "found footage" approach, and I'm hoping the American version will been able to capture some of [REC]'s choppy charm.

Quarantine doesn't arrive until October, but you can check out the brand-new teaser trailer over at UGO.com. You won't see much of the cast in the teaser clip, but trust me when I say the movie features Jennifer Carpenter, Johnathon Schaech, Greg Germann and Jay Hernandez. (And here's a photo gallery!) Regarding the new promo clip, I'd say this: Those who've seen the original film will find little here that's new -- nor will they find anything to get all irritated about, either. And that's a good thing.

Fox Atomic decided to torture us by inviting us over the the swanky Fox lot to view the first 28 minutes of the in-progress flick, 28 Weeks Later (we parked in "The Sound of Music," and let me tell you ... those hills were most definitely not alive. They didn't have eyes either, thankfully). I can say with absolute conviction, if you liked the first one, you're going to like this one as well. It's also safe to say (according to Fox Atomic) that you don't have to have seen the first film in order to enjoy this one. That's definitely true from what I was treated to.

Here's the setting: it's 28 weeks since the outbreak of the Rage infection that decimated London in the first film, 28 Days Later (hence 28 Weeks Later ... both movies are timed from the infection outbreak, which is day zero.) If you haven't seen the first film, the Rage virus/infection isn't pretty. One bite (or even a single drop of blood) from someone who is infected will put you instantly into a "state of irreversible hyperactivity and murderousness," according to Wikipedia. It's almost like being turned into a familiar horror movie staple (we aren't using the zed word here), except with the extreme hyperactivity.