Nowadays, computer-generated imagery makes it possible to create just about anything the mind can conceive, but there is nothing quite like a man-made recreation of an ancient civilization to inspire awe. As Monika Bartyzel told us last month, Alejandro Amenabar has been busy preparing his next film, Agora, which takes place in Ancient Egypt. Rachel Weisz will star as an astrologer/philosopher battling to save "the collected wisdom of the world" as religious riots flare and threaten the fabled Library of Alexandria. Max Minghella will also star as her slave (nice work if you can get it).

Agora is being filmed on the island of Malta, and Times of Malta has a picture of one of the giant sets. (Click through for a large photo.) The article says that the production marks a series of firsts for the island, including the fact that "many Maltese are being employed in roles and crew positions that are usually taken up by foreigners."

Pre-production on the island began last October, with 76 shooting days scheduled. The English-language film is due to wrap by the end of June. Agora marks the long-awaited return to directing for Amenabar, who last made The Sea Inside. That claustrophobic drama was a change of pace for Amenabar, who previously had been known for making thrillers like Open Your Eyes and The Others. Agora is definitely his most ambitious production to date, but it sounds like it could be a promising combination of intelligent thrills and historical drama.

[ Via Latino Review ]

(ed. note: This post was accidentally published at 1AM, instead of 1PM, so we're re-publishing it at the correct time.)

I've been thinking about the largely negative response to Wong Kar-wai's My Blueberry Nights (6 screens), a film I quite liked. As of today it's at 43% on Rotten Tomatoes, though it opens wider this weekend (including here in the Bay Area) and more reviews are surely coming in. Most critics I've spoken with around here likewise didn't think much of it. What are the reasons for all this disappointment? The main reason has to do with its weight. It's a lightweight movie, a trifle, flimsy, vapid, thin, etc. Wong is considered one of the world's greatest filmmakers, a maker of "weighty" works of art, and so this "lighter" film is beneath him. It's a letdown, a step backward.

Well, I say that's nonsense. Many great filmmakers dallied in lightweight, lesser trifles during their careers, and it didn't make them any less great. Martin Scorsese has made lots of them. After Hours (1985) and The Color of Money (1986) may not pack the punch of Raging Bull, but they are quite enjoyable, and pure Scorsese. (His current Shine a Light, 277 screens, feels like a trifle.) Fritz Lang came to the United States from a position of great power and unlimited resources in Germany and found himself assigned cheap crime pictures. Yet few critics today would complain about the "lightness" of The Big Heat or Scarlet Street. Max Ophuls also made crime films in Hollywood (Caught and The Reckless Moment), and his reputation remains intact. Some consider John Ford the greatest American director of all time, and even though his goofball Donovan's Reef (1963) isn't counted among his classics, I love it just as much. It has moments of great beauty that reflect its maker's personality. My Blueberry Nights may not stand up to In the Mood for Love, but it's unquestionably a Wong Kar-wai film.

Cinematical has just received this lovely exclusive poster (click on above image to enlarge) for the new film My Blueberry Nights, starring Norah Jones (in her feature debut), Natalie Portman, Rachel Weisz, Jude Law and David Strathairn. The film, which is just exploding with beautiful colors (see above poster for a small taste), marks famed director Wong Kar Wai's English-language debut -- and it centers on a young woman (Jones) who embarks on a soul-searching trip across America, running into an assortment of offbeat characters along the way. Definitely one of my favorite posters of the year so far -- once you move away from the dazzling color scheme, you're then left with the gorgeous faces of Weisz, Portman and Jones. Mmm, I can stare at this one all day long.

For more on My Blueberry Nights, feel free to check out James' review from last year's Cannes Film Festival, as well as the movie trailer over on Moviefone. My Blueberry Nights hits theaters (in limited release) on April 4.

Back in February, I briefly mentioned through a casting bite that Alejandro Amenabar was gearing up for his next film, and had cast Rachel Weisz and Homayoun Ershadi from The Kite Runner. Now Variety has fleshed out the whole project. It's called Agora, the filmmaker wrote it with Mateo Gil, and it will be Amenabar's second English-language feature, after The Others.

Rachel Weisz and Max Minghella (Art School Confidential) star in the film, which takes place in Ancient Egypt. More specifically, Weisz will play the astrologer-philosopher Hypatia of Alexandria, in Roman Egypt during the fourth century. "Trapped in the Library of Alexandria as religious riots flare on the city's streets, Hypatia battles to save the collected wisdom of the ancient world. Meanwhile, her slave Davus (Minghella) is torn between his love for his mistress and the freedom he could attain by joining the rising tide of Christianity." Aside from Ershadi, Oscar Isaac, Ashraf Barhom, Michael Lonsdale, and Rupert Evans have roles.

Amenabar plans to use a "hyper-realist approach" to bring Alexandria to life, and says: "We want the audience to see, feel and smell a remote civilization as if it were as real as the present day." To me, it definitely sounds worth is, and is certainly better than Weisz doing a million Mummy sequels. Are you ready to get dirty in Ancient Egypt?

Bits of casting for the new week, all courtesy of Variety:

• Last year, Angel Oquendo had bit parts in 3 films -- King of California, Ocean's Thirteen, and 1408. Now he's picked up a gig with Michael Keaton in The Post Grad Survival Guide. This is the pic I told you about back in December, which stars Alexis Bledel as a college grad who moves home trying to figure out her life -- and while that doesn't sound like the most original premise, the movie also cast Michael Keaton and Carol Burnett (who will be playing her family), which makes it all a heck of a lot more interesting... Almost as interesting as another film Oquendo is working on -- The Slammin' Salmon. I really, really love that title for some reason.
• Next up is Christy Scott Cashman. It seems she's grabbed a role in Abel Ferrara's new film -- Chelsea on the Rocks. This is a tribute to the Chelsea Hotel in New York City -- a building that has already inspired a whole slew of films. (You can check out a description of the Hotel, plus some stills from production at Twitch.) It's listed as a documentary, but looks to be maybe a mixture of both drama and doc. Christy is playing Vera Mendelssoh according to IMDb, which I assume is a typo for sculptor Mendelssohn, which makes her the neighbor of Sid & Nancy, and who heard witnessed some of the events surrounding Spungen's death.
  
• Finally, we have Homayoun Ershadi. Most recently, he played Baba in The Kite Runner. Now he's going to star along with Rachel Weisz in Agora, the latest film from Alejandro Amenabar. Not too much is being said about the feature thus far, unless you can read Spanish and check out the myriad of links on Google. However, this has got two solid stars and comes from the man behind Abre los ojos, so I'm intrigued. Production begins next month in Malta.
  

Several things conspire to make Definitely, Maybe seem a dicey proposition at first glance. There's the rarely-inspiring presence of Ryan Reynolds, whose film career has, up to now, moved between mediocre comedies and mediocre action and horror films and served mostly as a demonstration of the phenomenon of 'failing up.' There's also the gimmicky nature of the pitch giving off warning signs, as divorcing dad Reynolds tells his daughter Abigail Breslin the story of his life before he got married, shielding names and facts so she can't figure out which of the three women (Isla Fisher, Elizabeth Banks or Rachel Weisz) he knew and loved when he was single came to be her mother. "I like it," Breslin says early in the film, appraising Reynolds's efforts. "It's like a love story-mystery." And even that's a somewhat off-putting moment; Gee, kid, thanks for pointing that out for us.

But Definitely, Maybe, written and directed by Adam Brooks, surprised me as it unfolded, and got around my initial reservations with its mix of good humor and grace. Not only is Reynolds an appealing lead here -- possibly because the boyishness that's undercut his other work is an integral part of his character – but Definitely, Maybe also has some grit and gristle under the glib gimmick of the mommy-mystery hook. As Reynolds explains the long and winding road of what happened and when, Brooks's script mostly doesn't shy away from the tough stuff, and it doesn't paint Reynolds as some perfect, hapless everyman undone by random chance; he makes mistakes, and he pays for them, and he tries to set things right. Reynolds is normally light and charming enough on screen, but there's something new in his performance here, as his inner feelings keep coming into view behind his smile.

Empire has the exclusive first look at the new poster for Wong Kar Wai's My Blueberry Nights. While the first poster release chose to put Rachel Weisz front and center, the latest one-sheet lets you know right from the get-go that this film is an ensemble in every sense of the word. The story centers on a young woman (played by Norah Jones in her acting debut) who wastes away hours in a local cafe run by a romantically philosophical type named Jeremy (played by Jude Law). The story then follows our broken hearted gal as she rambles about the country, coming into contact with an alcoholic cop and his wife (David Strathairn and Rachel Weisz) and a gambling con-artist as played by Natalie Portman.

My Blueberry Nights marks Wong Kar Wai's first attempt at an English language film, and will also be one of the few films he has shot without the services of his usual cinematographer, Christopher Doyle. Instead, the famed director hired Darius Khondji, who has worked with Woody Allen (Anything Else) and David Fincher (Panic Room). The film premiered in Cannes back in May, and while reviews were mixed (mainly directed at Jones' acting abilities), the overall impression was that the film marked some new territory for the director -- you can read James' review here. Wong Kar Wai is a master at conveying love and longing for another person. So, even though there have been some changes in his usual methods, you know you are still in some pretty capable hands. Plus, if you consider the cast and the skill of people involved in the production, it would be a shock if it didn't all somehow work. My Blueberry Nights is set to open for a limited release on February 13th, 2008.

Whether or not you're going to enjoy Fred Claus pretty much boils down to one easy question: Do you like Vince Vaughn? If you find Mr. Vaughn's on-screen fast-talking, swagger-walking good-man-but-bad-boy shtick irritating or tedious, Fred Claus will be as enjoyable as a heaping plate of undercooked salmonella-laced turkey. If you find Mr. Vaughn to be a lively, animated figure who livens up pedestrian material with his mere presence on-screen, you'll find Fred Claus a well-intentioned, family-friendly, big-and-shiny holiday comedy.

And while Fred Claus is hardly a one-person show -- it's got a nice, deep back bench of supporting players that keep things moving along in the right key -- it would be hard to deny that star (and producer) Vaughn is the quarterback of the team. Grafting modern family dynamics psychology onto ancient folklore, Fred Claus opens with the youth of the Claus boys, as young Frederick attends the birth of his new brother Nicolas in an unnamed semi-medieval Euro-style thatched hut home. Nicolas is a lovely baby, and grows to be a kind and gentle child; so kind and gentle, in fact, that Fred can't help but look a little shabby in comparison. We then zoom forward an unspecified number of years, as our narrator explains that the attainment of sainthood freezes you and your whole family in time. Santa is ageless; so is Frederick ...

The next edition of the Sundance Film Festival doesn't start until January 17 -- 80 days from now -- and the program won't be officially announced until next month, but indieWIRE says the first deal has already gone down. Sort of. The article by Eugene Hernandez reports that Rian Johnson's The Brothers Bloom has been picked up for North American distribution by Summit Entertainment. indieWIRE comments: "Many expected [the film] would go on the market at the Sundance Film Festival early next year. The unspecified eight-figure deal would have made major headlines had the sale played out in Park City early next year." Summit reportedly bought the rights after reading the script and watching just two minutes of completed footage.

Hernandez talked separately to producers Ram Bergman and James Stern, among others. Stern works with Endgame Entertainment, which financed the $20 million production. Bergman described The Brothers Bloom as a "globe trotting adventure" in which "a young heiress enters the lives of two sibling con men." Director Rian Johnson previously made the highly acclaimed Brick, which premiered at Sundance in 2005.

Cinematical has been covering The Brothers Bloom for more than a year. Martha Fischer wrote about the first tantalizing details and then followed up with more plot information. Erik Davis wrote about the casting of Rachel Weisz, Monika Bartyzel told us that Adrien Brody and Rinko Kinkuchi had been added and then advised that Mark Ruffalo had joined the cast.

With the pressure off to complete the film in time for Sundance -- Bergman told indieWIRE the film is already profitable -- the goal is to finish post-production by February. The film's official site states simply that production in Belgrade has wrapped: "We're all pretty tired, but very very happy. More to come." Look for The Brothers Bloom sometime next year.

Looking at this new promo still for The Mummy: Tomb of the Dragon Emperor, I now realize what the first two Mummy movies were missing: martial arts! Never mind the fact that Jet Li looks awesome in this shot. I'm just excited because there's no possible way that Brendan Fraser (aka "Rick O'Connell") is going to get out of this fight alive. Imagine how great this sequel would be if Fraser got his ass kicked. Yeah, unfortunately, Fraser probably does win the battle somehow. Or if he does get served in this scene, he will win out in the end. In that case: poor Jet Li. How could he ever live with himself if he's seen on the big screen defeated by the guy who played George of the Jungle and Dudley Do-Right?

The photo comes courtesy of Rob Cohen, the sequel's director, who has been blogging the production ever since shooting began over a month ago. Since, we have seen a photo of "the Terracotta Army" and a photo of Maria Bello, who took over the part of "Evy" after Rachel Weisz dropped out. There have also been some videos on the blog, including footage of Fraser shooting at a river, falling out of a tree and throwing himself in some mud. And if you are really excited about the martial arts, you will want to check out the video about the stunt team, which doesn't feature any actual fighting but is still interesting enough. Say what you will about Cohen's directorial skills, he may in fact be better than Stephen Sommers at least, and The Mummy: Tomb of the Dragon Emperor is sure to be the coolest installment of the series. Unless, that is, they decide to follow tradition and give us some really terrible CGI at the end. Pray that Jet Li doesn't end up rendered out of sand in the end.

Just when you thought there was little to no movement on the do-we-really-need-another-one Terminator 4, comes word from Moviehole that a couple of high-profile actresses might be battling it out to play the lead female. First off, take this all with a grain of salt since it comes via two websites called Celebrity Spotlight and GlobalArnold.com. Since I dig Clint at Moviehole, and trust his opinion, I've decided to link directly to his story (in which he provides links to the original articles). That said, according to whomever, both Rachel Weisz and Chloë Sevigny approached Terminator producers Derek Anderson and Victor Kubicek at a recent party -- and, apparently, inquired about "the role." I'm not sure what "the role" is, but I assume it's the same character portrayed by Claire Danes in Terminator 3.

Additionally, they also claim that a "high profile hunk has already been cast as the male lead," which most likely means Nick Stahl will not be reprising his role as John Connor. No idea who that could be, but feel free to throw out guesses based on what we already know about the John Connor character and the words "high profile hunk." Fred Savage? Fingers crossed! Another, more interesting (to me, at least) note is that they also mention the following with regards to Weisz's busy shooting schedule: "She is already signed up to star in Peter Jackson's Lovely Bones and next year will start shooting Sin City 2 with filmmaker Robert Rodriguez." Oh really?

First off, when did Weisz sign on for that role (which, in all likelihood, would be that of Ava Lord), and when did Rodriguez solidify a shooting schedule? From what we know, no one is really planning post-strike right now, and even so, Rodriguez has to shoot his Barbarella remake first. So, has Weisz been officially cast? And seeing as she turned down a third Mummy film, what makes you think she'd be interested in a fourth Terminator film? Chloë Sevigny, on the other hand, is super sexy in that "I might kill you after we sleep together" kind of way -- which I really dig -- so go ahead and sign her up. All rumors for now; we'll let you know if anything more concrete materializes.

You know, if I hadn't seen any of Rob Cohen's films, I might almost feel sorry for the guy. Having already been accused of making one of the worst films of 2005, fans of The Mummy franchise have been less than thrilled when the director was tasked with breathing some life back into the series. But, Cohen has decided to let fans in on the production with his blog for The Mummy: Tomb of the Dragon Emperor. Launched last week, there isn't tons of information available, but Cohen did take the time to address some of the questions plaguing the film, mainly the loss of Rachel Weisz. Cohen says, "Rachel decided to leave the franchise many years ago, after 'The Mummy 2' finished shooting. We all had hopes that she would change her mind but I never had the opportunity to meet her or talk to her." Cohen also confirmed that he has "shot about five weeks of our twenty-week schedule".

Dragon Emperor reunites Brendan Fraser and John Hannah from the original films, alongside Maria Bello, Jet Li, Michelle Yeoh, Anthony Wong, and Luke Ford. The now-retired adventurers Rick and Evelyn O'Connell have a fully grown son (Ford), who has taken up the family business of archeology. This time, the action leaves Egypt far behind and instead is based in China and Li stars as the cursed Dragon Emperor. Cohen writes, "The family is reunited and high adventure ensues: crash landings, treks thru the Himalayas, Yeti, avalanches (bigger than the one I did in XXX), Shangri-la, three-headed dragons, pools of eternal life, epic battles, a shape-shifting Jet Li....I could go on but I don't want to give it all away" -- sure, it sounds impressive, but I still wouldn't hold my breath. The Mummy 3 is set for release on July 30th, 2008.

[via Filmstalker]

At least one Sopranos star is looking to exit the small screen for a fancy big-screen lifestyle. The Hollywood Reporter tells us Michael Imperioli (aka Christopher on the show) has signed on to co-star in the highly-anticipated adaptation of The Lovely Bones, to be directed by everyone's favorite gorilla Peter Jackson. The film (like the book) revolves around a young girl who is murdered, but continues to watch her grief-stricken family, as well as her murderer (as he gets ready to kill again), from heaven. Imperioli, unfortunately, will not be playing the nephew of a crime boss in the film. Nope, instead, he'll be on the opposite side of the law -- taking on the role of Len Fenerman, the detective in charge of investigating the little girl's death.

Imperioli joins a star-studded cast that already includes Ryan Gosling (as the girl's father), Rachel Weisz (as her mother), Stanley Tucci (as her killer), Susan Sarandon (as her grandmother) and newcomer Saoirse Ronan (as the girl in question). Adapted for the screen by Jackson and his two Lord of the Rings cohorts (Philippa Boyens and Fran Walsh), Paramount will distribute The Lovely Bones next year; most likely during the fall so that it can start knocking on Oscar's door. I haven't read the book yet, but my wife has said plenty of fantastic things about it. It was part of my summer reading material until I opted to go for I Love You Beth Cooper instead (what can I say, I love me a good teen comedy). That being said, I can't say for sure how good the casting choices are. I will, however, tell you that I love all the actors involved and look forward to seeing Jackson return to telling smaller stories, rather than giant epics.

Random sidenote: Had Christopher not died, how much fun would it have been to see a spin-off show called Christopher Goes to Hollywood?

Susan Sarandon is about to play a grandmother in one of the best novels of 2002, but I was taken aback when I first read that last week -- is she really grandmother-age already? Anyway, I tend to trust Peter Jackson's decision-making (as long as an oversized ape is not involved.) He'll of course be directing an adaptation of Alice Sebold's novel, The Lovely Bones. It's an incredible story about a young woman who is abducted, raped and murdered; we follow the aftermath from her point of view as she rests in heaven, looking over the lives of her family and her killer. She (and we) watch as some family members try to get on with their lives, the sister grows into adulthood and the killer continues on his own journey. The book is a tragic, compelling story that could really benefit from a big-budget, big-screen push, and the fantastical but true-to-the-source world of Lord of the Rings that Jackson created is proof enough that he can balance his own creativity with honoring an author's vision.

The film has not only nabbed Sarandon, but another favorite of mine, Stanley Tucci, to play the murderer. Playing the kid watching everything from above will be newcomer Saoirse Ronan. And, of course, the cast also includes Rachel Weisz and Ryan Gosling. Production begins this fall and the pic will probably be ready for release by fall of 2008.

I've been stoked about Alice Sebold's The Lovely Bones being made into a movie since development was first announced, although admittedly, it took me a while to jump on the "Peter Jackson is the perfect director for this film" bandwagon. Don't get me wrong, I like Jackson, and I think he did one hell of a job with the Lord of the Rings trilogy, but I just wasn't sure he was the right guy to direct this tale of a murdered 14-year-old girl who watches the aftermath of her disappearance on her family -- and the guy who killed her -- from heaven.

I warmed up to Jackson when he cast Ryan Gosling and Rachel Weisz as Jack and Abigail Salmon, the parents of Susie Salmon, the murdered girl; then just a few days ago news came that Jackson had finally cast the all-important role of Susie (much speculation had floated around the internet on that, with Dakota Fanning being the name I most frequently heard bantered about) with Irish actress Saoirse Ronan. There's been no announcement yet on who will play Susie's sister, who is also an important character in the book, but we do at last have a name associated with one of the most pivotal roles -- the murderer.

The Hollywood Reporter has a story up today that Stanley Tucci is in negotiations to play the part of child molester/murderer George Harvey. Tucci shone on screen in The Devil Wears Prada and he's a great character actor, but he's not the first person that would have come to mind for the role of this type of bad guy -- which makes him perfect for the part. That's the thing about sexual predators -- they don't usually look like the bogeyman, they look just like the nice guy next door, the guy who tends to his garden, waves at the neighbors all friendly-like but never invites anyone in, keeps to himself while blending into the scenery. Tucci has the ability to play that to a tee; casting someone who actually looks evil would be way too obvious; the normal-looking guy who harbors the dirty little secret that he lures little girls to an early grave is far more sinister.

Between the casting news and the early excerpt of Jackson's script, I can't wait to see this movie now. What do you think of how the casting is shaping up? And are you excited about seeing Jackson bring The Lovely Bones to life on the big screen?