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Indie Roundup gathers a selection of indie film news from the past seven days and offers a peek ahead to what's coming.

Deal. Do not despair that the first month of the new year will be filled solely with the expansion of award contenders. Distribution rights in the US for Sweetgrass have been acquired by The Cinema Guild, according to indieWIRE, and the documentary will open at Film Forum in Manhattan on January 6, followed by a rollout across the country.

Directed by Ilisa Barbasch and Lucien Castaing-Taylor, Sweetgrass "follows the last sheepherders to trail their flocks up into Montana's Beartooth mountains for summer pasture," per its official synopsis. After debuting at the Berlin Film Festival last year, the doc played the festival circuit quite successfully, picking up positive critical notices. Check out the splendid trailer in all its quiet, chud-chewing glory after the jump.

Online / On-Demand Viewing. Debuting on demand next Sunday, Clarkworld paints a portrait of filmmaker Bob Clark. Best known for his perennial holiday favorite A Christmas Story, Clark also made the groundbreaking Porky's, which set the tone for all raunchy teen comedies to come, and the significant slasher pic Black Christmas, another flick that was a trendsetter (or at least ripped off at will). Director Deren P. Abram talked with Peter Billingsley (former child star turned filmmaker), Kim Cattrall, Jon Voight, Denise Richards, Mary Steenburgen, John Saxon, Scott Baio, and other people who weren't even in any of his movies! We have the trailer for this one after the jump, too, which makes for an interesting contrast with the one for Sweetgrass. Look for the movie on cable systems via Cinetic FilmBuff.

After the jump: box office talk; trailers for Sweetgrass and Clarkworld.

Is John Woo going to work with Tom Cruise again? Quite possibly, and in a World War II setting to boot. Woo has been in a hold pattern over Hollywood ever since Paycheck came out, although he's recently struck gold with both audiences and the box office overseas with Red Cliff, which hits American shores on November 20th. Now he's circling Flying Tigers, a project about the first American volunteer group in the Chinese Air Force during WWII.

We spoke to Woo recently about Red Cliff, and you can read the full interview with him later this week. However, we couldn't resist sneaking in a question about Cruise, and you can read what we got after the break.

John Woo's Red Cliff isn't just the most expensive Asian movie ever made, it's also an epic testament to history and actual wars that were waged on both land and sea. In China the film was four hours long and split into two parts, but American audiences are getting a 2.5 hour version that (unfortunately) has a lot trimmed out of it. There are massive battles, martial arts, trickery, and of course, doves. It is a John Woo film, after all. It is also awesome, and enough to make you forget that he directed Paycheck.

Check out the exclusive clip after the jump which features the initiation of the climactic clash between Cao Cao and Zhou Yu's forces. This is just one of three massive battles in the film which is available today on VOD, Amazon, and the Xbox, and will appear in theaters on November 18th. This movie marks a return of the old John Woo, and it's about time he came back. Let's just hope he'll give us a two-gun wielding Chow Yun-Fat one more time.

Head on after the break to watch the clip and then check out the movie, which is best described as 300 meets Hero with a dash of those huge battles from all of the Lord of the Rings films tossed in.

Welcome to the first weekly edition of Asian Cinema Scene. I've written about Asian films under this moniker irregularly in the past; from now on, you can look forward to a fresh new post every Monday. (Unless something emerges from a river and snatches me in its tentacles.) Some weeks I'll concentrate on one film; today I'll roundup a few items of interest from the past week.

Sweet treat. The awesome Thai action flick Chocolate got midnight screenings Friday and Saturday in select markets, courtesy of Magnolia Pictures. It looks great on the big screen, especially with an appreciative audience, but if you missed it, don't despair; look for details on the DVD release in tomorrow's Spin-ematical.

Non-deals. Will recent higher-profile Asian flicks like Tony Jaa's Ong Bak 2 or John Woo's Red Cliff (with the two parts edited into one epic) ever sell to US distributors? The European Film Market is happening this week in Berlin, and I'm keeping my fingers crossed that we hear something. Meanwhile, Red Cliff 2 is opening across Asia in staggered release; check one of the trailers below.

Consumer beware. DVD label Dragon Dynasty has taken a serious backward step with their decision to release The Enforcer (AKA My Father is a Hero), starring Jet Li, without the original-language Cantonese audio track. Mark Pollard of Kung Fu Cinema reviewed the new edition in detail, and also posted a response by Genius Products, distributor of the Dragon Dynasty line, to criticism expressed online, in which they claim no usable version of the original audio was available in time for the release. It's a good, crunchy action flick directed by Corey Yuen, and deserves better.

After the jump: Variety Asia says goodbye. Plus, which four films are represented in the image above? No peeking!

Many of this year's foreign and indie releases showed up on some of the more obscure top ten lists of 2008, and will no doubt be rolling out across the country in various irregular patterns all year long. For example, Steven Soderbergh's Che turned up on more than half a dozen lists that I saw (including our own James Rocchi's), yet most people haven't seen it yet. I have seen it, and I doubt it'll be sticking around long, though I greatly admire it. It's a deliberate attempt to subvert the current biopic formula, and though it's somewhat cold and ultimately a bit one-sided, it's also endlessly mesmerizing. Silent Light, the newest drama by the great and peculiar Mexican director Carlos Reygadas (Battle in Heaven) is also due to show up this month. Matteo Garrone's Italian gangster movie Gomorrah and Steve McQueen's British based-on-a-true-story drama Hunger have also placed well on several top ten and awards lists, and will be turning up in February and March.

The two-time Cannes champs Jean-Pierre and Luc Dardenne have a new one, Lorna's Silence, which I haven't seen, but that has a very nice poster. (It's supposed to be coming around in June.) And James Gray (The Yards, We Own the Night), who for some mysterious reason is quite beloved in France, opened his new film, Two Lovers -- starring Gwyneth Paltrow and Joaquin Phoenix -- there to great acclaim. It's due here in February. And one of my contacts tells me that Roy Andersson's outstanding deadpan Swedish comedy You, the Living, which I saw early in 2008, will finally open to theaters sometime in 2009. I'm still waiting for a release date for Kathryn Bigelow's war film Hurt Locker, but it has enough buzz that I'm not worried. I'm a little more concerned about John Woo's Chinese epic Red Cliff, which will hopefully return that master to his former glory; so far there's no U.S. release date -- and no indication that the entire, uncut film will make it over here.

When Red Cliff (Part 1) rolled out across most of Asia in July, John Woo's historical action epic generated very good box office returns, and its recent release in Japan continues the trend. Topping the charts for the second week in a row, according to Variety, Red Cliff has earned more than $18 million so far.

Part 2 of the four-hour plus Red Cliff is due for January release in Asia, and an international (i.e. short) version is also being prepped for the beginning of the year. Theatrical distribution deals are set in Europe (France, Finland, Germany, Greece, the Netherlands, and Norway), with Summit Entertainment (distributor of Twilight and Sex Drive) handling international sales.

Still, no US distribution deal has been announced. What's holding things up? Will Summit take it on? Will North American audiences ever get to set Red Cliff on the big screen, where it clearly belongs? Or are distributors spooked by the prospect of marketing one more foreign-language action epic?

Red Cliff is based on the classic novel Romance of the Three Kingdoms; the title refers to the location of a battle involving more than a million soldiers that brought an end to the Han Dynasty in 208 AD, resulting in the division of China into three kingdoms. Tony Leung Chiu-Wai (Lust, Caution), Takeshi Kaneshiro (House of Flying Daggers), Zhang Fengyi (The Emperor and the Assassin), Chang Chen (Blood Brothers), and Lin Chiling (gorgeous Taiwanese model in her acting debut) star.

If you've ever seen a film by Taiwanese filmmaker Hou Hsiao-hsien, you might not initially think of him to direct an action movie, even of the slower, more poetic wuxia genre that includes films like Ang Lee's Crouching Tiger, Hidden Dragon and Zhang Yimou's Hero and other recent works. But the master director has long confessed in interviews that he'd like to make a martial arts picture, and even as far back as 2002, Hou was attached to helm an adaptation of Pei Xing's 9th century fantasy novel "Nie Yin Niang," about a female assassin, which was then reportedly titled Xia Nü.

Six years later, following his first non-Taiwanese film (the Ozu tribute Café Lumiere), the triptych Three Times and his first Western project (Flight of the Red Balloon), Hou seems to finally be on track to making his wuxia dreams come true. Variety reports that his adaptation of "Nie Yin Niang," now titled The Assassin (or maybe The Hidden Heroine, or simply Nie Yin Niang), has received funding from the Taiwanese government's National Development Fund and is therefore moving forward with a pre-production start date of October 1 and shooting expected to begin in early 2009.

Early box office returns look strong and reviews are mixed to positive for the most expensive independent Chinese production ever. John Woo's historical epic Red Cliff has opened in Asia, and Variety reports that it's off to "a smashing start," drawing big audiences on its first day of release in China (US$3.65 million), Hong Kong (US$257,500), and Taiwan ($526,000). Relative to their respective territories, those are very good numbers indeed -- it's the biggest opening day this year in Taiwan, for example.

South Korean distributor Showbox received permission from Woo to cut nine minutes from the film's 2 hour and 23 minute running time. This sounds idiotic to me, more like Showbox trying to flex their muscle, but Red Cliff still made an estimated $973,000 on opening day, more than double other Asian hits of recent years such as Hero and House of Flying Daggers.

Variety described Red Cliff reviews as "generally positive." Here are three English-language reviews I've found online: JoonAngDaily, The Associated Press, The Korea Times, The one from AP is entirely positive. More reactions can be found at China View. One friend of mine that's seen it says it's "good but not fantastic."

Red Cliff ends with what can only be described as a "cliffhanger": the decisive battle will be shown in the second part of the film, due for January release in Asia. All things considered, right about now I imagine Mr. Woo is relaxing in his editing suite, finishing up part two, and just smiling.

Can a director best known for bloody bullet ballets pull off a historical action epic? We'll know later this week when John Woo's Red Cliff rolls out across Asia. The film's full-length running time of more than four hours has been split in two; the first part opens in China, Hong Kong, Korea, and Taiwan on Thursday, with a release in Malaysia next week and Japan in November, according to Variety. Part two is set to debut next January.

Red Cliff, based on the classic novel Romance of the Three Kingdoms (which has been adapted for television and film multiple times), is the fulfillment of a dream for Woo, who first tried to make it nearly 20 years ago. The title refers to a battle involving more than a million soldiers that brought an end to the Han Dynasty in 208 AD, resulting in the division of China into three kingdoms. Tony Leung Chiu-Wai, Takeshi Kaneshiro, Zhang Fengyi, Chang Chen and Lin Chiling star.

Woo has been staging elaborate action sequences for many years, but hasn't tackled a project of this scale and historical sweep before. An international version, expected to run about two and a half hours, will be completed by January. No US distributor has yet been set. To get fully caught up on this sometimes-troubled production, reportedly budgeted at $80 million, read our previous reports from February 2006, September 2006, April 2007 (1), April 2007 (2), August 2007, February 2008 (trailer), and June 2008.

The world tragically lost another stuntman Monday morning, in northern Beijing, China. 23-year-old Lu Yanqing was killed in what is being reported as a "bizarre" fire involving two boats, which were being used for John Woo's latest, the historical epic Red Cliff. Woo was actually not around at the time of the accident -- he was in Hong Kong -- and has not yet been quoted with any official statement.

Under the direction of the film's second unit, the scene that resulted in tragedy featured a small, smoking boat that was to crash into a large ancient warship. Upon collision, when machines began emitting more smoke, an unexpected flame shot up, killing the one stuntman and injuring another three (or seven) people. The exact cause of the fire is being investigated, but one report says the current theory is that "the crew might have accidentally ignited a flame that came into contact with inflammable gas on a boat, setting off the fire from which Lu was unable to escape."