redbelt Tagged Articles at Cinematical

Last time we checked in on Stephen King's ten favorite films of the year, it was 2006 and we found titles like Waist Deep (?) and Snakes on a Plane. Okay, so maybe the legendary author didn't watch many films that year -- but here we are two years later, King once again dished out a top ten for Entertainment Weekly, and so maybe he's managed to see a bit more. Check out King's list below, with brief quotes from him for each -- then read the rest over at EW.

1. The Dark Knight -- "The best superhero movie ever. This is to cape-and-tights movies what Godfather II was to the gangster movie: a genre-defining event."
2. Slumdog Millionaire -- "It's been years since the movies have produced such an affecting story about the power of friendship."
3. WALL-E -- "I don't think it deserves a Best Picture Academy Award, but it certainly deserves to be nominated."
4. Tropic Thunder -- "The funniest, most daring comedy of the year."
5. Funny Games -- "It works as a savage parody of the snuff-porn genre even as it transcends it."
6. The Bank Job -- "High-tension cerebral thrills."
7. Lakeview Terrace -- "Jackson's performance deserves an Academy Award nod, but won't get one. Too bad."
8. The Ruins -- "It could have been ludicrous. Instead, it's unrelenting."
9. Redbelt -- "... this is not your father's Karate Kid."
10. Death Race -- "Death Race is filled with laconic violence and blasting muscle cars, but just beneath the surface is a biting satire of reality TV."

So, is King nuts for suggesting that Samuel L. Jackson receive an Oscar nod for Lakeview Terrace? Do you agree with the horror guru, or does the man still need to see more movies?

Last August, Patrick Walsh made mention of the fact that A) there was to be a prequel to The Scorpion King (itself, he noted, already a prequel to a sequel to a remake), and that B) Dwayne "The Rock" Johnson would not be returning to his role as ancient warrior Mathayus.

Well, in the meantime, it seems that the filmmakers did indeed find somebody to "reflect the charisma and comedic elements of the character created by The Rock, especially in his warm, relaxed and humorous relationship with Layla, the young girl whom he has grown up with, and with whom he experiences a growing sexual tension" in former Power Ranger Michael Copon.

Nothing against Mr. Copon, but if the recently revealed cover art over at DVD Active seems to be any indication, then Universal's marketing team is (wisely) shifting their focus upon baddie Sargon, played by Ultimate Fighting Champion Randy Couture. It may be difficult to judge Couture's acting ability from his recent turn as a fight commentator in David Mamet's Redbelt, but something tells me that director Russell Mulcahy (Resident Evil: Extinction) and company were more concerned about his range of motion over emotion when it comes to swinging swords and the like.

For those precious few of you out there actually looking forward to this, The Scorpion King 2: Rise of a Warrior is scheduled to hit shelves on August 19th, mere weeks after a certain other franchise continuation conveniently hits screens.

When David Mamet's Redbelt was announced, the initial simple summary seemed bizarrely incongruous: A noted playwright and dramatist making a film about martial arts? But while Redbelt involves the worlds of Jiu-jitsu and mixed martial arts, it's really just another way for playwright, screenwriter and director Mamet to look at the world. As martial arts instructor Mike Terry (played by Chiwetel Ejiofor) is taken from his noble (but underfunded) studio and plunged into the greed and glitz of Hollywood and commercial fighting.

As Mike tries to hang on to the things that matter to him in a world that dismisses honor as unprofitable, Mamet's script and direction create a film that somehow puts a philosophical twist on traditional fight films while also embodying everything we love about them. Cinematical spoke with Mamet and Ejiofor in Los Angeles.

Big budget Iron Man racking up big box office? Not a shock. The latest from Harmony Korine (Gummo, Julian Donkey-Boy) topping the indie box office chart? That's a surprise. Mister Lonely (IFC Films) only opened at one theater in Manhattan, but it took in $19,100 for the highest per-screen average among indies this weekend, according to estimates compiled by Box Office Mojo. Diego Luna plays a Michael Jackson impersonator; Samantha Morton, Denis Levant and filmmaker Werner Herzog also star. Our own Jeffrey M. Anderson wrote: "Though Mister Lonely seems sweeter and more mainstream than Korine's other films, it still has that sense of randomness, of pathetic luck and habit and wisdom all combining to make up a life, or a collision of lives."

David Mamet's Redbelt (Sony Classics) pulled in $11,433 per screen at six locations. Chiwitel Ejiofor stars as the honorable owner of a Jiu-jitsu studio who is drawn into the world of "pay-per-view mixed martial arts," as Cinematical's James Rocchi described it. He did not feel the film matched the writer/director's best work; "still, even minor Mamet can be a source of major satisfaction, especially with an actor as compelling as Ejiofor in the lead."

Son of Rambow (Paramount Vantage) averaged $10,500 each at five theaters. Garth Jennings' delightful kids' adventure follows two boys as they create their own action movie epic featuring John Rambo. James Rocchi called it "a brilliant celebration of the exuberance and thrill of bad storytelling, of making art, of having dreams."

One of the challenges of being a great artist is that not all of your art is going to be great. The Beatles wrote several songs that lesser acts would have turned into careers, but that nonetheless lack the power of "Yesterday" or the joy of "I Wanna Hold Your Hand"; George Orwell's The Road to Wigan Pier is an excellent work of journalism, but not nearly as good as Homage to Catalonia. Redbelt, the latest film from writer-director David Mamet, is not as impressive or thought-provoking as some of his other dramatic works, like Glengarry Glen Ross or House of Games or Oleanna; at the same time, it's an exciting, engaging mix of drama and action supported by an immensely appealing lead performance by Chiwetel Ejiofor (Dirty Pretty Things, Children of Men).

Redbelt's subject and setting may make it seem incongruous -- Why is one of America's greatest playwrights making a film about mixed martial arts and Jiu-jitsu? -- but it's actually in keeping with Mamet's other recent entertainments like Spartan, his work as a co-creator of The Unit and his pseudonymous work on the screenplay for Ronin. Redbelt fits in with these projects: They have a kind of heroic stoicism under them; they're stories of honorable men in a dishonorable world. They've all got a kind of muscular poetry, too, a hard-bitten nobility that's still a little sad about the edges.

So check out this pretty nifty Redbelt poster. Now what's interesting about the image above is that it's a "fight poster," which means it's not an actual poster FOR the movie, it's a poster promoting the big fight that takes place IN the movie. Talk about something cool to add to your geeked-out movie collection, huh? Not only that, but this poster also comes signed by David Mamet, Chiwetel Ejiofor, Ricky Jay, David Paymer, Emily Mortimer, Renato Magno, John Machado, and Joe Mantegna. Uh, yeah -- something tells me a lot of you folks might want one of these. Fine! Take them all, you bloody scavengers! Here's how this will play out:

You leave a comment (prior to 5PM EST on Monday, May 5) telling us why you're itching to see Redbelt. We'll then choose five random commenters, all of whom will be sent the fabulous poster featured above. It's that easy! Redbelt arrives in theaters in New York and LA tomorrow and nationwide on May 9. Check out the film's trailer, as well as the official rules for this contest, after the jump.

Who would have thought the brilliant playwright and pretty good director David Mamet would have anything in common with tasteless schlockmeister Uwe Boll? Boll once expressed a desire to fight movie critics in a boxing ring, and now Mamet has taken it a step further: he wishes all critics were dead.

Or at least that's what he told Vanity Fair. The magazine ends each issue with a "Proust Questionnaire," in which a celebrity is asked a series of frivolous-but-deep-sounding questions, usually to coincide with the promotion of the celebrity's new movie. This month it's Mamet (whose Redbelt opens May 9 May 2), and the first Q&A goes like this:

What is your idea of perfect happiness?
My idea of perfect happiness is a healthy family, peace between nations, and all the critics die.

All the critics, Dave? All of us? Aw, gee. In my high school drama class, we loved doing scenes from Mamet's plays. Granted, this was primarily because it permitted us to swear in abundance, but over time we came to appreciate his work on a deeper level, too. The way he writes dialogue -- the unusual cadences, the stylized realism -- is like music, and the intellectual themes of his plays are eternally thought-provoking.

Here it is. Just as it was gratifying to see all the hallmarks of the X-Files franchise in the X-Files 2 trailer we linked to yesterday (it's since been pulled, but will no doubt reappear in studio-sanctioned form soon), it's great to see all the David Mamet staples pop up here. Hey, there's Ricky Jay, and Joe Mantegna, and Rebecca Pidgeon! Magic tricks! Macho posturing! Hints of cons, and cons within cons! Best of all, we get to hear a little bit of that unmistakable clipped Mamet-speak:

"Excuse me. Uh, who's the...?"
"It's alright. Come in."
"I believe I..."
"Hey Joe, take the lady's coat!"

Music to my ears. And far from straying from his usual milieu with the mixed martial arts angle, Mamet seems to have used it to create another of his shady underworlds where nothing is as it seems. For fans of the man's work, watching this trailer is like settling into a comfy old recliner.

I don't know about you, but the brouhaha over David Mamet's recent pronouncement that he is "no longer a brain-dead liberal" has made me only more eager to see his forthcoming martial arts drama Redbelt. This is not because I'm a conservative and glad to see Mamet cross over to my side (I'm not), but because I'm hugely curious to see what, if anything, an ideological shift does to one of my favorite screenwriters and filmmakers. Mamet's always been a little macho; will Redbelt go all out with a crazy libertarian message of grizzled self-reliance? Will his view of human nature get even dimmer than it already was? It'll be fascinating to try and pick his brain.

According to The Hollywood Reporter, Tribeca Film Festival attendees will get to do it a little earlier than the rest of us. Redbelt will have a gala premiere in New York City as part of the ESPN Sports section of the Tribeca fest on April 25th. So, if you're willing to brave Tribeca crowds and prices, you can see the film a week before its May 2nd limited release -- though you'll probably need one of the fest's notoriously pricey VIP Packages (David Poland has the hilarious price breakdown on his blog) to get into the gala premieres.

Take a look at the trailer for the film here. Can't you just feel the Republican vibes?

I don't think I'm alone when I say that I Am Legend was a little bit of a disappointment. Although there were a lot of good things going on (mainly in the performance of Will Smith), it wasn't a great film, and something was missing. Based on Richard Matheson's sci-fi classic, Smith stars as Dr. Robert Neville, a scientist who is immune to a "vampiric plague" that has wiped out humanity. Now an alternate ending to the film has been leaked to the net (thanks to Slash Film for the heads up), which you can check out above, and it gives you the chance to play 'What If?' If you haven't already seen the film, you might want to stop reading now, because I am about to give you one heck of a spoiler.