Two things I enjoyed about Definitely, Maybe, which came out on DVD today: the cheesy jokes about New York City in the early '90s and the fact that it is a chick flick for guys. What I mean by the latter is that the movie seems targeted to females yet it caters more to the male viewer. It's basically a male fantasy: Ryan Reynolds tells the story of how he dated three beautiful women (played by Isla Fisher, Rachel Weisz and Elizabeth Banks), one of whom he married and later divorced -- meaning he's now single again. And he also got a cute, precocious daughter (Abigail Breslin) out of the deal who becomes beneficial to him in his return to bachelorhood.

But then is it really a chick flick? I guess it is if you count romantic comedies in that grouping, though the genre has never necessarily been aligned with the term, nor vice versa. And in the age of Judd Apatow, it's more likely that any new romantic comedy is actually a guy movie. Do many men realize it's a movie for them, though? Probably not. Though chick flicks are typically movies primarily populated by women characters and/or a female protagonist (think Steel Magnolias), romance films not made by either Apatow or the Farrelly brothers may be thought of as being for the ladies, even if they feature a male lead, like Reynolds in Definitely, Maybe.

I'll admit I've always been confused about chick flicks as a term. I apparently enjoy many so-called chick flicks, including even (especially) Beaches. So, I may not be using the term correctly in this list. However, I am a guy and I know what guys want. So, I'm going to do this my way, and answer the following question: What other films may have been initially perceived by males as being made for chicks but which turned out to be more for them (us)?

[Photo removed at request of 20th Century Fox]

This is too good not to share. It's no secret that I wasn't pleased with the last round of Amelia pics that hit the net. Hilary Swank just looked goofy, and the images did nothing to drum up excitement. In fact, it did just the opposite. But man, the picture above, part of a slew that went up on Oh No They Didn't, is definitely worth it.

Finally, we've got Swank in the flying ensemble! She's got on the obligatory leather jacket, cap, and goggles, although the wardrobe gurus seem to have decided against Earhart's oft-worn scarf, and selected a striped tie instead. But that's not all. We know that it's Richard Gere standing on the right, but do you recognize the woman on the left? I've loved her since Fire with Fire, but didn't notice at first that the lady in red is, indeed, Virginia Madsen. Okay, I'm a bit more excited now.

You?

Quick hits on three titles of interest: As I wrote last November, Meeting Resistance "is not the end-all, be-all of Iraq War documentaries, nor does it pretend to be. Filmmakers Steve Connors and Molly Bingham stay tightly focused on their subjects -- members of the resistance movement in Iraq -- and get them to open up about their motivations. In doing so, they provide an invaluable window into a world that remains unknown to most foreigners." The DVD from First Run Features includes an audio commentary, filmmaker Q&A, biographies, and a photo gallery.

Olivier Meyrou's documentary Beyond Hatred examines the aftermath of the brutal murder of a young gay man by a gang of skinheads. Ed Gonzalez in Slant Magazine felt it "arrives at essential truths about suffering and loss through abstract means." The DVD from First Run Features appears to be a bare-bones edition; no extras are listed at the official site.

I'm waiting for my rental copy of The Flock to arrive in the mail, but I don't have high hopes for this psychological drama, even though it stars Richard Gere and Claire Danes. Hong Kong director Andrew Lau can be hit (Internal Affairs) or miss (Confession of Pain), and the long delay between production (late 2004) and release doesn't bode well. The DVD from The Weinstein Co. has no extras, according to this review by Brian Orndorf at DVD Talk, who felt the movie looked too much like a bad TV show.

After tons of speculation and millions of votes counted, the results are in -- Richard Gere is still The Man. Seriously, how many people do you know who look 33 when they're actually 106? None. Gere. That's it. And Variety tells us he's signed on for not one, but two more films. The Pope turned 81and he's riding around in a little bulletproof car. Gere is 106 and he's doing two movies! Who do you think is more awesome? Hint: His name rhymes with Fear??

First up, he'll star opposite Hilary Swank in Amelia -- a biopic on the famed aviatrix, Amelia Earhart, which will be directed by Mira Nair off a screenplay by Ron Bass. Gere will play Earhart's husband, publisher George Putnam, and the film will document their rocky relationship. Additionally (and this is something we already reported), Gere will co-star in the cop flick Brooklyn's Finest, alongside folks like Don Cheadle and Ethan Hawke. Antoine Fuqua will direct. (Currently, there's no word on which young actress Gere will be shaggin' in that film, but we'll let you know when more info is released ...)

Two reasons I'm writing this story: 1) I love screenwriter success stories, and 2) I love New York City screenwriting success stories. (No, I'm not very interested in seeing a sequel to New Jack City ... unless, of course, Chris Rock loses fifty pounds and plays another crack addict.) Over at Yahoo, they have a great story about a NYC tollbooth worker who wrote a crime script last year called Brooklyn's Finest. See, his car was totaled in an accident and so he entered this screenwriting competition with hopes the cash prize would help pay for a new ride. While Michael Martin had studied film in college, he had never written a full screenplay before -- and though his script placed second, it attracted attention from all over the place; landing on the steps of a Warner Bros-based producer who was searching for someone gritty enough to write the sequel to New Jack City.

Dude eventually moved to Los Angeles, wrote for the Showtime series Sleeper Cell, but then got homesick and returned to New York -- where, to this day, he works for the Transit Authority (he was just promoted to construction flagger). In between flagging, he still works on the New Jack City 2 script (which will probably go direct to DVD) on break in the subway tunnels, all while Brooklyn's Finest gears up to go into production this May -- in Brookyln -- with Don Cheadle, Ethan Hawke, Richard Gere and Ellen Barkin starring. Training Day's Antoine Fuqua will direct.

Oh, and he has a new car now.

Great story; you can read the entire thing here. And good luck to you Mr. Martin!

Pickings are a bit slim on the indie DVD shelves this week, but here are three titles that sound like they're worth checking out.

"Instead of grousing or hand wringing" about its topic -- why the US government hasn't been able to locate certain war criminals -- Jeffrey M. Anderson said that The Hunting Party "becomes a spry, surprising and intelligent comedy." Richard Gere stars as a reporter who convinces his former cameraman (Terrence Howard) to join him in tracking down an infamous war criminal. Richard Shepard wrote and directed. The DVD features an audio commentary by Shepherd, deleted scenes, a "making of," and interviews with the journalists featured in the magazine article that served as source material for the film.

Laurent Tirard's Molière "uses the titular French playwright's life as a jumping-off point for a fanciful tale of romance, duplicity, and acting, Acting, ACTING," according to Nick Schager. "What's missing, alas, is a greater sense of surprise that might keep the film from feeling somewhat rote." Still, it's hard to find eye candy that looks better than this cast: Romain Duris stars as the playwright; with Ludivine Sagnier and Laura Morante also featured. The DVD includes an audio commentary with the director and a "making of" feature.

If you're in the mood for an off-beat doc, Confessions of a Superhero (pictured) should cure what ails you. Our own James Rocchi says that the film examines four would-be actors making ends meet "by dressing as superheroes and posing with the tourists outside Graumann's Chinese Theater." (When I lived in Los Angeles, I always wondered about those people.) He felt that the film "never loses sight of pop culture or personal struggle, and sticks with you thanks to a careful mix of big images and small moment." The DVD includes a commentary track, deleted scenes and extended footage.

Last May, word came out that a remake of the Japanese tearjerker Hachiko monogatari was in the works, starring the actor who has had a bum rap when it comes to animals -- Richard Gere. The production was supposed to kick into action back in September, but as is usually the case, the project was delayed. Hachiko, A Dog's Story now has a new start date in January, and Variety reports that it's also got a co-star and director. Joan Allen (The Upside of Anger) has signed on to star with Gere, and Lasse Hallstrom (The Cider House Rules) will take the directorial chair.

The project is based on the true story of the Hachiko statue in Tokyo's Shibuya station. A teaching assistant had a devout dog who would meet him every day. When the man gets sick and doesn't return home, the dog continues to wait, for what Variety says is almost ten years. As the remake story goes, Gere is a college prof who takes in an abandoned dog, so I'm not sure if the dog gets abandoned twice, or if he gives it a new home after it waits around for its master for years. Either way, it's sure to be full of tears and heartbreak, just what every moviegoer is looking for! Annoyingly, there is no word on who Allen is playing. Gere's lady friend? A sinister person from the pound? Who knows. The film heads into production this January in Rhode Island, if there are no further delays.

Todd Haynes is one of the most intelligent filmmakers our country has to offer. The question remains, however, whether his intelligence allows for any emotion to come through in his films. I think it does, but it's not an obvious, worn-on-your-sleeve type of emotion; it's the type that takes a little self-analysis to discover. For example, his great film Safe (1995), which was voted the best film of the decade in the Village Voice poll of 1999, left me feeling queasy and unpleasant, and my initial reaction was to blame the film for it. But those were precisely the types of emotions I was supposed to be feeling after seeing a story about a sick woman. Haynes deliberately designed the film with a kind of emptiness -- and refused to answer the question as to whether or not his heroine was actually sick, and when the lead character joins the "cult" in the film's final stretch, Haynes does not invite us to go with her, so we're left in the lurch, so to speak.

Jean-Luc Godard, another intelligent filmmaker, once said that the best way to critique films was to make one. Haynes did precisely this with Far from Heaven (2002), which more or less used a Douglas Sirk framework to discuss Sirk's films as well as a more modern look at racism and homophobia. (The critics' group I am a member of, the San Francisco Film Critics Circle, gave our 2002 Best Director award to Haynes.) Now Haynes does it again with his exceptional new I'm Not There, a deconstruction of the biopic as well as a fascinating look at the cult of celebrity, and, on a deeper level, the celebrity as a godlike being with answers to all our questions. Whereas most biopics are made solely for the purpose of providing a rich centerpiece role (and, hopefully, an Oscar) for an ambitious actor, Haynes deliberately subverts this by casting seven different actors -- of all different ages, races and even sexes -- to play Bob Dylan.

John Woo was first cool in Hollywood back in the Stone Age (AKA the early 90s), thanks to festival exposure and a limited theatrical run for The Killer in 1990. The Killer is a superb action melodrama starring Chow Yun-Fat as a hitman who accidentally blinds a beautiful singer (Sally Yeh). He tries to make things right by carrying out another hit so he can earn enough money to pay for a cornea transplant for her, all while dealing with unhappy mobsters and a hard-nosed cop (Danny Lee) who becomes sympathetic to his cause.

A remake was planned; Walter Hill was to direct, and Richard Gere and Denzel Washington were mentioned as the leads. The purported script for the remake, set in Hong Kong, is still floating around the Internet, but the project became mired in Development Hell. The rights now evidently reside with Woo and his producing partner Terence Chang, and Chang says that a director has been hired for a remake, according to The Hollywood Reporter. The director is John H. Lee, with two features to his name: 1998's The Cut Runs Deep, a gangster coming of age tale set in New York City, and 2004's A Moment to Remember, a slow-paced romantic drama that drove me nuts -- and not in a good way -- but which is beloved by 895 voters at IMDb (8.5 rating).

Chang says that Lee will "move the action through L.A.'s Koreatown, Chinatown and South Central" and that "the actor has to be Korean in this version." Sounds like a good opportunity for a Korean actor. Director Lee told the trade paper: "I ask myself why they chose me and whether I can top it ... But then I realize it's not about making it better. It's about making my own version." Still sounds good; here's the part that makes me leery: "My strength is dealing with human emotions, austerity and elegance," says Lee. The original was overblown and over-the-top in every wonderful, melodramatic sense, so if Lee plans to make an "austere" and "elegant" action film, how is that going to get my blood pumping? Is he going to downplay or reduce the action scenes? A new script is in process.

This is another sign that Woo and Chang have tired of trying to get their own projects made in Hollywood. (The Battle of Red Cliff, directed by Woo, is due to wrap filming in Asia shortly and is looking for a US distributor.) But why do they feel the need to cannibalize the past? Blood Brothers, a reworking of Woo's earlier Bullet in the Head, met with mixed response in Asia and didn't make much headway with critics who saw it at the Venice and Toronto fests, which is not very encouraging when considering the prospects for a killer remake of The Killer. The announcement was made on the first day of the Asian Film Market, held in conjunction with the Pusan film festival.

Regardless of whether you grew up listening to the music of Bob Dylan, or perhaps overheard your parents talking about the man at the "grown-ups table" during Thanksgiving dinner, director Todd Haynes has taken hold of the Dylan myth and brought his extraordinary vision to the big screen -- starring some of our favorite actors working today, all of whom play Bob Dylan. I know, it's confusing, but I have a feeling you'll totally dig it. Cinematical is happy to present the final one-sheet for Haynes' flick I'm Not There (click on the poster for a larger image), in which folks like Christian Bale, Heath Ledger, Richard Gere and Cate Blanchett all take on a different and unique version of Dylan in order to present you with a film unlike any arriving in theaters this fall.

I'm Not There recently screened at the Toronto International Film Festival, where our own James Rocchi had this to say: "I'm Not There is so sleek and stylish as to nearly disappear from sight as you're watching it. But at the same time, you recognize the pleasure of the cleverness -- the gall of looking at one of America's pop cultural icons through a fractured lens and, yes, at the end, bringing it all back home. Now and then I'm Not There feels like an extended, inventive inside joke with a soundtrack to die for." Man, the Dylan nut in me is itching to see this one. I'm Not There opens in theaters on November 21, and, additionally, you can listen to James' interview with director Todd Haynes over here.