Best Screenplay

Nominees:

Diablo Cody -- Juno

Joel & Ethan Coen -- No Country for Old Men

Christopher Hampton -- Atonement

Ronald Harwood -- The Diving Bell and the Butterfly

Aaron Sorkin -- Charlie Wilson's War

Predicted Winner: Diablo Cody -- Juno

Often, it's not the finest writing that wins the screenplay award, it's the flashiest. Cinematical doesn't think Globe voters will be able to pass up Diablo Cody's hyper-verbose, show-offy script, chock full of memorable one-liners and quotable dialogue. Plus, Hollywood just can't get enough of her stripper-turned-screenwriter tale. Juno what I'm saying?

Now it's your turn to vote ...

New Line was nice enough to provide Cinematical with the exclusive one-sheet for Love in the Time of Cholera (click on the poster for a larger version), based on Nobel Prize-winning author Gabriel García Márquez's novel of the same name. Adapted for the screen by Oscar winner Ronald Harwood (The Pianist) and directed by Mike Newell (Donnie Brasco, Harry Potter and the Goblet of Fire), Love in the Time of Cholera tells the tale of two lovers, Florentino Ariza (Javier Bardem) and Fermina Daza (Giovanna Mezzogiorno), one more obsessed than the other, who part ways at an early age to live two very different lives. The film then tracks each over the years (we're talking late 19th century through the first decades of the 20th century), while Fermina settles down with a doctor (Benjamin Bratt) her father forces her to wed and Florentino engages in 622 affairs (not kidding about that) in an attempt to mask the pain he feels due to the one that got away. Also starring in this sure-to-be-an-Oscar-contender are Liev Schreiber, John Leguizamo, the very lovely (and talented) Catalina Sandino Moreno and Hector Elizondo. Love in the Time of Cholera (which also happens to be one of my favorite titles of all time for a number of reasons -- love is but a disease, after all) arrives in theaters on November 16.

Paramount sure is political these days. In addition to Oliver Stone's World Trade Center, they're also about to start work on Stop-Loss, in which a soldier is forced to serve a second tour in Iraq, and are also producing Ridley Scott's The Invisible World, about the kidnapping of a female journalist in Iraq, which is due to go into production early next year. And now they've added intelligent design to the list.

According to Variety, the studio just hired Ronald Harwood to write a screenplay based on last year's court decision ruling that a Pennsylvania school board didn't have the right to force teachers to teach intelligent design. (Interestingly, the film's producer was thinking "movie" from the very start, so much so that she actually sent someone to watch and take notes on the trial -- does that show clever foresight or a disturbing tendency to turn every major news story into tomorrow's blockbuster? Both?) In Harwood's eyes, his benchmark is Inherit the Wind, the play and film that told the story of the famous Scopes trial, which allowed evolution into (Tennessee) classrooms in the first place. "Our aspiration is to make a film that powerful ... We have a highly emotional case that divided a town right down the middle, and a judge whose summary was spectacular."

Harwood is currently doing a rewrite on Baz Luhrmann's mysterious Outback Romance, but as soon as he finishes that, it's all intelligent design, all the time.