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If you only see one movie in 2006, make it An Inconvenient Truth, which drops to 346 screens this week. And yes, that includes the heavily lauded United 93. Because, frankly, the point of that movie will be lost when 20-foot walls of water have crashed down upon and destroyed large chunks of the world. When you walk out of An Inconvenient Truth, you feel terrified, energized and hopeful. And if you're a Republican (or, in fact, one of many Democrats) that doesn't like Mr. Gore, please just put that aside for 100 minutes. Party politics will be the least of your troubles when the environment hits its critical tipping point as discussed in this film.

It keeps me awake nights to think that, while an estimated 3.1 million people have seen An Inconvenient Truth, some 33.8 million have seen The Da Vinci Code (now on 201 screens). I know I'm supposed to go into greater detail when I write a review, but The Da Vinci Code is really just about the dumbest movie I've seen in a while. And it has nothing to do with the book (which I haven't read) or its nifty little treasure hunt. I'm just talking about a work of complete cinematic incompetence by Ron Howard and Akiva Goldsman, who -- inexplicably -- both won Oscars in 2002. (Howard beat out Robert Altman, David Lynch, Ridley Scott and Peter Jackson.) If this is a measure of our national intelligence, I think I'd better run out and invest in some scuba gear before it's too late.

Comcast and IFC Entertainment will today announce their deal (first outlined by Karina a month ago) to simultaneously release independent films in theaters and on television, via video-on-demand. Kicking off on March 24 with American Gun, the agreement will have films in theaters across the nation (in IFC's theaters as well as in Mark Cuban's Landmark Theaters; negotiations are on-going with other chains) while they are being offered to Comcast subscribers in 22 major markets for $5.99/viewing. Despite the fact that the agreement lacks a DVD element, Comcast's reach is dramatically greater than that of the HD Channel on which Bubble aired, and there's a good chance that Comcast/IFC's films will be seen by a much larger audience than Soderbergh's film.

Because VOD is very hard to pirate, and because Comcast could theoretically pick and choose the markets in which these films are offered, it's hoped that the Comcast/IFC approach will be less threatening to supporters of traditional distribution than the Bubble experiment. IFC actually quietly test the system with a day-date release for C.S.A.: The Confederate States of America this month, and the film, despite being available via VOD to Cablevision subscribers, has done record business in IFC theaters - this, too, should suggest to studios and theater owners that the approach is not necessarily a death knell for exhibition. Among the two dozen or so films IFC and Comcast will release are I Am a Sex Addict, Three Times (by Taiwanese master Hou Hsiao-hsien, whose work is virtually impossible to see in the US), and The Russian Dolls, which stars Amelie's Audrey Tautou).

Look, the fact is that fans of independent film want to see these movies - to some degree, this is going to work. Day-and-date releasing is not going away, and it's time for theater owners and studios to stop whining and, instead, figure out how they can get involved, and use the approach to their advantage. Times change. Deal with it.