se7en Tagged Articles at Cinematical

Se7en... I'll never forget the first time I watched it, nestled with friends into the old seats at Gettysburg's Majestic Theater, all of us enamored, shocked, chilled, and buzzed on the thrill of the film IMDb ranks as #27 out of the Top 250 Films. It's one of those movies that elicits glazed eyes of fandom at its mention. But could the magic be brought to life again?

The Hollywood Reporter's Heat Vision Blog reports that Se7en alums David Fincher, Andrew Kevin Walker, and Michael De Luca are re-teaming to make a new adaptation of Max Ehrlich's The Reincarnation of Peter Proud for Columbia Pictures. Fincher is, of course, attached to direct, and Walker will pen the script. (The book was originally adapted by Ehrlich himself for the film back in 1975.) The story focuses on a college prof who becomes plagued by recurring dreams and nightmares that he realizes are memories of a past life. With the help of his girlfriend, he tries to find the source of the visions and "discovers a woman and her grown-up daughter who are keys to his past life." The original story got in some hot water for a subplot rife with incest, but methinks that will be diluted or deleted this time around as everything gets updated.

With all of this in place, the only blocks left are the cast. It might seem like an easy pick, but I'd love to see Kevin Kline bite into this. Yes, he's the go-to guy for college professors, but he's also severely talented and severely under-utilized. A role like this could rip him out of the crap. But if the choice was yours, who would you like to see crack the past? Or are you just recoiling at word of another remake?

Here's a different way of thinking about well-known movies: imagine each one is a stop on a subway line! Designed by David Honnorat and posted at Vodkaster, the cinematic subway map is based on the top 250 movies as voted by IMDb users on June 19 (which, I suppose, is why The Hangover made it). Honnorat created 16 different imaginary subway lines, including "Universally Acclaimed Masterpiece," "Political drama," "Drama about tolerance," "Dark and weird drama," and other, more traditional categories, and then placed each film on one of the lines. He asked: "How would you go from Alien to North by Northwest without crossing The Godfather: Part II? Which station have you not visited yet?"

The placement of movies on the map can be amusing (Quentin Tarantino's Pulp Fiction side by side with Sergio Leone's Once Upon a Time in America on the gangster line) as well as bizarre yet strangely fitting (Se7en sitting at the intersection of Vertigo, Rashomon, Nosferatu, and Let the Right One In). Click through to see the big map and roll around a bit. Like all subway maps, it's confusing at first but starts to make more sense as you follow the lines from station to station. What's your favorite cinematic subway line?

[ via Geek Tyrant ]

I'll always remember David Fincher's Se7en for a few different reasons (I even had to write an essay once about the opening credits) but the number one reason this film sticks in my brain is John Doe. Now usually when it comes to on-screen villains, you tend to remember the big personalities. In the words of Buffy, "strait up, black hat, tied to the train tracks, soon my electro-ray will destroy Metropolis," types. But as scary as the big bad wolf can be, sometimes the evil you never see coming is the one that becomes the stuff of nightmares.

In Fincher's thriller about a serial killer with a penchant for Dante and the wrath of god, we don't even get to see the bad guy until about half way through the movie. But when Doe (played to perfection by Kevin Spacey) calmly walks into the police station to hand himself over, you know that this is not your run of the mill psycho. Recently I took a look at some movie villains that manage to win you over with a little charm and charisma, and Doe definitely isn't one of those guys. He's the kind of guy you would cross the street to avoid, but only if you got to know him -- and that's what makes him scary, he is completely average. Instead of letting the audience get used to the idea of him, we only see his handiwork (as gruesome as it may be), and just like Mills (Brad Pitt) and Somerset (Morgan Freeman), we are just witnesses to the aftermath.

After the jump; Why Doe still scares the crap out of me, and his horrible plan is made complete...

Many people think that a movie needs to avoid an R-rating in order to become a blockbuster. Most recent top earners have followed that dictum, with only four R-rated movies among last year's top 25 at the box office. Zack Snyder's 300 was a defiant exception in 2007, earning more than $456 million worldwide, and clearing the way for Snyder's R-rated dream project, Watchmen. Its content advisory warns / promises: "Strong graphic violence, sexuality, nudity and language." Can such an R-rated superhero movie become a blockbuster today, especially in the wake of PG-13 smashes like The Dark Knight and Iron Man?

If the history of the movies has taught us anything, it's that people will flock to see films that they really, really want to see, no matter the rating. As evidence, here are seven R-rated films with strong, adult content that may have made some folks blanch -- but it didn't keep the flicks from becoming blockbusters.

Basic Instinct
Paul Verhoeven's thriller has it all: sex, violence, profanity, and very adult themes. The most notorious shot features Sharon Stone's, er, legs, but the flick also includes male and female nudity, intense sex scenes, stabbing, blood spattering, dozens of profanities, and relentless sexual innuendos. But it's not just a sensationalist button-pusher. Indeed, Basic Instinct lives up to its title in its dogged, sometimes earnest exploration of the basest desires known to man or woman. It may have tittilated, but it also made you think long after the credits rolled.

Putting together last week's list of my favorite screenplays of the 2000's was relatively easy. I came up with about ten worthy candidates and narrowed from there. When I started putting together this week's list -- my favorite screenplays of the 1990's -- things got a lot more complicated. I had a much larger list of worthy candidates to choose from. It made me realize that a) the 90's, particularly the late 90's, was a genuinely incredible time for film, and b) I was going to have to split my list into two halves: 1995 -- 1999 and 1990 -- 1994.

So, in support of all the great screenwriters currently on strike, what follows is my favorite screenplays produced between 1995 and 1999. Read that last sentence carefully! If you've got movies you'd add to or subtract from my list, I would love to hear them, but make sure your choice fits the criteria. On my 2000's list, I was getting comments like "How DARE you not include Citizen Kane, you freaking idiot?"

Now then, with all apologies to the scripts it killed me to leave off (Office Space, A Simple Plan, As Good As it Gets, Chasing Amy, Lone Star, Three Kings, Swingers, Jackie Brown, Kingpin, I could go on and on), here is my alphabetical list:

Sure, it's easy enough to find the up-side of the handsome hunks of horror film. Hunks are easy. They're (mostly) hot, with their nicely whitened teeth and their hair product-styled to perfection, their six-pack abs, their ... sorry, where was I? Oh, right. Hunks versus Slashers. Jeff and Monika have already brought you the hottest hunks and chicks of horror; guess who drew the short straw and had to pick the slashers? (Actually, I volunteered for this one, so I guess that says something freaky about me ... ) My mission: to determine the hottest horror slashers (at least, according to me). These are the bad boys of horror you just can't stop thinking about, the ones who keep popping up in your dreams ... or nightmares. Whether they slash with blades on their fingers, roque mallets, or your basic kitchen knife, these are the boys you don't want to bring home to introduce to the folks over Sunday dinner ... unless you want your family to be the main course.

Anthony Perkins as Norman Bates (Psycho) My mother always told me: Never date a mama's boy. Little Normie's devotion to his mother was sweet, sure, but his methods of showing it left a little to be desired. But you have to admit, there's something about a guy who might stab you through the shower curtain if the mood strikes that guarantees that you'll never be bored while getting ready for your big date night. Anthony Perkins' striking performance as Norman Bates set the bar for horror slashers for decades -- even after all these years, watching Psycho still sends shivers up your spine. (View the trailer for Psycho or go straight to the gallery!)

Doug Bradley as Pinhead (Hellraiser) Sure, all those nails stuck into his skull give new meaning to the word "hammered" -- not to mention making it a little tricksy to coordinate outfits for those hot dates to movie premieres -- but at least, in his own bizarrely twisted way, Pinhead had a sense of fair play. Of course, if you make the wrong choice, your evening is gonna go downhill in a hurry. There's nothing like giant fishhooks pulling your flesh 14 different ways to put a damper on date night. On the plus side, though, you're probably pretty safe being walked home after dinner by a guy who looks like he had a close encounter with a nail gun, on purpose. (View the trailer for Hellraiser ... or go straight to the gallery!)

Over at Cracked.com, they've made a list of the top ten worst twist endings of all time. Obviously that list has a lot of spoilers, but I'm going to attempt to write this post without revealing any of them. Why? To make sure you go over there, of course. So, if you're not worried about ruining the endings to some movies you probably shouldn't see anyway, then head over and read the hilariously confusing explanations, or attempts at explanations, and/or how some endings don't make enough sense to bother with explanations. I will let you in on the titles of the movies, just in case you are interested in seeing any of them in the future and would like to go in spoiler free. The ten, in order from "least asinine" to "most asinine", are: Stay (2005); High Tension (2003); Signs (2002); Hide and Seek (2005) and Secret Window (2004), which tie for #7, because they're considered the exact same plot (is that spoiling it for you guys? probably -- oh well, I tried); The Forgotten (2004); Basic (2003); Perfect Stranger (2007); The Number 23 (2007); Planet of the Apes (2001); and The Life of David Gale (2003).

I haven't seen the number one movie, but I can't imagine it's worse than the others that I have seen, especially Planet of the Apes. Basically, I think Cracked.com considers it the worst because it stars Kevin Spacey, who also starred in The Usual Suspects, which pretty much, along with The Sixth Sense, obviously, got Hollywood on this crappy twist kick to begin with (He was also in Se7en, which had another so-so twist ending). Look at those films; they all came out between 2001 and 2007. And what was the most common twist? The main character did it. Either he or she has a split personality, or amnesia, or suffers from some other psychological ailment. Other idiotic yet easily written twists include: aliens did it; it's all a dream (as if you need to steal from Bob Newhart, come on!); and, in the fashion of Suspects, it's all just made-up stories. Personally, I'm upset to not see my least favorite twist ending. It involved a whole crop of great actors who just so happened to be explained as existing inside the imagination of some mental patient. That one had the split personality plus the dream plus the Suspects idea that none of what we watched is real. Can you name it?

As you may have noticed from some of my previous posts here at Cinematical, I love technology. Gadgets, gizmos, devices and the machine that goes "Bing!" are among some of my favorite things of all time. Of course, as I also have a love for all things film, when I can combine these two passions, it makes things even more perfect. So, its especially interesting to me when I get to take a peek inside the creative process to see how technology is used to help make films happen.

One such example of this is currently up over at Apple's Final Cut Pro site. There, as we previously noted, director David Fincher, of Fight Club, Se7en and Alien 3 fame, explains how he used Final Cut Pro to edit his most recent film Zodiac. It's an interesting glimpse into the technology of post-production as well as into Fincher's creative process. With Zodiac, Fincher shot the film digitally using the Viper cam and then it was edited with Final Cut Studio -- a camera system that's only been around for a few years and software you can buy today and use at home on your own Mac. Pretty cool.

Yes, I realize the video is completely pro-Apple but what can I tell you -- it's Apple's website. Still, with all the pro-Apple spin, the video is pretty informative and makes you think about the current state of filmmaking technology and how it benefits and enhances a filmmaker's creativity. Really, do you expect them to tell you how great it is to edit feature films using Windows Movie Maker or some other system like AVID? I don't think so. Enjoy the video.

Geek news I found while taking out the Christmas tree:

-- Marvel's newest foray into the world of animated superhero films, The Invincible Iron Man, has a collection of new material over at the official website. Who doesn't love animated Marvel?
-- The Japanese version of the Transformers movie trailer is on YouTube, as is seemingly every piece of anything filmed by mankind these days. It comes minus a few scenes from the American version, but plus a few extra bits we didn't get.
-- Speaking of the popular video sharing site, the official Hellboy Animated webpage suggests you swing by the YT for an early look at Hellboy: Blood and Iron.
-- According to CBR, talented comics writer David Mack is turning his pen to the sixth installment of the graphic novel series Se7en. This is surely a dark and powerful union of writer and material.
-- AICN is running with a rumor claiming Alan Dale has landed some sort of role in The Dark Knight. Nothing but vague rumor to this one so far.

According to the folks over at Bloody Disgusting, they have in their hands a treatment for a film called Virtue that's currently being sent around to different writers. Okay, nothing new there, however, they claim this script is in fact a prequel to the hit 1995 pic Se7en. Say what? Now, supposedly, this has nothing to do with those graphic novels we talked about over the summer. Oh no, this is the real deal ... or so they say.

Oh, but here's the kicker: The film will not be marketed as a prequel. Instead, they will include a "revelation" of some sorts towards the end of the pic that lets everyone know they're watching a prequel to Se7en. Now, either someone forgot to take their stupid medicine or those demons from BD are messing with us. As the Movie Blog points out, why on earth would a studio try to keep a prequel to a highly successful film a secret for that long? And, even if for some odd reason they voted to go that route, a secret like that would find its way onto the net in no time -- I mean, the sucker is already out of the bag and the freaking script hasn't even been written yet. BD promises to write up a mini-review of the treatment soon, so I guess we'll see what this so-called Virtue is all about. Stay tuned to Cinematical for more details as they become available.