In case you don't read Entertainment Weekly and didn't see this week's double issue on "The New Classics," or you didn't see my post last week about their list of the best movies from the last 25 years, here's a sad fact: only six foreign-language films made the list. They are: Wings of Desire (#28); Crouching Tiger, Hidden Dragon (#49); The Lives of Others (#56); All About My Mother (#69); Y Tu Mamá También (#86); and In the Mood for Love (#95). OK, so 6% is not terrible for a mainstream entertainment magazine, but EW had to add insult to injury with an accompanying map labeled "Movies: Breaking Down the List," which points to a number of locations around the globe in which some of these new classics are set. The only continent on the map without any love is South America (Antarctica was not included in the visual aid).

Now, before I get into my love letter to new Latin American cinema, I have to note that no film produced in Africa made the list either. However, on the map the continent was at least given some minuscule bit of love via the filming locations for Casino Royale and Gladiator. Yet despite the fact that South America was definitely used as a location in a few of the 100 films, it's shown no respect. And on top of that, Central America isn't even included on the map. For some strange reason there's just a gap between Mexico and South America. Meanwhile, Latin America's sole representative on EW's list, Mexico's Y Tu Mamá También, is left off the map so that no location from this area of the world, from the Mexican-U.S. border to Cape Horn, receives any recognition.

More international festival news as Spain's Festival de Cine Iberoamericano de Huelva and Toronto's Reel Asian International Film Festival have both wrapped up and announced their awards.

At the 33rd Huelva Ibero-American Film Fest (as it's called in English), where movies from Spain, Portugal, and Latin America are spotlighted, the big winner was Silent Light. Directed by Carlos Reygadas (who was also awarded), the Mexican religious drama about adultery in a Mennonite community has already earned prizes at fests in Cannes, Rio, Stockholm, and Chicago. It is Mexico's entry for the Oscars' foreign-language category.

The screenplay prize went to Enrique Fernandez and Cesar Charlone for The Pope's Toilet (gotta love the title -- it's Uruguay's Oscar submission, too); best actor was Leonardo Medeiros for the Brazilian Not By Chance; and best actress was Sofia Gala in Argentina's El resultando del amor. That film also won the audience award for best film.

Back in North America, Toronto's Reel Asian International Film Festival concluded its 11th edition last weekend, with Zhang Yang's black comedy Getting Home taking the audience award. Best documentary was Koryo Saram: The Unreliable People, about ethnic Koreans in the Soviet Union who were forcibly removed by Stalin in the 1930s. The animation award -- or Animasion Award, as the fest cleverly calls it -- went to Yellow Sticky Notes, by Jeff Chiba Stearns.

[Reel Asian news via IndieWIRE.]

I don't have a subscription to ScreenDaily.com, so I can only read the headlines, but those headlines sure are handy. Here are three that caught my eye, all deals taking place in and around the American Film Market (AFM) in Santa Monica, California.

• Carlos Reygadas' challenging drama Silent Light sharply divided critics when it debuted at Cannes earlier this year, though everyone seemed to agree that certain scenes were indelibly beautiful. Tartan Films has picked up distribution rights in the US; they previously released the director's Battle in Heaven. Expect a limited theatrical engagement. It plays at AFI Fest in Hollywood next week (November 7 and 9).
  

• Blood Brothers (pictured), on the other hand, has united critics: no one seems to like it. Alexei Tan's reimagining of John Woo's A Bullet in the Head has been criticized for being too glossy and lacking substance -- none of which discourages me from wanting to see it. First Look Studios has acquired US distribution rights. First Look has handled genre titles before, often sending them straight to DVD, so a theatrical release is not assured, especially in view of its lukewarm reception so far.
  

• Sukiyaki Western Django, Takashi Miike's English-language Spaghetti Western, apparently confused everybody. Some were disappointed that it not as outrageous as from the versatile and prolific director. First Look has picked up US rights for this one as well, but it's a new, edited version that is 25 minutes shorter than what was previously screened at the Venice and Toronto film festivals. Given Miike's name recognition, this has a shot at a limited theatrical release before heading to DVD.
  

AFM runs through November 7. AFI Fest, which opened last night with a gala screening of Robert Redford's Lions for Lambs, runs through November 11.

[ Via ScreenDaily ]