singles Tagged Articles at Cinematical

You all remember the romantic rite of passage known as the mix-tape, right? Where you would try and convey how deep, charming, profound, and downright cool you were by compiling a group of songs for your intended? In the world of movies, filmmakers use songs all the time to create a mood, explain an emotional 'state of mind', or even to fill in what they don't have time to explain. As it turns out, so do we, and that's where the art of the mix-tape comes in. But this isn't just about music, and Cinematical is a film site after all, so I thought it would be fun to put together a little mix tape of songs I've come to love thanks to hearing them in the movies.

Now before we start, I should warn you that my mix tape isn't just a collection of run-of-the-mill love songs, because as I keep telling everyone, I'm not a run-of-the-mill girl. Instead, I've put together a 'celluloid compilation', that if given to me would guarantee that I fell head over heels into film geek love.

After the jump; some movie songs that would woo me right off of my feet (in no particular order)...

If ever there was a director who truly loved rock and roll it's Cameron Crowe. The man started his illustrious career as a rock journalist and as a film maker, and he also made one of the greatest rock movies of all time, Almost Famous. Grunge legends Pearl Jam and Crowe go way back; the band appeared in his film Singles, and Crowe helped put together Pearl Jam's Single Video Theory back in 2000. Now, Crowe has made music videos in the past, but this has to be the perfect combination of band and director because nobody respects rock and roll more than Crowe ... and nobody takes it more seriously than Pearl Jam.

Back in May, the band showed up at Seattle's Showbox for a surprise concert with Crowe behind the camera shooting a commercial for a deal between the band and the discount retailer, Target -- and yes, you just read that right. I guess everyone involved was happy enough with the footage -- so happy that it became the basis for the music video for their new song, "The Fixer", included on their upcoming album Backspacer, which will debut via iTunes and Target on September 20.

Pearl Jam had infamously refused to make music videos back in 1992, and other than an animated creation for Do the Evolution (courtesy of Todd McFarlane) they have stuck to their word. I have to admit, as much as I admired their principles, I kind of missed seeing the band in action. Maybe I've been out of the Pearl Jam loop for a while, but dang if this isn't a happening little track and a pretty cool looking video -- and the coffee-drinking, flannel wearing gal who still lives somewhere inside me couldn't be happier.

After the jump: Pearl Jam's The Fixer...

It's not easy being a fan of Whit Stillman's. We fall for Metropolitan in 1990, get an international treat 4 years later with Barcelona, and then The Last Days of Disco another 4 years after that. Eleven years since, we're still waiting for a fourth -- for any of the many projects on Stillman's plate to come to actual fruition and reach our eager eyes. Granted, it could be worse. Three fun films and silence is probably better than filmmakers who continue to throw out work that doesn't begin to meet their early success, or directors who jump into an entirely different path and leave behind the beloved work that gave them their name.

All this said, there is a new treat today for Stillman fans -- Criterion's release of The Last Days of Disco.

It's perfect for a double-header with the previously released Metropolitan, but I wonder about other possibilities. What films are good if you want a whole weekend of Stillmanesque fun, or want to pair Whit with another filmmaker, or just want more options to dig into until Little Green Men hits the screen? Or, outside of Stillman's world completely: What if you just want overly verbose kids who can do nothing more than talk, youths who try to play dress-up seriously, 80s yuppies who are more obsessed with status than genuine life, or dips into the foreign allure of Catalonia?

The realm of music documentaries is about to get a little grungy. Billboard reports that Pearl Jam is itching to get a documentary made about themselves, and they want old friend Cameron Crowe to do it: "We're building up to our big 20th anniversary," McCready said. "We're trying to have a little campaign of building rereleases with new mixes and new outtakes up until that time. We're trying to do a movie with Cameron Crowe with all of our existing footage."

In other words, a sort of reunion movie with the man who gave us Singles all the way back in 1992. As you might remember, the members of Pearl Jam acted as the rest of Matt Dillon's "Citizen Dick" band, which leads me to this Scenes We Love clip -- Dillon's Cliff all eager to hear only the good things in a review of their band, which results in the awesome silence followed by "...other than that, he was ably backed by Stone, and Jeff, and drummer Eddie Vedder... I mean, that's good."
Seeing this makes me wish that there was a Crowe clone that could be sent back in time and take all the footage himself. The only thing cooler than music docs made by Crowe is music docs filmed by Crowe. And speaking of the filmmaker, when will he wipe Elizabethtown from our memories and give us more classics, beloved, and music-filled movie wonder? It looks like that Volcano Romance won't be it...

Without fail, at least once a month I peruse my DVD collection looking for a solid film focused on a female star -- a film where the woman is smart and successful, a film that focuses on something other than her romantic foibles. It's like I think wishing for there to be more films that fit "The Rule" will create a whole slew of new selections in my library. If only ... But there aren't a horde of these films to pick from, so that often means picking something of the romantic variety, often with a side of comedy.

But oh, the woes of romantic comedies. These days the term usually meets the following criteria: women acting irrationally, men being jerky, unbelievable occurrences taking place over and over again -- you know, all those super-fun stereotypes that every damn romcom these days seems to latch onto.

However, there are some romantic comedies out there that cater to those outside the throngs who thrive on fashion-obsessed ladies and relationship stereotypes. Sure, the films might get sappy or take an easy laugh here or there, but they also showcase a variety of relationships and romantic scenarios without falling into that typical void. These films work for a variety of themes -- the fantasy, the lesbians, the intellectuals, the music lovers, the single people, the passion fiends, and the lovers of foreign film -- and prove that romance is about a lot more engaging, and a lot more real, than many movies might suggest.

After the highly-loved hideousness of the '80s, the '90s came to wipe the slate clean. Long-haired rock fell to disheveled grunge, and a sea of personal expression, rebellion against pop, and teen sexuality exploded. Unlike the '60s, which are touted as a sexy free-for-all, the '90s focused on its many aspects. In the realm of film, having sex wasn't link to "good" or "bad," but rather, to its different manisfestations and preferences. Emphasis was placed on the characters rather than the story, and this bred a collection of youthful films unlike the movies of other generations.

Here are the films that rocket me back to the '90s with their great characters, music, and sexual expression. Which do the same for you?

Empire Records

I know this -- that if I win this roll, I will save the place that I work from being sold, and the jobs of my friends that work there -- thus striking a blow at all that is evil and making this world a better place to be in.

People usually either love or hate Empire Records, and the ones that love it cherish its quirk, uniqueness, and killer lines. As the Empire employees fight against the news that their beloved workplace will be turned into a Music Town, they also struggle with their own personal issues. Artist A.J. glues quarters to the ground, which drives hooligan Warren crazy, while he obsesses over his secret love for Corey. She, meanwhile, plans to sweetly seduce the aging rock star guest Rex Manning, but he's more into her bad-girl best friend, Gina. Debra tried to kill herself with a pink, plastic razor with daisies on it. Lucas lost $9,000 of the store's money in Atlantic City, but it more interested in relaying his pearls of wisdom: "In this life, there are nothing but possibilities." Mark just gets stoned and hallucinates. And Joe, well, he loves these guys, but is weighed with the responsibility of running the store, and fighting the incoming music chain.

From Rory Cochrane's philosophical rambling to Renee Zellweger's stint as a sex-crazed wanna-be singer, Empire Records is a film in love with music and being different. The characters have extremely diverse interests and attitudes, but they all come together and happily co-exist in this tune-laden environment. Yet it isn't sickeningly saccharine; it's just accepting and honest.

Trivia: Deb's boyfriend Berko is played by the wonderful Coyote Shivers, who, at the time, was Liv Tyler's stepfather.