slashfilm Tagged Articles at Cinematical

First, a disclaimer: I may have studied Anglo-Saxon poetry until I could recite Beowulf in my sleep, but I've never been able to adopt their habit of boasting about one's accomplishments. The reason I'm posting this is because the inauguration left us without a lot of news, because Slashfilm is our friend, and because this is what I was doing instead of writing a Geek Beat on Monday ... not that you were wondering, I'm sure.

Following in the /Filmcast podcast steps of Erik Davis, Scott Weinberg and William Goss is nothing short of daunting -- but when David Chen asked me to come on his podcast and try to defend Gran Torino, I decided I would give it my best shot. And if you look at Clint Eastwood's face to your right, you'll see that he wishes that it had been anyone but me. I may have an undying affection for his sneer, but it didn't make me much of a reviewer, nor did it make me very articulate.

But, if you ever wondered what this humble Cinematical blogger sounded like, or were compelled to know what I thought of Gran Torino, RocknRolla, Joaquin Phoenix's rap career, and recasting Mr. Miyagi, go check it out. It can be just one more thing to do while everyone else is at Sundance, and at least you have the thoughts of David Chen, Adam Quigley, and Devindra Hardawar to balance out my nervous ramblings.

Last Monday, yours truly was invited to help a friend of a friend out by offering to review Frost/Nixon on their podcast. As it turns out, it was the /Filmcast we were talking about, and it happened to be the same night that head honcho here Erik Davis was due to join in. Small world, eh?

So we tag-teamed our film chatter with the cool guys over at /Film -- David Chen, Adam Quigley, and Devindra Hardawar, to be specific -- and you can listen to that episode right about here. When Erik isn't twirling his hair around his finger and gushing about MTV's episodes of True Life, he and the gang manage to get around to discussing all the latest film news from Terminator: Salvation to the potential Suck Rogers with Frank Miller at the wheel.

I also took part in the /Film After Dark podcast and a recent year-end horror wrap-up extravaganza with just about everyone over at Bloody Disgusting, so with any luck and nearly no shame, we hope to share those as well. For those of you wishing to listen to David, Devindra and Adam record their next /Filmcast live, they'll be looking back on 2008 in film this coming Monday at 9 PM EST/6 PM PST.

First, he gets a mainstream comic actor to act in a contemplative art house narrative with Punch-Drunk Love. Now, he's putting two of them on a stage. According to cigarettes and red vines, Paul Thomas Anderson has written and directed a play in Los Angeles with Saturday Night Live stars Maya Rudolph (Anderson's partner) and Fred Armisen. It premieres at the Largo on August 5, but specific details about plot remain unrevealed. Still, the prospects of seeing Anderson's eerily detached style in a live performance are intriguing, to say the least. As Slashfilm points out, the production has a few logical attachments to the filmmaker's past: Anderson directed a short film for SNL back in 2000, and Rudolph starred in Robert Altman's A Prairie Home Companion, which Anderson may or may not have ghost-directed in parts.

Now that Anderson has proven he can craft epic period pieces of the raunchy (Boogie Nights) and morose (There Will Be Blood) kind, he's reached a point where audiences will basically allow him to take them wherever he wants to go. The dynamics of the stage, however, differ greatly from those of the cinema. Since the name and subject matter are a mystery, there's a lot left to the imagination. Will Anderson allow Rudolph and Armisen to unleash their comic potential? Or is that a milkshake I hear brewing?

There was a report in the Hamilton College student newspaper about a recent visit paid to the school by Thomas Tull (a Hamilton alumnus), chairman and CEO of Legendary Pictures, the successful production company responsible for respectable hits like Batman Begins, deplorable indulgences like 10,000 BC, and middle-of-the-road successes like Superman Returns. The article surveys numerous issues from Tull's visit, most of which pertain to his professional history. Near the end, however, it's noted that Tull "hopes to invoke more of the image of 'an angry god'" with the next Superman film. Subtitled Man of Steel, it's a sequel that's been in the works for quite some time.

Wonders Slashfilm: "Maybe Man of Steel will have a Superman who begins to make irrational emotion-based decisions, throwing cars around out of anger, which will paint him as an Angry God in The Daily Planet?" Maybe, but that's a big deduction for what appears to be a throwaway statement. Whether or not Tull even has specific details about the content of the next Superman film isn't clear, but his emphasis on the character's strength, rather than his pathos, sounds like a response to criticisms of the last movie. Many audiences found it light on action and heavy on a lot of needless other things. Superman Returns was hardly a flop, grossing over $200 million in the U.S. alone, but it could have done much bigger business if it sacrificed some of the contemplative drama for a little more speed.