Skip to Content

Exclusive: Rock Band Unplugged Track List

spirited away Tagged Articles at Cinematical

Studio Ghibli's New Film... and More Miyazaki

Filed under: Animation », Foreign Language », Deals »

Studio GhibliDirector Isao Takahata, who co-founded Studio Ghibli with Hayao Miyazaki, has revealed that he will be directing his first feature-length flick since 1999's My Neighbors the Yamadas. Takahata, who also wrote and directed the tear-jerker Grave of the Fireflies, will be taking on the classic folktale The Tale of the Bamboo Cutter, or Taketori Monogatari.

According to Asian Pulse, "Taketori Monogatari has directly and indirectly inspired many Japanese manga and anime, such as Sailormoon and Inuyasha. This beloved story is considered to be the oldest surviving example of Japanese narrative... A little baby is found inside the stalk of a glowing plant by a bamboo cutter. He takes her home, and raises her with his wife as their own daughter, and they give her the name Kaguya-Hime (radiant-night princess). She grows into a beautiful adult woman, with many suitors, even the Emperor of Japan – and she rebuffs them all. Then, things become even more complicated as her true lineage becomes revealed, and her special relationship with the moon."

Although this famous tale has been the subject of many movies (Empire Online notes that it was also the subject of Kon Ichikawa's Taketori Monogatari, aka Princess from the Moon) this is the first time that Ghibli has ventured into folklore territory.

Asian Pulse also revealed that the revered Miyazaki, who wrote and directed Ponyo, Howl's Moving Castle, Spirited Away, Princess Mononoke, and My Neighbor Totoro, just to name a few, is in discussions to do two more features in the next three years.

The Tale of the Bamboo Cutter is slated for a 2010 release.

Monday Night Poll: Your Favorite Miyazaki?

Filed under: Animation », Foreign Language », New Releases », Polls »



I was a little underwhelmed by Hayao Miyazaki's latest work, Ponyo, which seemed to me more cutesy and less dazzlingly expansive than what I am used to from the Japanese master of gorgeous cel animation. I suspect my reaction is due largely to the fact that this time Miyazaki wanted more earnestly than usual to appeal to the single-digit set, and so focused on keeping things as simple and adorable as possible. (Which, by the way -- if you're within grabbing distance of a tyke in the 5-8 age vicinity, haul him and her to the theater forthwith, as Ponyo will be gone by next weekend.) The result is less rewarding to Miyazaki's adult fans, but maybe that's unavoidable. I mean, Up -- a masterpiece and the best film of the year, if you ask me -- would probably bore a six year-old to tears.

Whatever your feelings about Ponyo, it's a vivid and not unpleasant reminder of the treasures that Miyazaki's filmography holds in store. If you're a movie buff who hasn't delved into Miyazaki, I envy you. If you have, what's your favorite? Mine, without a doubt, is Spirited Away, which is not only head-spinningly rich and imaginative like all of his work, but also haunting, and achingly sad, and somehow more personal. Even the poster -- as perfect a piece of movie artwork as I've ever seen -- is evocative and disquieting.

I'm curious to see if others share this view, so I've set up this poll. Which Miyazaki marvel is your favorite?

What's your favorite Miyazaki film?

Asian News Bites: 'Ponyo' Release Date, Critics Love 'Aunt'

Filed under: Animation », Comedy », Drama », Foreign Language », Independent », Romance », Awards », Distribution », Cinematical Indie »

Recently we passed on the news that Japanese master Hayao Miyazaki had completed the storyboards for his upcoming animated film Ponyo on a Cliff, and now it appears that a release date has been set.

Nausicaa.net says we can expect the film to be released in the middle of July, very likely on Saturday, July 19. Their source is Variety Japan. According to a publicist for Studio Ghibli, Miyazaki's animation studio, more information on the film will be made available after the Tokyo International Anime Fair, which will be held March 27-30.

When can we expect to see the film in the US? I haven't seen a hint so far, but Miyazaki's previous production, Howl's Moving Castle, was released in Japan in November 2004 and in the US in June 2005, while the one before that, Spirited Away, took more than a year to reach US theaters. I'd love to see this one by the end of the year.

Ponyo revolves around a boy and goldfish who wants to become a girl. A family story of a very different sort has won favor with Hong Kong critics. The Postmodern Life of My Aunt features Chow Yun-Fat as an amateur Chinese opera singer who lures the 60-something heroine into a bogus scheme involving cemetery plots. David Rooney's Variety review says that's only one of the film's narrative strains.

The Associated Press reports that he Hong Kong Film Critics Society rewarded the picture this week with three prizes: Best Film, Best Director (Ann Hui) and Best Actress (Siqin Gaowa, who plays the heroine). Other awards went to Tony Leung Ka-Fai (Best Actor, Eye in the Sky) and Wai Kai-Fai and Au Kin-Yee (Best Script, Mad Detective).

'Pan's Labyrinth' Wins UK Foreign Film Poll

Filed under: Foreign Language », Polls »

According to a poll conducted by Pearl and Dean of UK movie audiences, Pan's Labyrinth, from Spain and Mexico, has officially become the nation's favorite foreign film. It and the #2 choice, Amelie (France) are currently the two all-time imported box office champs in the country's history. The rest of the list leaned drastically toward current films, award-winners and money-makers: Crouching Tiger, Hidden Dragon (China) and Spirited Away (Japan) (tied for third), City of God (Brazil), Cinema Paradiso (Italy), The Lives of Others (Germany), Life Is Beautiful (Italy), The Motorcycle Diaries (Mexico/Argentina) and Cache (a.k.a. Hidden) (France/Austria). (No Seven Samurai?)

Kathryn Jacob of Pearl and Dean saw good news in the poll: "Foreign films are now seven times more likely to be British box-office hits than they were a decade ago. British film audiences are becoming increasingly sophisticated and are no longer letting subtitles be a barrier to their enjoyment of a great film. Pan's Labyrinth is a beautiful example of a film that would have struggled to get screened in a multiplex 10 years ago, but which has truly captured the imagination of British cinema audiences today."

New On DVD - Harry Potter 4, Howl's Moving Castle, Jarhead

Filed under: New Releases », DVD Reviews », New on DVD », Home Entertainment »

  • Breaking News - Hong Kong action director Johnny To delivers this watchable Woo-alike about a police force that loses the support of the public when a robbery goes bad and is covered by a local news program. The set pieces are pretty tight, even if the drama and the statement To tries to make about the power and responsibility of the media doesn't fully come through.
  • Free Enterprise: Special Edition - A self-effacing turn akin to Marlon Brando's in The Freshman and Pauly Shore's in Pauly Shore Is Dead is William Shatner, sending up the cult of personality that has followed him since the original Star Trek series ended its five year mission two years early in 1969. When fanboys Rafer Wiegel and Eric McCormack meet their boyhood idol, he is far from the super-cool man for all seasons they have long worshiped. He's bent on staging a one-man musical version of Shakespeare's Julius Caesar, a great running joke that culminates in the brilliant payoff that is the Shatner/The Rated R rap duet, "No Tears For Caesar". Writer-director Robert Meyer Burnett has created a love letter, not just to Trek, but to anyone who has ever loved anything with fanatical passion, and this long-overdue 2-disc treatment gives it the respect it was not afforded when it was first released in 1999. Check out the Pop-Up Video style trivia track, which annotates the geekery, new special effects, the making-of feature Where No Man Has Gone Before, and the unaired TV pilot, Café Fantastique, which features the real fans who inspired this smart, hardy-har-har trek. A sequel, My Big Fat Geek Wedding, has been listed on the IMDB for nearly 3 years now, and Mindfire Entertainment's website features a rudimentary mention of it, though no firm details are available as yet.
  • Harry Potter and the Goblet of Fire: Special Edition - Death, and the gloomy heft that comes with it, visits Hogwarts in the fourth and most satisfying installment in the ongoing series so far. When an evil thought vanquished literally rears its ugly head again, Harry (Daniel Radcliffe), Ron (Rupert Grint) and Hermoine (Emma Watson) team up to expose it. Like the overwhelmingly dark Revenge Of The Sith, this is the first to bear the PG-13 rating (for "sequences of fantasy violence and frightening images"), though its decidedly down ending makes it feel more like The Empire Strikes Back. It is not unreasonable to expect studio Warner Brothers to keep their three leads on through Harry Potter and the As-Yet-Unwritten-and-Untitled Year 7 Story. This, of course, is despite the fact that they will be in their early 20's by then, but let us not forget that at least one of the 90210 kids was practically eligible for Social Security by the end of that run. Even at 157 minutes, the book has still been truncated, but it is doubly encouraging to know that kids will know what is missing and will sit still for that long in order to be able to go on smartly about it. The second disc is chock-full-o' extra goodies, and is available in full- and widescreen editions. A single disc version is also available.

Studios still don't get animation

Filed under: Animation », Awards », Distribution »

Films are never marketed as just "live-action," because that wouldn't make sense. Is the "live-action" movie a drama, a comedy, horror, or something else? This is obvious, but I mention it because it's exactly the kind of approach used to market and distribute animated features. When the Best Animated Feature Award was introduced for the 2002 Academy Awards, it seemed to give some legitimacy to animated features, but it also gave the wrongful impression that animation is just animation, and not, as is clearly the case, a method of making a film that can be scary, or dramatic, or weird, or funny, or any other adjective you can come up with. Animated features run the same gambit as any live-action flick, but when it comes to marketing and distribution they're often crammed under the "Animation" rubric.

 
.