stanley tucci Tagged Articles at Cinematical

Cristina Aguilera's big-screen Burlesque debut is already a pretty interesting mix. We've got the slight girl with the powerful pipes, plus Cher returning to Hollywood as a nightclub owner and Stanley Tucci as the man who turns Aguilera's small-town girl "from bumpkin to bombshell." (Please tell me she's living in a lonely world.) But now, in a pretty wild twist, The Hollywood Reporter posts that Kristen Bell is joining the action as her rival.

As the story goes, Aguilera's girl has "a big-town voice" and "finds love and success in a Los Angeles neo-burlesque club, reminiscent of the nightclub in Bob Fosse's Cabaret." Bell enters the mix as Nikki, "the loose-cannon lead dancer and main attraction at the club who spirals out of control" when Aguilera steals the spotlight.

Now, there are a lot of women I could imagine battling Aguilera. At the top of the list would probably be Scarlett Johansson. But Bell -- didn't see this coming. Presumably, the rivalry is all in the dance, and not the song, but even then -- nice twist for the geek princess and leading comedienne. But how will her burlesque be? A little slice of Showgirls? Striptease? Or maybe, just maybe, Reese Witherspoon's Ivy Miller in Overnight Delivery? Better yet -- Bell's first big mainstream dramatic gig. How do you see this all playing out?

Production begins next month and is slated for a release during Thanksgiving, 2010.

Movies with food-related themes at their core have always appealed to me: I like eating, I like watching movies, why not combine the two? Julie & Julia does so quite deftly, resulting in a lighthearted comedy that's very easy to like. And these days, a movie with intelligent humor and masterful comic performances is hard to find, so that should be enough to satisfy me. And it very nearly was, although I didn't feel quite appeased afterwards.

Nora Ephron directed the comedy, adapting two stories and squashing them together: Julie Powell cooking her way through Julia Child's Mastering the Art of French Cooking in 2002 as detailed on her blog and in her book Julie and Julia; and Julia Child going from bored housewife in Paris to cookbook co-author, as detailed in the book My Life in France.

Okay, so I might've just knocked Sandra Bullock for going after the Oscar gold, but here's The Lovely Bones, with a story I can get behind (Alice Sebold's best-selling tale of a young girl murdered and the aftermath she observes from the afterlife), a filmmaker I can get behind (Peter Jackson, scaling things back post-Lord of the Rings), an ensemble* I can get behind (Rachel Weisz, Mark Wahlberg, Susan Sarandon, Stanley Tucci, and the critically-cast Saoirse Ronan), and now a trailer I can get behind.

Reading the novel earlier this year, I was struck by the simplest moments that captures almost too precisely how grief can change loved ones most unexpectedly, and while it seems that Jackson has certainly created a visually luscious realm for Ronan's character to inhabit and has retained the thrust of a somewhat supernatural murder mystery, part of what won me over was how Sebold's mystery took years to unfold, as the whole family comes to terms with the closure (or lack thereof) in their own personal ways.

If Jackson and company can balance the sprawling drama with the inherent whodunit (whydunit?) come December 11th, then The Lovely Bones could be lingering above all of the other contenders this coming awards season.

*I must confess a certain gratitude that Wahlberg replaced Ryan Gosling here. It's enough of an age difference to matter, let alone general temperament.

It's been a while, but if you have a good memory, you might remember that I quite like The Tooch... Stanley Tucci. He whipped up magic as Puck in Midsummer Night's Dream, but more importantly, he's the man behind Big Night -- one of the best foodie films Hollywood has seen. (Of course, he's also heading back to food with the upcoming Julie & Julia, but that's not the same.)

Now Variety reports that Tucci is gearing up to film a comedic drama called The Hunter, and he's grabbed Pierce Brosnan, Patricia Clarkson, and Julianne Moore to star. Written by The Tooch himself, the film is a coming-of-age story set in the aristocracy of New York's Upper Westchester County. Brosnan will play a middle-aged man clinging to the memories of his "once-charmed life and world." The Whit Stillman fan in me wants Chris Eigeman in a role like that, but I can dig Brosnan, and only hope that this finds the magic of Big Night ... even if food isn't involved.

This news also brings word that Blind Date -- Tucci's adaptation of Theo Van Gogh's film, the brother to Steve Buscemi's Interview -- will finally make its way to the big screen this year, sometime in September. The sky -- it's raining Tooch!

When word about Easy A, otherwise known as The Scarlet Letter hits high school, it didn't sound like the most desirable or charming comedy -- a young woman pretends she's promiscuous to get ahead. (yay) But now ... Well, now there's a killer cast merged with a plot summary that could easily make this a must-see film.

Variety reports that the comedy will, more specifically, follow a high school girl (Emma Stone) who, "after being ostracized by a false rumor she's loose, uses the rumor mill to her advantage, pitting puritanical students and teachers against their liberal counterparts." And who will some of these people be? Oh, just Lisa Kudrow, Alyson Michalka, Thomas Haden Church, Patricia Clarkson, Stanley Tucci, Penn Badgley, Cam Gigandet, Malcolm McDowell, and Daniel Bird. How's that for a supporting cast? The fact that this is a teen comedy and not some star-ridden ensemble drama makes the roster all the more impressive.

Production kicks off on June 9, and hopefully that means we'll get to see how it all turns out sooner rather than later. But for now -- who are the puritans, and who are the lascivious liberals? Any guesses?

How do you imagine heaven? Peter Jackson's vision of the place may not be the same, based on an advance look published by Empire Magazine, and that's probably a good thing. The director of The Lord of the Rings trilogy has revealed a glimpse of his concept of the heavenly realm, from his upcoming movie The Lovely Bones, and it looks a lot like ... the Empire Magazine logo (if you click through to their site and enlarge the image; see part of it above). Yup, the Brit zine promises many more pictures in their upcoming issue, but for now all we have is one shot that makes heaven look like a studio with some clouds in the background.

If you haven't read the book, it's an absolutely devastating read, written by Alice Sebold from the point of view of a 14-year-old girl. Susie Salmon (played in the movie by Saoirse Ronan) narrates the tale from her own personal heaven: she was brutally raped and murdered by a neighbor / serial killer and has to come to terms with her own death while watching her family and friends deal with extreme emotional trauma. Susie's heaven is not like Warren Beatty and Buck Henry's Heaven Can Wait or, really, like most other heavens depicted in film, so this initial image is promising.

It's also in line with what Jackson told USA Today: "It is quite like the world of dream, using the magic of metaphor to convey Susie's psychological and emotional life." USA Today also has a different, exclusive image (see above), which shows a shadowy Stanley Tucci as the neighboring serial killer. Mark Wahlberg, Rachel Weisz, Susan Sarandon, and Michael Imperioli also star. The Lovely Bones is due in theaters on December 11.

He's terrorized Veronica Mars, he's chilled with Jennifer's Body, he's been through A Haunting in Connecticut, and now Kyle Gallner is getting more horror. The Hollywood Reporter posts that the young actor has grabbed the lead teen role in the new, Jackie Earle Haley-starring A Nightmare on Elm Street. He'll play Quentin, and indie kind of guy who runs a school podcast called "Insomnia Radio." While not the same role, it's basically the gig Johnny Depp had in the original. Will he also die by bedding? And, can Elm Street be the same without a horde of Just the Ten of Us sisters?

Meanwhile, Virginia Madsen is defying gravity. Variety reports the actress is getting involved with a new documentary called Fighting Gravity. The project focuses on women ski jumpers, and their battle to get the right to compete in the 2010 Winter Olympics. Specifically, it'll follow 15 female athletes who have challenged the Intl. Olympic Committee's decision to bar them from the games -- making it the only men-only sport in the Games. Sometimes it's hard to believe we're in 2009...

Finally, Steve Buscemi and Stanley Tucci are teaming up once again. Most recently, the pair both made English language remakes of Theo van Gogh's work (Interview and Blind Date). Now Variety reports the friends have created a new shingle, Olive Productions, and have signed a first-look deal with Lionsgate to develop and produce television shows for cable and broadcast networks. The pair are already being commended for their "daring, innovative aesthetic," and I can only hope that from time to time they'll also jump in front of the camera.

Mice have enjoyed a great ride in the movies. The animated variety first rose to prominence thanks to Walt Disney's Mickey Mouse in the late 20s, enjoyed a rebirth as heroes in the late 70s and 80s with The Rescuers, The Secret of NIMH, The Great Mouse Detective, and An American Tail, and overflowed into live-action territory a few years later with Stuart Little. More recently, Flushed Away was a superior entertainment about a spoiled upper-class mouse who must learn to survive in the wild and wooly sewers, while the superb Ratatouille gave a rat a rare favorable turn in the spotlight as a culinary artist.

Adapted by Gary Ross (Pleasantville, Dave) from the award-winning book by Kate DiCamillo, The Tale of Despereaux features both a rat and a mouse in leading roles, but the self-described fairy tale is much more than a slapdash character study of two rodents. The setup makes it sound like a cousin to both Flushed Away and Ratatouille: a disgraced rat must learn to survive in a dark dungeon, a mouse develops a friendship with a human, and gourmet soup features prominently. Yet as the tale unfolds, it deepens and broadens its themes to a welcome degree. Though it never climbs too far above average and too often embraces the familiar, Despereaux remains a gentle and nurturing children's story, imparting lessons without being too condescending to its audience.

While Despereaux is aimed squarely at the little ones, adults may enjoy the top-notch animation and appreciate the above average performances by a celebrity voice cast (Matthew Broderick, Dustin Hoffman, Emma Watson, Tracey Ullman, Robbie Coltrane, Kevin Kline, William H. Macy, Stanley Tucci) that is well matched to the characters they play, which is a rare pleasure indeed.

(Barry Levinson's "What Just Happened?" opened in limited release this weekend, so here's our Sundance review from last January.)

By: Scott Weinberg

If you're a ravenous movie nerd like me, then there's very little in Barry Levinson's "inside baseball" Hollywood movie What Just Happened? you don't know already. If, on the other hand, you don't know a whole lot about studio politics, the angst of test-market screenings, and the tricks that movie-makers (or, more specifically, movie-sellers) will pull just to get a festival screening and a huge opening weekend, then you'll most likely get a whole bunch of chuckles out of the flick. To those who know about this stuff all too well, the comedy should still make for an interesting enough diversion -- thanks mainly to a massive, colorful cast and a few solid jabs that hit Hollywood right in the kisser.

Based on producer Art Linson's book What Just Happened? Bitter Hollywood Tales from the Front Line, the film version tells the story of one very successful Hollywood producer, and the ways in which he juggles multiple professional crises, as well as some prickly domestic issues at the same time. Robert De Niro is our movie producer, doing his best "sly" comedic work since (probably) Wag the Dog. John Turturro is the archetypal agent: skittish, shifty, and packing a nasty ulcer. Stanley Tucci is the writer who needs our protagonist for professional reasons, but pursues his ex-wife (Robin Wright Penn) for other activities. Michael Wincott is the drug-infested director whose ultra-edgy film is being mangled by horrifying studio boss Catherine Keener.