stephen daldry Tagged Articles at Cinematical

After a distinguished career as a stage director, Stephen Daldry debuted as a film director with Billy Elliot; after that film's rave reviews and warm reception, his follow-up was The Hours, an ambitious adaptation of Michael Cunningham's novel that earned Daldry an Oscar nomination for Best Director. Daldry's new film The Reader, adapted from the German novel by Bernhard Schlink, tells the story of Michael Berg (Ralph Fiennes), a lawyer who looks back at his youth (with David Kross playing the young Berg) and his fierce sexual affair with a much older woman, Hanna (Kate Winslet) in post-war Germany and the secrets and truths that come to light years after their affair ends.

Speaking with Cinematical in Los Angeles, Daldry talked about nudity, morality and the perils of adaptation: "We didn't want to make a film that reminded us of Bernhard Schlink's The Reader; we wanted to make a film based on Bernhard Schlink's The Reader. ..."

Cinematical: What was the prime source of appeal for you in adapting The Reader?

Stephen Daldry: The subject. I spent a lot of time, as a schoolboy, in Germany, learning German; as an adult, I spent a lot of time in Berlin when I was running the Royal Court Theater, working with a theater in Berlin. So it's a country that I know well, that for all its contradictions and shadows, always fascinates me. And Berlin has always seemed to be on the fault line of the 20th Century. And how that country has always, from generation to generation, and continues to -- (had) to struggle with the fact that they invented Auschwitz ...it's not just interesting, it's also important.

Opening in limited release this week with a wider release planned for January, The Reader has "prestigious arthouse drama" written all over it. It's an adaptation of a critically acclaimed German novel by Bernhard Schlink, but translated into English for wider appeal, and features a big dramatic performance from Kate Winslet in which we see her character over the span of decades. It's directed by Stephen Daldry and adapted by David Hare, who collaborated on another prestigious adaptation together, The Hours in 2002. This time, their movie explores German relationships that are affected, even decades later, by the Holocaust.

The movie is told as a flashback from the point of view of a middle-aged lawyer in Berlin, Michael Berg (Ralph Fiennes). Back in the late 1950s, 15-year-old Michael (David Kross) falls ill on the way home from school one day, and is comforted and helped by a strange woman (Winslet). When he recuperates and returns to her home to thank her, a sexual spark flares up between them into an inappropriate but sympathetic relationship. They meet every afternoon, not just for sex but for reading -- he starts by reading her the books assigned to him for school, but ends up finding all manner of literature for them to share. However, Hanna is full of secrets -- she is even reluctant to tell Michael her name -- and the effects of her past and her secret-keeping are long-reaching and dramatic.

It's a common experience to read a book slated for a film adaptation and then approach the movie, if at all, with a trepidation bordering on fear. As an optimist who doesn't get too offended when his favorite stories get changed for a different medium, I generally try to minimize that reaction. Yet that is exactly how I feel about Stephen Daldry's imminent adaptation of Bernhard Schlink's The Reader. A large part of me is convinced that Schlink's lovely, challenging little novel – almost more of an essay than a novel, really – can't possibly survive Daldry's questionable prestige picture instincts. The book demands a small film, melancholy, withdrawn. Can we get that from one of the year's big Oscar hopefuls?

The logline IMDb plot summary [Ed.: corrected upon being informed that this is not the official studio "logline"] is already all wrong: "Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Burk is reunited with his former lover (Winslet) as she defends herself in a war-crime trial." No. I'm loath to give too much away, but "reunited" is not the right word. In fact, the lack of a bona fide reunion between the two is part of what makes the novel so interesting, and the reason for that lack of reunion is at the heart of the moral questions it grapples with.

One of the movies I've been dying to get a glimpse of is Stephen Daldry's The Reader. The Weinstein flick that didn't get thrown into the Great Harvey Migration of '08, The Reader follows Ralph Fiennes as he thinks back and remembers his first love -- the older Hanna Schmitz (Kate Winslet). But it isn't merely simple Graduate type of romance. After a summer together, she disappears, not to reappear until years later -- while she's on trial for war crimes because of her work as a guard at Auschwitz.

And that's pretty much what you can see in the trailer above -- which does a good job of setting up this complicated story and heaping on the questions and intrigue. (First you have to watch a trailer before the trailer, so be patient. Gotta love the world we live in today!) Anyhow, this film is setting off those Oscar signals and if this collection of clips is any clue, this has a good chance of bringing Winslet her sixth Oscar nomination. (Whether she actually wins for a change, who knows?!)

First we have Valkyrie, Tom Cruise's film about the failed attempt to assassinate Adolf Hitler during World War II. After initial problems, the movie got their access to Benderblock, a memorial for the executed conspirators. Now another film is getting the big, black X, but I don't think the powers that be can be swayed this time around. Variety reports that The Reader, the erotic love story starring Nicole Kidman and Ralph Fiennes, has been denied access to Sachsenhausen concentration camp. The site only allows documentary filmmakers and Horst Seferens, spokesman for the curators, says: "Former concentration camp sites are cemeteries -- it's just not appropriate to use them as film sets."

That's pretty much a solid reason right there, but I wonder if the film's theme isn't helping things? The movie is based on the book by Bernhard Schlink, about a man recalling his experiences during World War II, his sexy experiences, that is. As a 15-year-old boy, Michael Berg learns the ways of sex from a 36-year-old woman, Hanna Schmitz, who happens to be a Nazi supporter. In other words, director Stephen Daldry and his crew have no leg to stand on -- it's sex between a kid and an older, pro-Nazi lady. Sure, it deals with some interesting topics, like the struggle between caring for someone and being horrified by their actions, but it's definitely not the sort of thing that would inspire the curators of an old concentration camp to change their policies.

And as an aside: What is it with Kidman and stories about love with youngins? There aren't many like this out there (and I'm not talking about May-December things like The Graduate), so I find it curious that she's got a few of these on her roster. (Is it that ever-present Oscar drive, that Samantha Morton mentioned?) At least with a kid at 15, back in a time when young men looked much older, they can cast someone a little older, which would make it less jarring. The film is starting up this week, so maybe we'll find out who plays the young Berg soon.

Variety is reporting that two of Hollywood's palest and chilliest stars are joining forces for The Reader. Nicole Kidman and Ralph Fiennes will star in the romance, which is to be based on the international bestselling novel by German writer Bernhard Schlink. IMDb lists Anthony Minghella as director of the film, but it appears that information is inaccurate or has changed. Minghella will produce, along with Sydney Pollack and Scott Rudin. Stephen Daldry (Billy Elliot) is now set to direct the movie, and David Hare will write the script. The project is something of a reunion of the team that worked on 2002's The Hours. Daldry directed that film, Hare wrote it, Rudin produced it, and it won Kidman a Best Actress Oscar.

The Reader is set in contemporary Germany, where "a man recounts the story of his erotic awakening in a covert love affair with an older woman in the wake of World War II." I assume Fiennes is playing the man recounting his story and Kidman is playing the older woman here? That might be tricky to pull off, considering Kidman is five years younger than Fiennes. And "erotic awakening?" I thought that term wasn't used outside of Cinemax plot descriptions. I must admit, I have a real problem getting into a lot of these period romance films, they all just sort of run together for me. I'm glad Minghella isn't at the wheel, though. Just writing that guy's name makes my eyelids heavy. The Reader was an Oprah's Book Club selection, and with her massive following, the film adaptation should have a built-in audience. Have any of our readers read The Reader? And can you say that three times fast? And what did you think of the book?