stop-loss Tagged Articles at Cinematical

Last year, when I interviewed Kimberly Peirce for Stop-Loss, I asked why a relationship played up between Ryan Phillippe's character and Abbie Cornish's in the trailer seemed absent from the final film, not to mention a confrontation between Phillippe and the senator he's driven cross-country to reach coming to a close over the phone and not in person. She explained that about as soon as they had to start editing the film itself, they had to turn over the footage to the promotional department for them to work with simultaneously, and that things don't always match up as a result.

Now, every once in a while, usually in regard to Apatow's oft-tested and whittled-down comedies, absent jokes and alternate takes come as a little surprise. But the year-old teaser for Terminator Salvation capped itself by showing Christian Bale facing off against a robot hiding underwater -- a scene that should appear early on in the film, but doesn't. In Disney/Pixar's Up, our geriatric hero doesn't blow a raspberry as he departs with his house (perhaps for the best), and in 500 Days of Summer, Joseph Gordon-Levitt does not in fact board a bus filled with Zooey Deschanels (certainly for the worst).

What's the most striking occasion you can think of where a scene regularly flaunted in the trailers or TV spots was nowhere to be seen in theaters, and was clearly part of a scene and not a one-off teaser like Pixar themselves so often indulges in?

(Note: We're re-posting our Stop-Loss review from SXSW to coincide with the film's theatrical release this weekend.)

It's been almost nine years since Kimberly Peirce's breakout film Boys Don't Cry, so expectations for her new project were bound to run high. Alas, she doesn't do herself any favors with the self-serious, emotionally hollow Stop-Loss. Why would someone who's so selective about the films she makes choose something so uninspired?

The title refers to the U.S. Army's policy of renewing soldiers' enlistments against their wishes, a necessary step when new recruits are in short supply and there's a war going on. Technically, the war in Iraq ended years ago, but this hasn't stopped the military from hanging on to thousands of soldiers who were supposed to have gone home when their time was up.

Stop-Loss is a fictional story about a real crisis, written by Peirce and Mark Richard and starring Ryan Phillippe as the soldier who gets stop-lossed. His name is Brandon King, and he has just returned to his hometown of Brazos, Texas, after a firefight in Tikrit that left some of his men dead or wounded. Brandon is a model soldier and staff sergeant, even to the point that his saintliness strains credulity, but he snaps when he learns he's being sent back. He tells his commanding officer (Timothy Olyphant) that he refuses to go, then flees the Army base.

The Seuss-abration continued as Horton Hears a Who held onto number one for the second consecutive week. Tyler Perry's Meet the Browns took second, but held the highest per screen average of the top five films ($10,011). The caveman spectacle 10,000 B.C. took fifth, clinging to the top five for the third week in a row. Here are the totals:

1. Dr. Seuss' Horton Hears a Who: $24.5 million
2. Tyler Perry's Meet the Browns: $20 million
3. Shutter: $10.4 million
4. Drillbit Taylor: $10.3 million
5. 10,000 B.C.: $8.9 million

Four new flicks going into wide release, with the movies being divided equally between comedy and drama.

21
What's It All About: A young man in dire need of money to pay for his education at M.I.T. takes part in a well-organized card counting ring with a fool-proof method for winning at blackjack. Based on a true story.
Why It Might Do Well: The combined cool factor of having Kevin Spacey and Laurence Fishburne in the same movie may make some people curious.
Why It Might Not Do Well: Rottentomatoes.com is giving this one a lackluster 54%, and personally watching people play cards bores me to tears.
Number of Theaters: 2,500
Prediction: $17 million

This weekend sees the release of Kimberly Peirce's Stop-Loss, about a soldier who returns from a grueling tour of duty in Iraq only to learn that he's being sent back for another one. The movie's not bad: very passionate, very angry, a bit didactic, and liberal to the core. (See our own Eric D. Snider's SXSW review here.) The "liberal" part is no surprise, at least not if you've been listening to the conservative pundits who have torn into Hollywood for what they see as anti-war propaganda masquerading as entertainment. Those same pundits like to gloat about Iraq War movies' perceived financial failure, holding up their box-office receipts as proof that the American people either aren't interested or aren't on the same page.

But have the Iraq War movies we've seen in the past couple of years actually performed all that poorly? And even if they have, does that have anything to do with public distaste for liberal Hollywood or its "propaganda"? Take a look at some numbers and share your thoughts after the jump.

Oh man, this one is like an indie hipster's dream come true. According to EW, Joseph Gordon-Levitt and my future wife (in an alternate universe) Zooey Deschanel have signed on to star opposite one another in 500 Days of Summer, for Fox Searchlight. The film, which is said to be going into production this spring, tells the story of a woman who doesn't believe in love and the man who falls hopelessly in love with her. Sounds kinda like the opposite of every relationship I've ever seen. Kidding! I kid. We all love everything.

Music video director Marc Webb will direct the indie, which means a cool, hip soundtrack is all but certain. I love both these kids, so I'm sure we'll get some adorable moments out of this one. Only possible downside: It was written by the guys behind The Pink Panther 2, which may or may not be a bad thing seeing as the Panther sequel hasn't come out yet. Zooey can next be seen opposite Mark Wahlberg in M. Night's upcoming end-of-the-world flick, The Happening. Meanwhile, you can catch Gordon-Levitt in that new Iraq drama Stop-Loss.

(But seriously now -- how can you not love a girl named Zooey?)

I just spent the last half hour with the newly-released SXSW schedule, which we brought to you earlier today. Even though I'm only a week or so away from Sundance, it's now time to get all suited up for SXSW -- a festival I'll be heading to for the first time come March. To say I'm f**king ecstatic to finally visit Austin, the Alamo Drafthouse and nosh on some tasty Texan BBQ would be an understatement. I'm beyond ecstatic. I'm f**king ecstatic times a gabillion. Seriously. And when I finally went through the schedule before, I found myself itching to see literally every single film screening this year. Holy sh*t, did Matt Dentler and his crew nail down a sweeeet lineup, or what? I'm hating Dentler right now -- what the hell am I going to see? There's so many great-looking flicks this year, my head is friggin' spinning.

Regardless of what I actually wind up seeing (Scott, Jette, Peter, Snider and I are already quietly fighting for titles behind the scenes), know that Cinematical will definitely be bringing you reviews, interviews and scene coverage for some pretty big films. We shall get the early word on flicks like Harold and Kumar Go to Guantanamo Bay, Forgetting Sarah Marshall, 21, Stop-Loss, Battle in Seattle, The Promotion, Shine a Light ... and so many more. I'm there for six days, and I can tell you now that I will see more films in six days then I will probably see in the next six months. We'll also be bringing you lots of on-the-scene coverage, for those of you who can't make it to Austin this year. So if there's anything in particular you want to see from our SXSW coverage, do let us know.

MTV Movies Blog has the brand new poster for Stop-Loss, the upcoming film from director Kimberly Peirce. Outside of an episode of The L Word, Peirce hasn't directed anything since her highly acclaimed 1999 feature debut Boys Don't Cry -- the film that won Hilary Swank her first Oscar. The script for Stop-Loss was written by Peirce and Mark Richard (Huff), and the film stars Ryan Phillippe (whom I had never liked until last year's excellent Breach), Joseph Gordon-Levitt (one of the best young actors working -- see Brick, Mysterious Skin, and The Lookout!), and Channing Tatum (I intentionally missed Step Up, but he was great in A Guide to Recognizing Your Saints).

Stop-Loss deals with soldiers who are "stop-lossed," meaning they are ordered to return to combat, even though they have completed their enlistment contracts. Phillippe plays a soldier who stands up to the government and refuses to return to battle. It is an MTV Films production, and the poster plays up the cast's beefcake angle, making the film look like Dawson's Creek Goes to Iraq. But I have a feeling it's going to be much better than that. I've been waiting to see another film from Peirce for a long while, and the trailer gives me goose bumps every time I see it. Stop-Loss is set for release on March 28th.

Variety reports that Timothy Olyphant has signed for the comedy heist film, High Life. Based on the play by Lee MacDougall, the story centers on four hapless criminals in a heist gone wrong. The play premiered in Toronto in 1996 and went on to win a DORA award. Olyphant will star as their leader who is ultimately brought down by his incompetent partners. In the original play, the four friends were hopeless morphine addicts, but I'm going to take a guess and say that the new script might gloss over that particular element -- but it will all depend on just how dark this comedy wants to get.

Gary Yates has already been signed to direct, and also co-wrote the script with MacDougall. Yates is French-Canadian by birth and most of his credits are in Canadian television -- although he has already written and directed his one heist film titled Seven Ways Lucky, so the experience might come in handy. MacDougall is an actor as well as a playwright, but considering his biggest credit to date is in Cheaper by the Dozen 2, he might be better off sticking to writing.

Joining Olyphant in his band of fun-loving criminals are Joe Anderson (Across the Universe), Stephen Eric McIntyre (The Lookout) and Rossif Sutherland (Poor Boy's Game). With Hitman due for release in the coming weeks, in between re-shoots for the video game adaptation (you can also read Cinematical's interview with Olyphant about some of those Hitman rumors here), Olyphant has already finished work on the Iraq war drama Stop-Loss with Ryan Philippe. Then it's off to do some video game voice-over work for Turok. Plus, High Life has already begun production, so it doesn't look like Olyphant is going to have any down time in the near future.

After what The Hollywood Reporter presents as an epic search, Boys Don't Cry director Kimberly Peirce has finally found the man on whom she will hang her return to directing -- and it's ... Ryan Phillippe. Um, ok. Has he had a massive charisma-cum-talent transplant lately of which we are unaware, or something? Because Phillippe's not the first actor of his age who would come to mind as the answer to any talent-related questions.

Clearly knowing something we do not (or else having been told "no" by everyone she really wanted), Peirce is drafting Phillippe in to star in Stop-Loss, which she co-wrote. Assuming he signs that contract, Phillippe will play "a soldier who returns home ... and is called to duty again in Iraq through the military's 'stop-loss' procedure" but refuses to return to service. Already on board as the female lead is young Abbie Cornish, one of Kim's current favorite actresses; Peirce is hoping to begin shooting in August.