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Our Favorite Summers: 1993
Filed under: Fandom », Summer Movies »

1993 holds a really special place in my heart for one reason: Jurassic Park. While I had seen some event movies in my 11 short years, there had never been a movie like this. It was the first movie I had to wait in line for -- and the line seemed huge because it actually went outside the Southwest Plaza Mall.
To this day, I don't know when it first appeared on my radar, or how I saw my first bit of footage. All I remember is that T-Rex foot coming down in the mud with a sinister squish, and knowing this was going to be one hell of a movie. And it was. I'll never forget that first shot of the brachiosaurus. I'm pretty sure I stopped breathing. When the shot expanded to the swamp filled with dinosaurs, my mind knew it was that new thing called CGI, but my heart was half-convinced Spielberg really had cloned dinosaurs. It sounds pretentious, but I knew movies were going to never be the same again. This was the future, and I was going to see it. If you could go back in time and tell young Beth that she'd be employed to write constantly about it well, she wouldn't be surprised. She knew she wasn't going to be a paleontologist, anyway.
So large does Jurassic Park loom in my memory that it's kind of funny to see what else was released that summer -- and how drastically the idea of a "summer blockbuster season" has changed since the 90s. Let's revisit, shall we ...
To this day, I don't know when it first appeared on my radar, or how I saw my first bit of footage. All I remember is that T-Rex foot coming down in the mud with a sinister squish, and knowing this was going to be one hell of a movie. And it was. I'll never forget that first shot of the brachiosaurus. I'm pretty sure I stopped breathing. When the shot expanded to the swamp filled with dinosaurs, my mind knew it was that new thing called CGI, but my heart was half-convinced Spielberg really had cloned dinosaurs. It sounds pretentious, but I knew movies were going to never be the same again. This was the future, and I was going to see it. If you could go back in time and tell young Beth that she'd be employed to write constantly about it well, she wouldn't be surprised. She knew she wasn't going to be a paleontologist, anyway.
So large does Jurassic Park loom in my memory that it's kind of funny to see what else was released that summer -- and how drastically the idea of a "summer blockbuster season" has changed since the 90s. Let's revisit, shall we ...
Cinematical Seven: When an Animated Series Goes Live Action ... and Gets it Right
Filed under: New Releases », Movie Marketing », Cinematical Seven », Columns »
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Whether or not shows like Aqua Teen Hunger Force or The Simpsons succeeded in translating their television dynamics to the big screen depends on your point of view, but the release of Speed Racer this weekend raises a more specific question about the viability of turning an animated series into a live action spectacle on the big screen. The Adventures of Rocky and Bullwinkle and Underdog both suggest how this goal can go wrong -- namely, by imploding on its absurd conceits. You may disagree with the inclusion of some of the following titles, all of which culled their material from animation, but it's fair to say that each of them takes its subject matter at face value, allowing the natural ingredients of the original sources to remain intact. Well, maybe not Super Mario Bros., but that one is a special case (fire away, if you must). Until somebody makes an Animaniacs movie with real actors, I'm sticking to this list.
1. Popeye (1980)
Robert Altman's offbeat ode to the famous Fleisher cartoon starring the spinach-eating strongman and his darling Olive Oil is the great misunderstood work of the director's career. Robin Williams and Shelley Duvall manage to bring utterly ridiculous characters into a realm of believability that you could never imagine when watching the show. Suddenly, Popeye made sense -- goofy, almost surreal sense, but sense nonetheless -- in the real world. Thanks to veteran adult cartoonist Jules Feiffer's screenplay and a soundtrack so catchy Paul Thomas Anderson borrowed from it twenty years later in Punch-Drunk Love, the classic status of Popeye can't be denied.








