synecdoche new york Tagged Articles at Cinematical

Tattoos in the movies have a storied history, from the simple, classic LOVE/HATE knuckle tattoos in The Night of the Hunter to the slick and sexy additions to Angelina Jolie's existing body art in last summer's Wanted. Recent movies like The Curious Case of Benjamin Button and Eastern Promises have used tattoos to great effect; in Button, Captain Mike's homemade tattoos both referred to his life on the sea as a sailor, which in that era was the most visible tattoo population, and his own father's discouragement of his hopes of becoming an artist. Instead, he brings his art with him everywhere he goes. And Eastern Promises based its tattoos (hello, Viggo in his undies sipping a shot of vodka getting tattooed) on the heavily researched Russian tattoos and their different signifiers in the gangster underworld.

Unfortunately, most recent movies have the tendency to slap some crappy tribal on a character to make him or her seem more bad-ass, which, given the context of tattoos in the movies, is kind of understandable. But what's not is just how freaking terrible they are! Here are my personal picks of the worst ink spilled onscreen, plus a bonus mention for the most gorgeous tattoos in a movie, both in design and story use.

Milk
Sean Penn won an Academy Award for his portrayal of openly gay San Francisco politician Harvey Milk, and Dustin Lance Black won another for his script, which focused on Milk's activist years in the 1970s. "It's a minor miracle of sheer film making joy and determination," wrote James Rocchi, "and one of the best American films of 2008." With deleted scenes and mini-features "Remembering Harvey," "Hollywood Comes to San Francisco," and "Marching for Equality." Also on Blu-ray. Buy it.

Add to Netflix queue. | Buy at Amazon.

Let the Right One In
My top pick from last year is a dramatic thriller about vampires and young people, old souls and eternal fears, yearning for the unobtainable and the inevitable pains of loving another person. Director Tomas Alfredson takes a traditional tale -- the youngster who is picked on and the new friend who helps -- and rubs in a touch of supernatural, a touch of the old world, and a touch of heart on the sleeve, wrapping it in beauty and agony. Also on Blu-ray. Buy it.

Add to Netflix queue. | Buy at Amazon.

Transporter 3
I have no easy defense of my love for Jason Statham as Frank Martin in the Transporter films. Suffice it to say that the action -- fights, car stunts, people stunts -- keeps me occupied, the plots are not hard to track, and I like the interplay between the main character and Inspector Tarconi (François Berléand). In this episode, Jeroen Krabbé as the bad guy is a nice bonus. Also on Blu-ray. Rent it.

Add to Netflix queue. | Buy at Amazon.

Also out: Cadillac Records, Role Models. After the jump: a bounty of Indies on DVD, more Blu-ray Picks, plus Collector's Corner.

New movies often bring anxious fidgeting and the buzz of excitement. But a new movie by Charlie Kaufman, one that he not only wrote, but helmed, brings the anxious, hopeful mania of a kid about to see Mickey Mouse. At least, it does for me. I like Human Nature, but I love Being John Malkovich, Adaptation, Confessions of a Dangerous Mind, and Eternal Sunshine of the Spotless Mind.

Now we're getting his directorial debut with Synecdoche, New York, a film that seems like it should be set in Schenectady rather than the Big Apple, and have huge replicas of Proctors and Rotterdam Square Mall rather than Manhattan skyscrapers, but will probably be awesome anyway. Almost a year after we saw the first poster, Anne Thompson has posted what looks to be the first image of Catherine Keener and Philip Seymour Hoffman, which you can see cropped on the right. It doesn't show much, and isn't nearly as fun as this puppy, which shot up on Slashfilm earlier this year, but it just makes this whole film all the more real.

No matter what casting announcements or vague posters pop up, there is nothing like seeing that this is actually a real film that will get to us soon, with all of its magnifying glass glory. If only I could get to Cannes to see it! Obviously, I'm a big fan, but how about you? Are you as anxious as I am for Mr. Kaufman's directorial debut?