takashi shimizu Tagged Articles at Cinematical

I've come to notice a trend with the production company Vertigo Entertainment. Even more than they like to make remakes of foreign horror films (The Ring; The Grudge; The Eye), they really seem to favor the recruitment of foreign filmmakers. Here is a rundown of some of the acclaimed directors they've hired: Walter Salles, from Brazil; Alejandro Agresti, from Argentina; Oliver Hirschbiegel, from Germany; French duo David Moreau and Xavier Palud; Yann Samuel, also from France; Swedish duo Joel Bergvall and Simon Sanquist; Victor García, from Spain; Yam Laranas, from Philippines; and Takashi Shimizu, Hideo Nakata and Masayuki Ochiai, all three from Japan. I guess Jim Sheridan, from Ireland, counts too. It is weird, because sometimes a filmmaker is brought out to remake his own film, like with Shimizu and The Grudge and with Laranas and The Echo, and other times a filmmaker will be assigned the remake of someone else's film while his own original film is being remade by another acclaimed director, like with Nakata and Salles and Dark Water.

The sad thing is that many of these great directors have ended up making awful movies for Vertigo. The reason is probably coincidental, and we still have yet to see if Samuel can bring his fantastically romantic vision appropriately to a pic starring Jesse Bradford and Elisha Cuthbert or if the work Hirschbiegel did on The Invasion (before being replaced -- allegedly not fired) holds up to his Oscar-nominated breakthrough. But just in case there is a curse (how fitting) on the company to ruin these foreign filmmakers, then I am glad that the latest recruit, Spain's Daniel Calparsoso, is not actually that widely respected. Actually, I'm not familiar with him at all, but his most recent film, Ausentes, has a super-low rating of 3.9 on the IMDb. Not even The Grudge 2 rated that badly. So, he certainly can't do any worse with his film for Vertigo, a trapped-in-a-loony-bin-during-a-thunderstorm-set horror film called Incident at Sans Asylum (do asylums even exist anymore??). Another thing it has going for it: it isn't a remake. The script is an original, by chef-turned-cinematographer-turned-writer Craig Zahler, who also penned Vertigo's upcoming western The Brigands of Rattleborge. Zahler was also one of Variety's "10 Screenwriters to Watch" last year.

What makes The Grudge 2 so bad? It goes without saying that it's a sequel, a remake and a remake of a sequel, which -- as far as Hollywood is concerned -- makes it a safe bet three times over. Probably less obvious is that the film continues an almost 30-year tradition of trying to re-create the success of John Carpenter's groundbreaking Halloween (1978), a pared-down scare flick in which the only thing that happens is a supernatural being hunting down and killing innocent characters.

But there's something else going on here. Horror movies are the ultimate in "body" cinema, or cinema that we experience physically, rather than mentally or spiritually. Because of this, nudity and sex have always gone hand-in-hand with the genre -- even before nudity could be shown. Look at Cat People (1942), in which the heroine turns into a murderous feline when sexually aroused, or the shower scene in Psycho (1960), the ultimate in vulnerability.

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• Bukowski: Born in to This - There is a morbidly fascinating fly-on-the-wall vibe that pervades John Dullaghan's profile of the late Beat writer Charles Bukowski, a base familiarity that parallels the Ham On Rye author's own inimitable hard-lived life and style. Epic in scope (and length), first-time director Dullaghan compiles dozens of meticulously screened hours of archival footage, coupling the best of it with new interviews with Bukowski survivors to present a terrifically real character study of a little-studied real character. The watchable Chuck-alike Happy Hour, starring Anthony LaPaglia as a booze-addled writer, is also just out.

The insanely talented Amber Tamblyn has apparently moved on much more successfully than the rest of us from the cruel cancellation of Joan of Arcadia. She's, like, Joss Whedon-busy, with two indie projects in the can (including Stephanie Daley, which is currently at Sundance trying to scare up distribution) and another currently in pre-production. And now she's got another job lined up: she'll star in The Grudge 2, playing the sister of Sarah Michelle Gellar who inherits "the movie's supernatural curse." Tamblyn's costars will be Arielle Kebbel (you know her from American Pie: Band Camp, of course) and Teresa Palmer, who will play the ever-popular "American schoolgirls in Tokyo."

The film, under the director of Takashi Shimizu (who also helmed the first ones - both the original and the American remake), will start shooting in Japan next month with an eye on an October release.