I have this theory that on the set of 1991's Father of the Bride, Steve Martin and Diane Keaton turned to each other and said, "You know what? From here on out, let's just keep doing this. Let's just play cute, cuddly versions of our formerly edgy and interesting selves -- slightly goofy mothers and fathers, that kind of thing -- and watch the cash roll in!" Then they high-fived and fell into an awkward, melancholy silence.

Through one unchallenging project after another, Keaton has served up the same old eye rolls, squeals, and stutters until you can't really tell one role from another. And what's really frustrating about watching her squander her talents is that -- as with Martin -- no matter how embarrassing the performance, you can't help but love her anyway. She's at her most unhinged in Mad Money, and painful as it is to watch at times, she does -- just barely -- manage to keep the film afloat.

Surprise! Jason Reitman's Juno, the most buzzed about teen pregnancy comedy of the fall, hauled in an overwhelming take of $60,000 per screen at seven theaters in New York and Los Angeles, according to estimates compiled by Box Office Mojo, easily topping the indie box office chart. It got a head start by opening on Wednesday, but it actually began building momentum when it screened at Telluride more than three months ago. Critical response has been nearly unanimous (93% positive per Rotten Tomatoes), with our own Kim Voynar leading the hosannas. Juno will be opening wide soon, so it will be interesting to see if it can cross over to mainstream acceptance.

Also widely praised since its debut at Venice, Atonement scored very well with a per-screen average of $25,531 at 32 theaters in major markets. Keira Knightley and James McAvoy star in director Joe Wright's adaptation of the Ian McEwan novel. Christopher Hampton scripted the screen version of an epic period romance. Cinematical's James Rocchi participated in a roundtable interview with McAvoy; you can read McAvoy's thoughts on Atonement and much more.

Other indies struggled to find audiences. Grace is Gone, starring John Cusack as a father having trouble telling his daughters that their mother has been killed, had the highest profile, but earned just $3,500 per screen at four theaters. Long on the shelf, The Amateurs may be heading quickly to DVD; despite the presence of Jeff Bridges and Ted Danson, it managed to earn only $4,000 per screen at three theaters in Los Angeles and Dallas. Bridges did all he could to publicize the film; he and Danson participated in a junket, which our own Patrick Walsh just wrote about, and was present for a post-screening Q&A on Friday night in Dallas.

Also debuting over the weekend: Maurice Jamal's comedy Dirty Laundry ($7,700 per-screen at two theaters), Paul Schrader's Washington drama The Walker ($5,533 per screen at three theaters), Guy Ritchie's crime drama Revolver ($2,316 per screen at 18 theaters) and David Wall's religious drama Noelle ($802 per screen at 203 theaters).

The Amateurs (formerly The Moguls), the directorial debut of writer/director Michael Traeger, is an underdog comedy about a group of small-town losers who decide to raise money by making a porno film. It's got a wonderful supporting cast that includes Joe Pantoliano, William Fichtner, Tim Blake Nelson, and Lauren Graham. Cinematical recently attended a press junket with the film's stars -- Jeff Bridges and Ted Danson, who were interviewed separately. Needless to say, meeting The Dude and Sam Malone in the same day was kind of a big deal! First up was Mr. Bridges...

What attracted you to the The Amateurs and the role of Andy?

Jeff Bridges: Like most of the movies I get involved with, I resisted it as long as possible. I always try to figure out why I shouldn't do it, and with this one there were plenty of reasons not to do it. What attracted me to it in the first place is that it was so unusual. It put this porn aspect and this Frank Capra aspect together, and I thought that was really interesting, very ambitious. But I didn't know if this guy who had never directed a film would be able to pull it off. Also, I've done movies in the past that have a lot of characters, and I find them hard to follow and you wind up not caring about any of the people, and I thought that might be the case with this one. But my representatives kept telling me I should do it, so finally I said "Alright. I want you guys to organize a reading, and I want you to see that this thing's not going to work at all." So we had a table read, and it just flew, it was just great. I think it works very well.

When the release started to get delayed, did any of that old skepticism start to come back, like maybe something did go wrong?

JB: No, I didn't really get all the ins and outs of why it didn't get released, it's very convoluted and I haven't heard all the sides and the stories, but it wasn't because of the nature of the film or anything like that. I think it was more business type stuff.

Filmed in the summer of 2004, The Amateurs has been in the can for over three years. The movie's title has gone through several changes, and imdb still lists it as The Moguls. The film has had a whopping six release dates going back to 2005, but it finally sputters into theaters today -- in Los Angeles and Dallas, anyway. Movies often have distribution trouble (you can read more about the problems this one faced in the Los Angeles Times), but the struggle of The Amateurs surprised me because it had all the makings of a sleeper hit. It's got a killer premise (think The Full Monty with porno) and an amazing cast. The film's struggle surprised me...until I saw it.

A queasy mixture of Boogie Nights sleaze and Patch Adams sentimentality, The Amateurs takes place in the small town of Butterface Fields (ho-HO!). That's where you'll find Andy Sargentee (Jeff Bridges, in shaggy dog Lebowski mode), a divorced dad who is down on his luck. His son (Alex D. Linz) is now living with a wealthy stepfather (the typically solid Steven Weber), and this makes Sargentee insecure. He's got to make some money, and fast. So, naturally, he decides to enlist the help of his friends and make an amateur porno flick.

The new website for the heist comedy Mad Money has gone live with its first full-length trailer. It is pretty much what you would expect from a harmless little comedy, so if you are looking for a hard-edged crime flick, you are definitely in the wrong place. Along with the trailer, the website has the usual photo galleries and downloads (you can check out Cinematical's exclusive gallery here). There is even the chance to win a little of your own 'mad money' in a sweepstakes. Directed by Callie Khouri, the film stars Katie (or Kate; I can never keep it straight) Holmes, Queen Latifah, Diane Keaton, and Ted Danson. The story centers on three employees of the Federal Reserve who pull together for a plot to steal the money that is going to be taken out of circulation.

Khouri is probably best known as the writer for another famous female 'buddy film'; Thelma and Louise. Money is a pretty light-hearted flick so I doubt we'll be seeing Keaton, Holmes, and Latifah going over a cliff in a protest of patriarchal control. Mad Money will be Holmes' first big-screen role since Batman Begins and Thank You for Smoking back in 2005. As we all know, Holmes wasn't invited back for The Dark Knight and there were even a few thinly veiled shots directed towards her in the press over the whole matter. Since all that Wonder Woman talk never panned out either, for the sake of her career I only hope that comedy vets like Keaton and Danson can help keep Mad Money afloat at the box-office. Maybe then, Holmes will get credit for being something other than Mrs Tom Cruise. Mad Money hits theaters on January 18th.

I can't think of a more odd on-screen trio than Queen Latifah, Katie Holmes and Diane Keaton. The three ladies were recently cast in a new comedy called Mad Money (thankfully, there's no relation to that Jim Cramer show; just the thought of watching that guy scream his brains out up on the big screen for two hours has me wanting to invest in a warehouse of aspirin) The casting choices are odd, yes, but definitely smart -- with those three women, you hit almost every demographic. And when there's something for everyone, a number one opening at the box office is fairly certain. Seeing as those three women alone probably cost a pretty penny (or three), the rest of the cast will have to come at a bargain. Case in point: the Hollywood Reporter tells us that Ted Danson has signed on to co-star; he'll be joined by Roger Cross, Stephen Root (Milton!), Adam Rothenberg, J.C. MacKenzie, Chris McDonald and Finesse Mitchell.

Pic will revolve around three Kansas City co-workers (Holmes, Keaton and Latifah) who devise a plan to steal a bunch of money that's scheduled to be destroyed at the Federal Reserve Bank. Now, there's something interesting to do during your lunch break -- "Hey, instead of going to the diner again, how about you grab that Scientology chick and we'll go knock off a bank?" If you listen to those rumors around the water cooler, this is the film Katie Holmes chose (or should I say hubby Tom) over The Dark Knight. No word yet on who Danson will be playing (please let it be a bartender), though I imagine he'll take on the role of office manager. Callie Khouri (Divine Secrets of the Ya-Ya Sisterhood) wrote and will direct, with shooting to begin today in Shreveport, La. No release date has been set; chances are Mad Money will hit screens early next year.