John Woo was first cool in Hollywood back in the Stone Age (AKA the early 90s), thanks to festival exposure and a limited theatrical run for The Killer in 1990. The Killer is a superb action melodrama starring Chow Yun-Fat as a hitman who accidentally blinds a beautiful singer (Sally Yeh). He tries to make things right by carrying out another hit so he can earn enough money to pay for a cornea transplant for her, all while dealing with unhappy mobsters and a hard-nosed cop (Danny Lee) who becomes sympathetic to his cause.

A remake was planned; Walter Hill was to direct, and Richard Gere and Denzel Washington were mentioned as the leads. The purported script for the remake, set in Hong Kong, is still floating around the Internet, but the project became mired in Development Hell. The rights now evidently reside with Woo and his producing partner Terence Chang, and Chang says that a director has been hired for a remake, according to The Hollywood Reporter. The director is John H. Lee, with two features to his name: 1998's The Cut Runs Deep, a gangster coming of age tale set in New York City, and 2004's A Moment to Remember, a slow-paced romantic drama that drove me nuts -- and not in a good way -- but which is beloved by 895 voters at IMDb (8.5 rating).

Chang says that Lee will "move the action through L.A.'s Koreatown, Chinatown and South Central" and that "the actor has to be Korean in this version." Sounds like a good opportunity for a Korean actor. Director Lee told the trade paper: "I ask myself why they chose me and whether I can top it ... But then I realize it's not about making it better. It's about making my own version." Still sounds good; here's the part that makes me leery: "My strength is dealing with human emotions, austerity and elegance," says Lee. The original was overblown and over-the-top in every wonderful, melodramatic sense, so if Lee plans to make an "austere" and "elegant" action film, how is that going to get my blood pumping? Is he going to downplay or reduce the action scenes? A new script is in process.

This is another sign that Woo and Chang have tired of trying to get their own projects made in Hollywood. (The Battle of Red Cliff, directed by Woo, is due to wrap filming in Asia shortly and is looking for a US distributor.) But why do they feel the need to cannibalize the past? Blood Brothers, a reworking of Woo's earlier Bullet in the Head, met with mixed response in Asia and didn't make much headway with critics who saw it at the Venice and Toronto fests, which is not very encouraging when considering the prospects for a killer remake of The Killer. The announcement was made on the first day of the Asian Film Market, held in conjunction with the Pusan film festival.

Director John Woo blazed into America on the strength of gloriously over-the-top violent melodramas like The Killer and Hard-Boiled, but the one that left the deepest impression on me was Bullet in the Head. The 1990 film is gut-wrenching and personal to the point where it feels that Woo simply opened a vein and let his blood seep into every frame. Thus I've been apprehensive about a new film inspired by that heartfelt epic. Produced by Woo and his long-time partner Terence Chang, Blood Brothers follows three friends as they seek their fortune in glamorous Shanghai in the 1930s. It has been selected to close the Venice Film Festival in September.

As described by sales agent Fortissimo, "three innocent young men arrive to this seeming paradise in search of a better future. But as time goes by, their paths diverge, even as they all descend into a life of crime. Soon, friends turn against friends, brother against brother. The blood bonds are now but relics from their early days of innocence." The basic idea sounds similar to Bullet in the Head, but whereas that film was set in war-torn Vietnam in the late 1960s and had a much grittier feel, the two trailers for Blood Brothers feature slick action and a high-toned visual style that is very appealing.

Director Alexi Tan grew up in the Philippines, studied in London and spent more than a decade as a fashion photographer in New York. He made commercials and music videos before attracting the attention of Woo and Chang. Tan co-wrote the script for Blood Brothers, which stars Daniel Wu, Liu Ye and Tony Yang as the three friends and Shu Qi as an alluring singer. Chang Chen and Sun Honglei are also featured. My apprehension has officially become cautious optimism. Blood Brothers will open in Asia in mid-August before making its Venice bow.

It isn't uncommon for an actor to drop completely out of a movie, but how often does it happen that an actor drops out and then is later re-cast in a different role? That seems to be what is going on with Tony Leung Chiu-Wai and the Chinese epic The Battle of Red Cliff. Leung left the project a month ago claiming he didn't have time to prepare for his role (though there were other rumors), but now he's returned to the John Woo film, which has already begun shooting. Because his original part ended up going to another actor, Takeshi Kaneshiro, he is now likely attached to a different character than the one he abandoned.

The most simple speculation is that Leung is taking over for Chow Yun-Fat, who this week suddenly departed from the project, similarly claiming an inability to sufficiently prepare. For some reason Red Cliff producer Terence Chang won't specify which character Leung will play nor will he confirm that the actor is replacing Chow. The only things he will say is that all these casting changes are not affecting the shoot and that Chow's absence is not affecting the financing of the film. Hopefully more will be revealed about Leung's involvement when he arrives on set next week -- unless, of course, he drops back out. Maybe the next thing we hear will be that Ken Watanabe is back on the film, too, as a replacement for the replacement.