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Jonathan Mostow is one of the "that guys" of the directing world: you almost always recognize his handiwork, but you're not quite sure who he is, because his films maintain a more assertive sense of themselves than they do of him (and we mean that as a compliment). Although he did some smaller films before then, 1997's Breakdown was his calling card as a filmmaker, and contained all of the elements that would signify something made by him – namely, an interesting idea that was executed with mastery of form and a comfortable grasp on genre conventions. Subsequently he directed the submarine thriller U-571 and Terminator 3, and his latest, Surrogates, is another example of high-concept storytelling streamlined to maximize its entertainment potential.

Cinematical recently sat down with Mostow in Los Angeles for an exclusive interview about the ins and outs of the film, which follows Bruce Willis as a cop investigating a murder in a futuristic society where humankind interacts through android proxies of themselves, called surrogates. In addition to explaining the film's world and surrogates' place within it, Mostow talked about his technique as a director marrying interesting ideas to effective storytelling, and reflected on his expansive career both as a director and producer.

Cinematical: What is the point of the surrogates for the people in this film? How does it revolutionize their lives?

Variety reports that Virgin Comics will partner with Jonathan Mostow for a feature film version of his just-published comic, The Megas. Based off an idea from Mostow about a group of elites, it is part of Virgin's Directors Cut line of comics. Mostow is perhaps best known as the director of Terminator 3, but he is in good company at Virgin. Other directors who have signed up include John Woo, Guy Ritchie, Ed Burns, and Terry Gilliam.

The story "revolves around Detective Jack Madison and his race-against-the-clock investigation to uncover secrets behind the mysterious sex-fueled suicide of a Prince in The Megas royal family. Meanwhile, the King is on his deathbed at The White Palace (yes, at 1600 Pennsylvania Avenue!), and society is bracing for the inevitable chaos that will surely ensue once he dies." Basically, it seems to be about a corrupted ruling class and the everyman who is forced to bring them down.

There is no word yet on whether Mostow will be involved with writing the script, or directing it for that matter. Mostow already has a remake of The Swiss Family Robinson, and the sci-fi thriller The Surrogates, with Bruce Willis, lined up for 2009. If Virgin wants to get this production going any time soon, they might have to start looking for someone else to take over. The original model for the Director's Cut series was to create comics that were tailor-made for film adaptations, so I would assume that we are going to start to see a lot of Virgin comic book movies in the near future.

Okay, it's only in rumor form right now, but AICN is reporting that Christian Bale has signed on to play an adult John Connor in Terminator Salvation: The Future Begins (aka Terminator 4), which will most likely be directed by McG. Harry himself shelled out the news, which he claims comes from an "extremely trusted source who has never been wrong before." Bale signing on to play Connor means the character will indeed be significantly older in the next film; unlike the teenage version who showed up in the form of Edward Furlong (Terminator 2) and Nick Stahl (Terminator 3) in previous films. It also means Bale will jump from one high-profile franchise (Christopher Nolan's Batman flicks) to another that, according to reports, will contain at least three films. Will Bale star in all three?

Here's the film's plot synopsis from IMDb (though we're not sure if it's entirely correct): "After the drastic effects of Terminator 3, the story continues as John Connor and soon to be wife Kate Brewster realize they must create a resistance organization with Earth's remaining survivors against the army of robots slowly being built up by Skynet. As they are building this resistance, one survivor happens to be a traitor in disguise, and has a secret that nobody would ever come to suspect." Though I'm not crazy about McG taking over the franchise, I absolutely love Christian Bale ... especially in this role as a rogue warrior up against an army of machines. Who will take over for Claire Danes and play Connor's wife (if this synopsis is correct)? Any suggestions? We'll let you know more as soon as information is available.

Another macho man has made the obligatory leap into the kiddie pool. This time it's Dwayne "The Rock" Johnson who has gone and starred opposite a child in this weekend's new release The Game Plan. Could it damage his potential for further tough guy roles? Does he care? He's already signed on to another kid friendly part in Witch Mountain, so perhaps he's no longer worried about audiences accepting him as a muscle man with attitude.

The Rock, like Vin Diesel before him, may have jumped the gun on doing a Disney family film before securing an iconic place next to Schwarzenegger, Stallone and other action hero types. His movie may therefore lack that necessary extreme between the character we associate with The Rock and the character he must take on for the movie -- like the type of contrast that made Kindergarten Cop so funny.

But there are worse things he could do. Other action stars and macho actors have made some pretty terrible mistakes that had nothing to do with working with kids, and many of these mistakes were career altering. Let's just hope Dwayne Johnson never has to suffer such ideas as these:


1. Junior (1994, Ivan Reitman)

For a macho guy, finding out you have a kid is domesticating, but finding out you're pregnant is emasculating. Nothing says an action hero has gone soft like giving him a bun in the oven, and it's no wonder that Arnold Schwarzenegger had difficulty maintaining his image in action movies for the next decade -- until Terminator 3. I'm certain that if The Rock tried doing a movie in which he's with child rather than with a child, he'd cause far more problems for his career. At least Schwarzenegger had just a few months earlier released True Lies, and fans likely held onto the hope he would be back on top one day.

It's pretty clear that Jonathan Mostow has a thing for futuristic robots ... and that Hollywood now has a thing for adapting graphic novels into heavily-addictive pieces of visual crack. The director has decided to partner up once again with the writing duo (Michael Ferris and John Brancato) from Terminator 3 on The Surrogates, an adaptation of the graphic novel written by Robert Venditti. Anxious to feast on the same box office numbers Warner Bros. is enjoying with 300, Disney has acquired the rights to the graphic novel with intentions of turning it into a sci-fi thriller set in a "Philip K. Dick-like futuristic universe." Since the content is a bit too edgy for the Mouse House, they'll most likely set it up at Touchstone and just let Mostow go nuts with it.

Though I'm not too familiar with the storyline, apparently The Surrogates takes place in a futuristic world where humans live in isolation and communicate with one another through surrogate robots. Producer David Hoberman likens it to Second Life -- that computer-generated internet world where people create their own fictitious identities and interact in the same way they would in the real world minus the, well, realness. Somewhere in between, Mostow will also helm Terminator 4: The One Without Arnold, as well as Real Steel (about a bunch of 2,000-pound robots who fight one another) and an adaptation of the Marvel comic book Sub-Mariner. No word yet on whether Mostow is indeed a robot himself, but here's hoping at least one of these robot flicks is better than Will Smith's I, Robot or else I ... won't be very happy.