I hate to spread totally speculative bad buzz, but if any advance development merits the term "not a good sign," it's a movie getting its release date pushed back seven months to early September, the year's most notorious dumping ground. Yep -- Richard Kelly's The Box is now scheduled to be released by Warner Bros. on September 11, 2009.

Now, to be clear, its original February release date wasn't exactly a plum spot either. But occasionally something sneaks through early in the year -- think Cloverfield. The few weeks around Labor Day are where movies go to die. The only recent exception I can think of is 3:10 to Yuma.

I'm hoping against hope that the switch isn't actually a vote of no confidence, since a Twilight Zone-style sci-fi film from the director of Donnie Darko sounds fantastic. If it is a low-confidence move, I'm hoping it's a case of a studio not knowing a good movie from a hole in the wall. That happens a fair amount, don't you know. Richard Kelly could use a boost after Southland Tales sank last year.

The Box is about a suburban couple who receive a mysterious wooden box with a single button. The box comes with a promise that if one of them presses the button in the next 24 hours, they will get a million dollars -- but somewhere in the world, someone will die. The film stars James Marsden, Cameron Diaz and Frank Langella.

[hat tip: Cinema Blend]

I guess members of Arcade Fire like to keep an eye on their online reputation, because it took a total of eight days for the band to reduce a popular rumor to rubble. A little over a week ago, Richard Kelly (Donnie Darko) had posted that, "a very famous band who is honoring us with being the first filmmakers they've ever scored a film with" had signed up to score his upcoming thriller, The Box. Before you knew it, Pitchfork had picked up the story and was reporting that Arcade Fire was that "famous band".

Cut to one week later and Arcade's co-founder, Win Butler, posted the following message on his blog (through the band's official site): "Arcade Fire is NOT doing the soundtrack to any film. We are all off for the summer, writing songs, reading books and keeping our plants alive" -- although he did concede that he might compose some original music for the film along with band mate Owen Pallet (Final Fantasy).

The Box takes place in 1976, where an unhappily married couple (Cameron Diaz and James Marsden) receive a mysterious box from a stranger (Frank Langella). The box will reward the couple with a massive payday, but only on the condition that a complete stranger dies in return. Erik gave us the heads up on some production photos back in February, but so far there is no release date. Hopefully the 'stink' of Southland Tales has finally worn off, and Kelly will be able to secure an official date soon.

The other day we brought you the first image from Richard Kelly's (Donnie Darko) new film The Box, and now USA Today has a whole slew of images featuring the cast and that darn box. Imagine, if you will, some guy who looked a lot like Frank Langella showed up to your house with a mysterious box, and said that you could push a button on said box and come into great wealth. However, once the button is pressed, someone somewhere will die. What would you do? Well, something tells me we wouldn't have much of a movie if Cameron Diaz and James Marsden (who play the husband and wife who come in possession of the box) didn't go ahead and push the button.

On the film, Diaz says, "This is the most beautiful love story ever. It's so romantic, especially at the end. Other then that, it's a crazy, si-fi psychological thriller with a twist of conscience." The Box is supposed to be Kelly's big commercial film, after the writer-director had a hard time wowing audiences with the experimental Darko and the recent Southland Tales. But if you take a couple and put them into a freaky situation everyone can relate to, I imagine ticket sales will look a tad better this time. So far I'm loving the retro vibe and I truly hope Kelly pulls off a damn good thriller. We could use one of those. Check out one more photo below, then head to USA Today to view the rest.

I wonder if the President is reading Cinematical today ...

The first teaser poster/thingy for G.I. Joe was apparently unveiled at the New York Toy Fair over the weekend (as captured by MTV), and it's everything we all hoped it would be. Man, check out that silver on black -- it's all just so ... exciting. 2009 can't come soon enough. In other Joe news, Latino Review claims Jonathan Pryce has landed a "small but integral" role as President of the United States in the film, which comes with the following official synopsis: "From the Egyptian desert to deep below the polar ice caps, the elite co-ed GI JOE team, based from it's headquarters The Pit, deploys the latest in next-gen spy and military equipment to fight crooked arms dealer Destro and the growing threat of the mysterious COBRA organization from plunging the world into chaos." Yum!

In other news, the first photo from Richard Kelly's new flick The Box has arrived online (via Twitch). The photo (which you can view after the jump) shows two hands holding a box which appears to feature a snow globe of some sorts on the top of it. This is being hailed as Kelly's big commercial film, after his first two attempts (Donnie Darko, Southland Tales) confused the hell out of people and the box office. Starring Cameron Diaz and James Marsden, The Box tells of a couple who discover a mysterious box with a button inside that, if pressed, will give them enough money to save their ailing son. However, in return, someone somewhere will die. Freaky! The Box is due out later this year.

Courtesy of the folks over at Variety, there's news on three new flicks headed our way by the folks over at Warner Brothers. These puppies are coming our way for the company to "ensure not only that their unique visions will be fully realized, but also that the success of their work will be rewarded as stakeholders in their own films." That's a sweat deal, if these are successful, which is a decent possibility since they're all well-known. Here are the lucky films:

1. Richard Kelly's The Box -- News of the feature geared up a year ago, back when some still had hope for the mess that is Southland Tales. Since then, Cameron Diaz signed on, as did Frank Langella, and finally James Marsden. I wonder if any of them are nervous about the film now? I guess we'll all have to wait and see. The film is about "an unhappily married couple who receive a box from a stranger (Langella) who tells them that if they push a button on the box, they'll receive a hefty amount of cash -- and someone they don't know will die."

2. Ricky Gervais' This Side of Truth -- We first heard word of this sweet feature back in September, and since then, the lucky goat cast Jennifer Garner to be the object of his woo. The premise sounds pretty perfect for the Brit, who co-wrote the script with Matthew Robinson. It's about a man in a world where no one lies. Then he tells the first one and harnesses the all-mighty power of lying to nab women out of his league and find professional success -- a role obviously to be played by Ricky himself.

3. Robert Rodriguez's Shorts -- Written by the man himself, and to be directed by him as well of course, it's about... Well, you tell me. News surrounding the filmmaker has focused on him, Rose, and Barbarella. Searching for him and "shorts" doesn't get one very far, so if anyone has word on it, please comment below!

Oh, how I used to wish for a future with funky, memorable, wonderful, and cultish Richard Kelly movies for years to come. Unfortunately, I've lost my faith. I loved Donnie Darko -- it was random, entertaining, and it merged actors from all different periods of my moviegoing life. Then I saw the director's cut, which was too over-explained for me, although I'm still eternally grateful for the Darkomentary. Now Southland Tales. I waited ages for that sucker, checking the ultra-vague website often; waiting. Then it came out to boos, got revamped, and now I'm hearing from some sources that it didn't help.

My future Kelly hopes seem dashed, but even after the flop that was Domino, and the Southland troubles, Kelly is gearing up for his third feature, The Box. Cameron Diaz signed on to star in June, then Frank Langella joined her in October. Now The Hollywood Reporter has posted that James Marsden is in final negotiations to play Diaz's husband in the horror film. The film is about: "an unhappily married couple who receive a box from a stranger (Langella) who tells them that if they push a button on the box, they'll receive a hefty amount of cash -- and someone they don't know will die." If it was as simple as that, there wouldn't be a movie, so I imagine those cash-givers are tricky and will make it someone connected to a future boss, family member, or something to throw a wrench in their already-crappy lives.

The American Film Market (AFM) got underway in Santa Monica, California yesterday with a small flurry of activity. As our own Eric D. Snider explained last month, AFM "is designed to be a place for film makers and film buyers to come together. Movies are sold, and deals are made for production of new films, too." I've attended AFM a couple of times in the past and I'd describe it as a madhouse of controlled chaos, with hotel suites converted into trade show booths and reams of printed material (posters, flyers and postcards) vying for attention.

Even though it's called the American Film Market and many domestic deals are made, the emphasis is really on international territories. For example, here are three deals making news on ScreenDaily.com, the online arm of UK trade publication Screen International: (1) The Weinstein Co. "closes major AFM pre-sales on Richard Kelly's The Box," with deals covering the UK, Australia, New Zealand and South Korea; (2) Andrew Lau (Infernal Affairs) "to produce trilogy based on Chinese classic" Water Margin, "with directing duties split between Lau and Johnnie To [Election]"; (3) "Korean distributor Showbox has acquired Andrei Konchalovsky's Nutcracker: The True Story."

But AFM wouldn't be AFM if it didn't offer, shall we say, more mainstream movies alongside the foreign and arthouse flicks. What can one make of indie comedy Heavy Petting, whose plot is described in the online AFM catalogue thusly: "When Charlie meets Daphne he never expects he'll have to battle past her dog to woo her. When Charlie begins to fall in love with the dog, he scrambles to keep the relationship going." Wait a minute: he falls in love with the dog?! The film stars Malin Akerman (The Heartbreak Kid). Is Heavy Petting a hidden gem? Or headed straight to video? (Watch the trailer at the official site and decide for yourself.) Look for more coverage from Cinematical on the wild, wacky and completely essential AFM in the next few days.

When you first movie is a cult sensation and your second movie is ... troubled, it's best to have a third project waiting in the wings. Fortunately for Donnie Darko and Southland Tales director Richard Kelly, that third flick is -- after a long gestation period -- finally coming together. According to Variety, veteran character actor Frank Langella will be joining Cameron Diaz in the horror film The Box. The trade paper says Langella will play "a stranger who presents a mysterious box to a woman." How's that for a killer role?

But Variety also reminds us that The Box is based on an old Richard Matheson story called Button, Button. (The basic premise is this: You're given a magical box and if you press the button, you become rich -- but a total stranger will die. You may remember this story from an episode of the "new" Twilight Zone that ran in the late '80s.) Although Eli Roth used to be connected to this project (as a writer, I believe), it now looks like it's Kelly's show all the way. When Cinematical interviewed Kelly at Fantastic Fest, he had this to say regarding The Box: "But my next movie is a psychological thriller, it's PG-13, has a mainstream concept, and it's something the studio is much more comfortable in committing to right away, telling us they'll put it on 2500 screens." So it's a horror film, but we're talking Vacancy 1408 horror here. In addition to directing, he'll be adapting the Matheson story. Production gets underway in the middle of next month.

And just in case you forgot, another Matheson adaptation -- I Am Legend -- hits theaters in December.

One of the surprises at this year's Fantastic Fest in Austin was the first public screening of the recut version of Southland Tales, which will be released in theaters starting in November. The film was written and directed by Richard Kelly, and a longer, unfinished version premiered at Cannes in 2006. Kelly is probably best known for his previous film, Donnie Darko, although since then he also wrote the script for Domino. Kelly attended the Fantastic Fest screening of Southland Tales, and Cinematical was able to sit down with him for a few minutes before he left Austin. (And yes, that's the actual Bone Shack sign from Planet Terror/Grindhouse that he's standing under, in the photo above.)

Cinematical: What made you decide to bring Southland Tales to Fantastic Fest?

Richard Kelly: It was Harry [Knowles, of AICN] -- Harry's been a great friend over the years. This is the first time anyone's seen the finished version, and we wanted to show it to the right audience, and at this festival people are very receptive to adventurous material. Harry had a great way of summing it up: he said it was a "science-fiction noir thriller." I love that description, because it crosses different genres. And for me, it's a comedy. We literally just finished it, and we weren't ready for Toronto -- we didn't know if Toronto was the best place, but Fantastic Fest felt right.

Cinematical: The version we saw here in Austin is the one that will be in theaters in November?

RK: Absolutely.

It's just about time to see if Richard Kelly's Southland Tales was made into anything worth seeing. As we all know by now, the Cannes crowd hated it when it was first screened, damage control claimed that it was unfinished, and Kelly then re-edited it into the version that will be released on November 9. Now the filmmaker is focusing on work beyond the Tales, and Variety is reporting that he has joined his producing partner Sean McKittrick and financier Ted Hamm to form his own production company -- Darko Entertainment. The company plans to back "modestly-budgeted, director-driven films."

The first film listed under the banner is Kelly's Tales, while the first movie to start production under Darko is a flick called Dirty Girl, which will be helmed by Abe Sylvia. After that is The Box -- Kelly's psychological thriller that stars Cameron Diaz. McKittrick says: "Our goal is to get behind filmmakers with unique voices and take advantage of the Darko brand to help independent films reach a much wider audience." This begs the question: will Kelly's future work not have the surprising, mood-changing edits, since they want to help unique voices? He got to where he is right now because of the huge edits on Donnie Darko, and I doubt the film would've been half as big if our first serving of Darko was the Director's Cut.