the coen brothers Tagged Articles at Cinematical
When Remakes Look Awesome: Zhang Yimou's "Blood Simple" Redo Has a Trailer, Rap Song
Filed under: Comedy », Foreign Language », Sony Classics », Remakes and Sequels », Trailers and Clips »
The term remake has predominantly negative connotations, but once in awhile we see proof that a redo can be a good thing. Just look at Werner Herzog's new film, Bad Lieutenant: Port of Call New Orleans, which isn't quite a remake of Abel Ferrara's Bad Lieutenant so much as it's a stand-alone sequel or simply another filmmaker's take on the same sort of character explored in the original. It's enough to make me wish we could have seen what Spielberg and Will Smith's version of Oldboy would have looked like.
And here's another perfect example of a good remake: Zhang Yimou's version of the Coen Brothers' neo-noir cult classic Blood Simple, which Peter excitedly wrote about back in July. The film now has a title, The First Gun (aka Amazing Tales: Three Guns), and an international trailer, which shows us just how different Zhang's version is. The Chinese filmmaker, acclaimed for numerous Oscar-nominated films, whether recognized in the foreign, cinematography or costume categories, recently confirmed that he added a lot of things and changed the whole tone from the Coens' version.
"We brought in a lot of comedic elements and changed the relationship and personalities of the characters," Zhang told Chinese website Sina.com.
Scenes We Love: Miller's Crossing
Filed under: Classics », Noir », Mystery & Suspense », Scenes We Love »
In the Great Coen Debates that occur among film fans, there's one that I never feel gets enough love: Miller's Crossing. It's probably my favorite next to The Big Lebowski. The film is deliciously dark and dreary (you can watch this in summer and still feel cold), but punctuated by that startling Coens humor. The dialogue and character quirks are not as exaggerated as they are in other Coen films, and when a character does get theatrical, it's appropriate to the setting. These are thugs who find themselves in positions of great wealth and power, after all, and they'll never know quite how to behave in the real world.
The film has a level of tension I don't think the Coens matched until No Country For Old Men. Tom's white-knuckle walk into Miller's Crossing is probably my favorite scene (actually, it's difficult to pick just one), but it doesn't appear to be on YouTube. So, here's another moment of violence that just doesn't go the way you think it will, and features the best use of Danny Boy in history. I really want to believe that the gramophone is a nod to Sean Connery's death scene in The Untouchables, but I suspect it's a noir standard that ushered many a mobster and cop into his grave.
Josh Brolin and Matt Damon to Star in Coen's 'True Grit' Remake
Filed under: Action », Classics », Drama », Casting », Newsstand », Remakes and Sequels », Western »
It's impossible to top an icon like John Wayne, but the Coen Bros' True Grit is shaping up to have a better supporting cast than the original did. (Hey, Wayne supposedly didn't like Kim Darby either.) Variety has just announced that Matt Damon and Josh Brolin are in talks to join Jeff Bridges in the Coens' remake. Bridges will play Rooster Cogburn, while Damon is in talks to play La Boeuf, the Texas Ranger who pairs up with Cogburn and Mattie. I'll probably anger the Glen Campbell fans out there, but I think this is a vast improvement over the original casting. I can actually buy Damon as a Texas Ranger.
Brolin will be taking a walk on the nasty side, as he'll be playing Tom Chaney, the man who gunned Mattie's father down for the gold he had in his saddlebag. While Chaney wasn't the most pleasant fellow in the original, there's no doubt that Brolin will increase the menace and nastiness. I think we can all agree Brolin has done no wrong since his No Country For Old Men comeback, and this is the kind of role that'll be delicious to watch him tear into. The film is set to go into production in March 2010, and the Coens won't waste any time in the editing room as it's slated to be released in late 2010.
Review: A Serious Man
Filed under: Comedy », Drama », New Releases », Theatrical Reviews »
By: Monika Bartyzel, reprinted from the Toronto International Film Festival 9/12/09
This is the dark comedy that Joel and Ethan Coen have been working towards. A Serious Man is the culmination of their lives, reminiscent both of their own suburban childhoods in the '60s, and of their cinematic successes over the last twenty-five years. It grabs the magic of local flavor and charm we saw in Fargo with a cast widely filled with unknown names (that pack as much of a cinematic punch as any star-studded roster you can think of), to the rapidly escalating drama of Burn After Reading. A Serious Man is cohesive and slick from stem to stern. It's serious about the craft of storytelling, both in form and function, with a dedication to characterization, pitch-perfect performances, and a cinematic backdrop that is both severely nostalgic and completely immersive.
In many ways, A Serious Man is a modern-day Candide. But rather than a hapless hero who is continually undaunted by the neverending drama that plagues him, the Coens' hero isn't a ray of sunshine. Larry Gopnik (perfectly embodied by renowned stage actor Michael Stuhlbarg) is a man utterly at a loss to explain his life's severe turn for the worse; he is a man desperate for answers. The classic Candide optimism shines down in the form of the rabbis he consults with as he tries to make sense of things. But rather than sage advice, they deliver wholly inadequate responses to life's trauma that don't speak at all to the nature of Larry's life.
Fan Made: The Coen Bros Cross Stitch
Filed under: Comedy », Fandom », Fan Made »
Nothing says the Coen Bros like cross-stitch -- and not just because of that famous Fargo poster. I'm not surprised their retro stylings have inspired fans to pay homage by picking up the needle, and engaging in some antique art forms.
The above was actually found by Scott Weinberg, who sent it to me when I pitched yesterday's Big Lebowski discussion to him. It comes by way of Flickr and was made by a very talented individual known only to us as "Gillyweed25." She created it using an antique French cross stitch pattern ... and I admire how the flowers not only tie into the design, but also censor it for sensitive viewers. It's so retro and calm, and would really tie a room together.
And speaking of that homely Fargo poster, it too has been recreated by a blogger named Spazzmanda, who had her creation featured on Craftzine. It's spot on, right down to the border.
I haven't come across anything from Raising Arizona, Miller's Crossing, or O Brother Where Art Thou yet. So maybe I'll practice my own needlework skills by stitching "I must have been an antelope or an ibex" onto a pillow.
The above was actually found by Scott Weinberg, who sent it to me when I pitched yesterday's Big Lebowski discussion to him. It comes by way of Flickr and was made by a very talented individual known only to us as "Gillyweed25." She created it using an antique French cross stitch pattern ... and I admire how the flowers not only tie into the design, but also censor it for sensitive viewers. It's so retro and calm, and would really tie a room together.
And speaking of that homely Fargo poster, it too has been recreated by a blogger named Spazzmanda, who had her creation featured on Craftzine. It's spot on, right down to the border.
I haven't come across anything from Raising Arizona, Miller's Crossing, or O Brother Where Art Thou yet. So maybe I'll practice my own needlework skills by stitching "I must have been an antelope or an ibex" onto a pillow.
The Coen Bros Remaking 'True Grit'
Filed under: Classics », Deals », Paramount », DIY/Filmmaking », Newsstand », Steven Spielberg », Remakes and Sequels », Western »
Fill your hands you ... well, you know the line. You probably know this movie line by line, and your heart still leaps to see Rooster Cogburn flip that Winchester. So the news that True Grit is getting remade by Joel and Ethan Coen will either fill you with rage, excitement, or put you squarely into Swiss territory. According to Variety, the Coen Bros aren't aiming for a traditional remake -- they want to return to the original Charles Portis novel, and make a more faithful adaptation. Their version will be told from Mattie's point of view, as the original novel is, and keep Cogburn as a side player. The Coens will undoubtedly amp up the Biblical tone and include the darker elements ... like what really happens to her after the snakebite.
Plans to remake True Grit have apparently been in the works for some time -- it originally begun at DreamWorks, but was left behind when Steven Spielberg and his shingle split with Paramount. Undaunted by the task, the Coens are tackling it before their adaptation of Michael Chabon's The Yiddish Policeman's Union.
So, what else can you say? It's the Coen Bros, who will undoubtedly tackle a period Western as ably as they did a modern, revisionist one. On the other hand, it's John Wayne. It's the movie he won his only Oscar for. Do you dare touch it? I'm veering somewhere between neutral and excited myself, while simultaneously praying I don't live long enough to see anyone remake The Outlaw Josey Wales.
*By the way, did you know True Grit's screenwriter, Marguerite Roberts, was from Colorado -- my home state. It was also filmed here. I honestly never knew this. I feel something akin to civic pride now.
2 New Character-Centric 'Burn After Reading' Trailers
Filed under: Focus Features », Brad Pitt », Movie Marketing », George Clooney », Cinematical Indie »
There may not be much footage that we haven't already seen in either the original red-band trailer or the international teaser for the Coen brothers' Burn After Reading, but I noted enough bits and pieces to feel these two new videos worthy of sharing. Plus, for those of you who have a preference, George or Brad, you now have a trailer that fits you best. Personally, I'm hoping that the ladies, Frances McDormand and Tilda Swinton, get their own character-centric trailers. And while Focus Features is at it, how about individual spots for John Malkovich? Heck, give Richard Jenkins, J.K. Simmons and David Rasche each their own, too. I'm that excited about this movie that I want more, more, more.
Fortunately, we've only got about a month until Burn After Reading opens on September 12.
The Coen Bros. Learn a Little 'Yiddish'
Filed under: Drama », Deals », Mystery & Suspense », Sony »
Well nobody can deny that it has been a good year for the Coens. With awards and honors flying fast and furious for their adaptation of No Country for Old Men, the brothers have lined up their next literary adaptation. Variety reports that the Coens have purchased the screen rights to Michael Chabon's novel, The Yiddish Policeman's Union for Columbia Pictures.Chabon's award-winning novel is a detective story set in an alternate history. In the events following World War II, a temporary Yiddish-speaking settlement for Jewish refugees is established in Alaska in 1941. The story also incorporates the (fictional) destruction of the State of Israel in 1948 after an unsuccessful struggle for independence. Chabon's story focuses on "...a contemporary scenario where Jewish settlers are about to be displaced by U.S. government's plans to turn the frozen locale of Sitka, Alaska, over to Alaskan natives. Against this backdrop is a noir-style murder mystery in which a rogue cop investigates the killing of a heroin-addicted chess prodigy who might be the messiah."
The Coens will be working with super-producer Scott Rudin on the film. Rudin has already developed three other books from Chabon; the first was Wonder Boys back in 2000, and Rudin is also developing an adaptation of Chabon's Pulitzer Prize-winning The Amazing Adventures of Kavalier & Clay, which Chabon scripted for Paramount. The Coens will get to work on Union just as soon as they have finished shooting the dark comedy A Serious Man. So there is still plenty of time if you are one of those people who'd like to read the book first.
Cinematical Seven: Favorite War Veteran Characters
Filed under: Comedy », Drama », Steven Spielberg », Cinematical Seven », Lists », War », Western »
Today we salute the military veterans who have either served in wartime or in peace. I think technically Veteran's Day specifically honors war veterans, but I don't see why the non-combat military personnel needs to be excluded. Still, in the movies, it's the war vets that are most memorable, and on this holiday, I'd like to present my list of seven favorites.
Obviously this list isn't comprehensive -- in fact, I don't feature any examples of the now-stereotypical Vietnam vet character, which would include Tom Cruise in Born on the Fourth of July or Gary Senise in Forrest Gump. This is just a list of characters, positive and negative, that I prefer and which I think somewhat represents the wide and diverse scope of war vets.
"Homer Parrish" from The Best Years of Our Lives (1946, William Wyler)
About fifty years before Robert Zemeckis was digitally removing Gary Senise's legs to make him the disabled vet Lt. Dan of Forrest Gump, William Wyler directed a real amputee veteran named Harold Russell as the handicapped character Homer Parrish in this movie about the difficulty of coming home following World War II. Russell actually won an Oscar for his performance as Parrish, a former high school quarterback who returns to his childhood sweetheart, with whom he's engaged and for whom he no longer feels good enough. The actor/character has hooks for hands and appears in some sappy, obligatory scenes where he has trouble with them, but he ends up a guy that is beloved more than pitied, and it's almost easy to forget he has the handicap, especially after hearing him play piano with the false limbs.
Review: Paris Je T'Aime
Filed under: Comedy », Drama », Horror », Sci-Fi & Fantasy », New Releases », Theatrical Reviews », Shorts », Tech Stuff », New in Theaters »
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Having just come off the Tribeca film festival, I should be perfectly attuned to an experimental short film anthology like Paris Je T'Aime, (Paris, I Love You) and some segments of it are definitely enjoyable, but the overall hit-miss ratio is too low to ignore. This, despite a juggernaut talent bench that includes the Coen brothers, Wes Craven, Natalie Portman, Maggie Gyllenhaal, Alfonso Cuaron, Nick Nolte, Miranda Richardson, Bob Hoskins, Elijah Wood, Steve Buscemi, Gus Van Sant and Juliette Binoche. In fact, these are only a few of the notable performers and directors who contribute to the 18 shorts, only a few of which actually intersect with the others. My favorite of the lot is the one that the Times' Stephen Holden declared to be the worst: a snappy little love note to Parisian vampires titled Quartier de la Madeleine. Starring Olga Kurylenko as a classic vampire with opaque, milky eyes who is interrupted in the midst of her work by Elijah Wood, it's a beautifully photographed little love story with lots of blood that seems made of melted pink plastic.
Strangely enough, that's not the short directed by Craven (even though he makes a cameo in it -- how could he not?) Craven's entry is Pere-Lachaise, focusing on a visit to that famous cemetery -- where Oscar Wilde, Marcel Proust and Jim Morrison are buried -- by a squabbling couple played by Rufus Sewell and Emily Mortimer. Just when Sewell's character has run out of things to say, the ghost of Wilde actually shows up to give him some advice. Like many of the films, however, it feels like a 30-minute short that was cut down to about one-third of that time in order to squeeze it into this crowded phone-booth of a feature format. If you don't pay careful attention, you might actually miss Wilde's appearance and wonder what happened to wrap up the segment. Still, the acting drags it over the finish line. The same can be said for Quartier des Enfants Rouges, starring Gyllenhaal as an American actress shooting a costume drama in Paris and possibly falling for her Parisian dope dealer.
Indie Roundup: 'Sweetgrass,' 'Clarkworld,' 'Broken Embraces'
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Watch: Famous 'Matrix' Scene Re-Created with LEGOs
Peter Jackson Says Spielberg's 'Tintin' is Done Filming, but...
Interracial Harmony: 'Ninja Assassin' vs. 'Blind Side'
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