the hangover Tagged Articles at Cinematical
Top 250 Movies as a Subway Map
Filed under: Fandom », Lists », Images »
Here's a different way of thinking about well-known movies: imagine each one is a stop on a subway line! Designed by David Honnorat and posted at Vodkaster, the cinematic subway map is based on the top 250 movies as voted by IMDb users on June 19 (which, I suppose, is why The Hangover made it). Honnorat created 16 different imaginary subway lines, including "Universally Acclaimed Masterpiece," "Political drama," "Drama about tolerance," "Dark and weird drama," and other, more traditional categories, and then placed each film on one of the lines. He asked: "How would you go from Alien to North by Northwest without crossing The Godfather: Part II? Which station have you not visited yet?"
The placement of movies on the map can be amusing (Quentin Tarantino's Pulp Fiction side by side with Sergio Leone's Once Upon a Time in America on the gangster line) as well as bizarre yet strangely fitting (Se7en sitting at the intersection of Vertigo, Rashomon, Nosferatu, and Let the Right One In). Click through to see the big map and roll around a bit. Like all subway maps, it's confusing at first but starts to make more sense as you follow the lines from station to station. What's your favorite cinematic subway line?
[ via Geek Tyrant ]
Monday Night Poll: How Would You Grade Summer 2009?
Filed under: Fandom », Summer Movies », Polls »
If the unofficial end of summer arrives with Labor Day Weekend, then all we've got left are a few more days to discuss the summer that was before she rides off into the sunset with her billions in box office dollars and a few more sequels already green-lit. But how does she compare to the summers of the past? A quick glance shows us that, unlike 2008, this summer we didn't get a Dark Knight or an Iron Man ... though we did get a Star Trek and a Transformers: Revenge of the Fallen. We didn't get a Wanted, a Hellboy 2 or an Incredible Hulk, but we did get some smaller, smarter sci-fi films like Moon and District 9. Pixar came through yet again, but the rest of this summer's animation slate seemed pretty weak. Same goes for comedies, with the exception of The Hangover, which kinda made up for the disappointing Land of the Lost, Funny People, I Love You, Beth Cooper, I Hate Valentine's Day, The Ugly Truth and The Goods. Sam Raimi returned with a pretty awesome horror flick in Drag Me to Hell, though, and Harry Potter rolled in with what was perhaps his most entertaining installment of the franchise. G.I.: The Rise of Cobra surprised some with its fun, cheesy vibe, and Wolverine did just enough to score himself another go-round in Japan.
Discuss: Summer 2009 Fun Facts
Filed under: Action », Animation », Comedy », Drama », Horror », Independent », Romance », Sci-Fi & Fantasy », Thrillers », Mystery & Suspense », Family Films », Remakes and Sequels », Lists », War », Summer Movies »
So here we have it, the summer movie season finally winding down, and maybe it's just us, but a couple of peculiar trends have cropped up since May that we thought were worth bringing to light. For starters, we've only further elaborated on Eric's early indicator that puking was 'in' this year (seriously, it's gotten to be a pretty considerable theme), and as for the rest, you can check them out after the jump. Some spoilers follow. And if there are any corrections or additions to be made, please pipe up in the comments, and do so gently.
'The Hangover' Is the Biggest R-Rated Comedy Ever
Filed under: Comedy », Box Office »
If you saw The Hangover this weekend, congratulate yourself! Not only did you finally learn why everyone in America has been laughing when they think of babies being injured, you also helped contribute to the film's new status as the highest-grossing R-rated comedy of all time, with a total of $235.9 million (and still going strong). What's especially impressive is that the previous record-holder had held the top spot for almost 25 years: It was Beverly Hills Cop. That film made $234,760,478 back in 1984 and '85, and for a quarter-century no R-rated comedy could top it. The closest anything came was Wedding Crashers, which made $209.3 million in 2005.
The Hangover, directed by Todd Phillips, is #3 among R-rated movies of all genres, behind Passion of the Christ and The Matrix Reloaded, neither of which are comedies, at least strictly speaking. It would have to make another $46 million to surpass Matrix Reloaded, and that probably isn't in the cards, so it will have to content itself with being #1 in the R-rated comedy department. It will probably hold that record for a while, too -- of the top 20 R-rated movies of all time, only six are comedies. Strangely, none of them have Judd Apatow's name attached, either. Can we start a feud between Phillips and Apatow?
If you're wondering how The Hangover stands among comedies of all ratings, forget about it. About a dozen G- and PG-rated animated comedies have made more money, not to mention live-action comedies like Night at the Museum and Home Alone. The R-rated comedy is a genre unto itself, and that's where The Hangover reigns supreme.
Weekend Box Office: Let's See What This Mr. Potter Can Do
Filed under: New Releases », Box Office »
Harry Potter and the Half-Blood Prince is only the second Harry Potter film to open on a Wednesday, after 2007's Order of the Phoenix. By the Sunday of its opening weekend, Order of the Phoenix was looking at a pretty impressive $140 million, on its way to being the year's 5th highest grosser, and a solid #2 in the franchise. By the Sunday of its opening weekend, Half-Blood Prince has $160 million in its coffers, as well as a slew of rapturous reviews and positive fan responses. (Well, mostly. There will always be whining from Rowling purists who don't know what an adaptation is.)That raises a real possibility that Half-Blood Prince could dethrone current domestic franchise king Harry Potter and the Sorcerer's Stone, which holds the top spot with $317 million. At the very least, it looks like it might be the only movie other than Transformers: Revenge of the Fallen to break the $300 million mark in 2009. (Transformers itself is already at $363 million -- #13 of all time! Christ!* -- and is looking unbeatable.)
Brüno took the tumble that its front-loaded opening weekend suggested (it made more than half its first weekend gross on the Friday of its release), dropping over 70% to fourth place. It will end up with around half of Borat's $129 million final number. The other summer comedies in circulation, The Hangover and The Proposal continue to hold up very well, with the former boosting from #6 to #5 in its seventh week of release.
(500) Days of Summer, opening on 27 screens in advance of a steady expansion in the coming weeks, got off to a promising 12th place start with a per-screen average over $30K.
The full top 12 after the jump.
Weekend Box Office: 'Revenge of the Fallen' Defines Critic-Proof
Filed under: New Releases », Box Office »
Well, don't we all feel a little silly. Transformers: Revenge of the Fallen, the movie that received the most hysterically negative reviews of 2009 opened to by far the year's biggest numbers -- $201 million since Wednesday, according to estimates. That's just a couple million shy of the first-five-days-of-release record set by The Dark Knight, though that movie opened on a Thursday. (It's tough to truly compare opening weekends of mega-blockbusters these days, since God knows on what day of the week they all hit theaters.) I hope everyone is looking forward to Transformers 3, where Autobots will discover fart jokes.The only movie to dare take on Revenge of the Fallen in wide release, was the Nick Cassavetes weepie My Sister's Keeper, which opened to a respectable $12 million -- almost as strong as Cassavetes' The Notebook, though unlikely to be carried to an $80 million cume by good word-of-mouth. Year One took a big tumble, falling off 70% its middling opening; I guess Michael Cera and Jack Black aren't quite the automatic draw that battling cyborgs are. And The Hangover continues to ride a wave of audience goodwill; it will likely have reached $200 million by this time next weekend.
As for your weekly Up v. Finding Nemo update -- it's still neck-in-neck, with Nemo ahead by about $3 million after five weeks of release. If this weekend's heftier drop-off for Up is any indication, it may be starting to lose a little steam, which would mean that Nemo would get to hold on to the Pixar crown.
The full top 10 after the jump.
The Hot, Wet Movie Trend of 2009: Puking
Filed under: Fandom »
As 2009 approaches its halfway mark, it's a good time to reflect on the cinematic themes we've seen represented so far. Given the current economy, it's no surprise that banks and financiers have been villainized in movies such as Drag Me to Hell and The International. Perhaps we're tired of babies, too, as infants have been harmed or endangered for comic effect in Dance Flick and The Hangover. But the most prevalent theme in all of Hollywood this year? Vomit. Chunky, steamy vomit. I don't know if so many movies with puke scenes have ever appeared in one year. And I'm not talking about where a character is seen discreetly from behind, kneeling over a toilet and ralphing, with no barf actually visible. That sort of thing is relatively common. No, I'm talking about scenes where we actually see the vomit as it's spewed from the person's mouth, graphically and in color. That's a lot rarer. Yet so far in 2009 it's happened in Adventureland, The Haunting in Connecticut, Drag Me to Hell, Observe and Report, The Hangover, Year One, and My Sister's Keeper. And wow, the first four of those seven all played at South By Southwest. Fixated much, SXSW programmers??
The causes of the chundering vary from film to film. In My Sister's Keeper and The Haunting in Connecticut, it's cancer-stricken teenagers suffering from nausea. Year One has its heroes afflicted with motion sickness (eating the poop didn't bother them at all), and I believe that's what makes an amusement-park customer hurl in Adventureland, too. Drag Me to Hell has a woman (possibly a hallucination) vomiting maggots on somebody. In the other movies, it's good ol' drunkenness or hungoverness.
Weekend Box Office: 'The Proposal' Wins a Busy Weekend
Filed under: New Releases », Box Office »
It may have seemed like an "off" week by summer standards in terms of releases, but two debuts and two strong holdovers meant that four films grossed $20 million or more, which is rare for a non-holiday weekend. The top dog, surprisingly, turned out to be The Proposal, which rode a genial marketing campaign and a set of sneak previews to $34 million dollars -- Sandra Bullock's best opening weekend ever, by far. (Related question: did Bullock "open" this movie? I'm inclined to think not, though it's a perfect role for her.)Year One is a bit tougher to read. Certainly with the Cera/Black/Ramis combination, it was expected to open bigger. Generally poor reviews didn't help; I haven't seen the film, so I'm a bit handicapped in the analysis. If I had to guess, I'd say that people saw it as a bit of a novelty item. Silliness can be hard to sell if it's not low-brow.
But the weekend's real story, I'd say, is once again The Hangover, which stuck around in second place after dropping less than 20% in its third weekend. It's hard to find a precise analogue for it at this point; Box Office Mojo stretches with "R-rated summer comedy breakout," which category it will dominate after it speeds ahead of Wedding Crashers in about two weeks. The movie did add nearly 200 new screens; still, when people talk about word-of-mouth giving a movie legs, this is what they're hoping for.
Meanwhile, Up is now pretty much running neck-in-neck with Finding Nemo for the title of highest-grossing Pixar release. It will be close.
The full top 10 after the jump.
Discuss: Is the Star System Dead?
Filed under: Box Office »
To some, it was a surprise upset: the week-old The Hangover outgrossed the brand-new The Taking of Pelham 1 2 3. Or, in other words, the film with no stars beat out the film with two humongous stars. It's easy to look back over the past 12 months and find similar trends. Star Trek is currently the year's biggest smash, with no stars. (I'm using the term "stars" here very loosely; I'm talking, big, big stars, known the world over.) Likewise, Slumdog Millionaire, Up and Watchmen were all big hits with no big stars. We could argue that stars like Hugh Jackman, Tom Hanks, Ben Stiller and Christian Bale have been in hits this summer, but you could also argue that they're all in sequels that have sold because of other factors.Some stars seem unstoppable. Will Smith, for example, rarely stars in a film that grosses less than $100 million, and when he does, he gets an Oscar nomination for it; the exception, last year's Seven Pounds, even managed to turn a profit despite the fact that nobody liked it and it disappeared before anyone could blink. And you could hardly argue that Gran Torino would have been much of a film without Clint Eastwood. Indeed, most of the big hits of the past year and a half have had big stars in the cast, but relying on a star and a star alone to carry your film seems to be a thing of the past. There needs to be a big concept or a selling point that's as big or bigger than the star. What do you think, dear readers? Is the star system obsolete? Are there stars you adore so much you'll see anything they're in? Or do you go to the movies for other reasons?
Weekend Box Office: 'The Hangover', 'Up' Hang On
Filed under: New Releases », Box Office »
The Hangover is officially the summer's biggest breakout hit. Its closest analogue is Wedding Crashers, which, four summers ago, was carried by positive word-of-mouth to a final gross nearly seven times its opening weekend. The Hangover has bigger raw numbers, but its second weekend drop -- 25% -- is comparable. For a film that opened to $45 million, and without any sort of holiday boost, that's pretty remarkable. It will have some competition next weekend in the form of Year One, but it may not matter much; its word-of-mouth appears to be the stuff that dreams are made of.Pixar's Up is also going gangbusters in second place. It is now running a mere $4 million behind Pixar box office champion Finding Nemo. At this point it's anybody's game.
The weekend's two wide openers -- The Taking of Pelham 1 2 3 and Imagine That Imagine That opened pretty much to expectations. Pelham did a respectable $25 million, which is pretty close to previous Denzel Washington-Tony Scott collaborations (Man on Fire and Deja Vu). And Imagine That's $5.7 million pretty much precisely mirrors the opening of Eddie Murphy's Meet Dave this time next year. Murphy really needs to do something to shake things up a bit.
The full top 10 after the jump.
Jeremy Renner Wants To Be An Avenger
Directors We Love: Jim Jarmusch
Indie Roundup: 'Sweetgrass,' 'Clarkworld,' 'Broken Embraces'
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Watch: Famous 'Matrix' Scene Re-Created with LEGOs
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