the happening Tagged Articles at Cinematical

When we were kicking around ideas for year-end superlative Cinematical Sevens, I was proudly tasked with chronicling the year's finest in big-screen mayhem, violence, destruction and other such shenanigans. When I was kicking around ideas for said feature between me, myself, and I, there were too many titles to leave off the list, so instead of highlighting only a mere couple of movies, I've opted to sort these puppies out by specific manner of cinematic excess.

So there.

1. Most pervasive destruction - The Joker may have terrorized Gotham to the tune of a destroyed hospital, a wrecked helicopter, a sunken SWAT truck, a toasty fire engine, and a golden district attorney, but even he can't top the Cloverfield monster's swath of destruction across the real-life Gotham. Statue of Liberty? Gone. Brooklyn Bridge? History. Central Park? Adios. And that's not including all the Hollister stores that our protagonists might've fled to. (On a smaller scale, though, Inside's lady in black terrorizes a pregnant woman on Christmas Eve to the point of all but painting every last wall in her house with the blood of her victims. Gotta love the French!)

As the season marches on, 'for your consideration' ads litter the trades and various awards analysis websites. However, there aren't nearly enough campaigns for the year's worst performances.

You have your obnoxious kids (Jaden Smith in The Day The Earth Stood Still, Logan Lerman in Meet Bill). You have your touched individuals who straddle the line between functional and, ahem, 'full retard' (Sophie Okonedo in The Secret Life of Bees, Omar Benson Miller in Miracle at St. Anna, David Morse in Hounddog). You've got your guys that give 'insane' a bad name (Jason Butler Harner in Changeling, Donny Osmond in College Road Trip), and you've got your girls that give English a bad name (Ahney Her in Gran Torino, Natalya Rudakova in Transporter 3).

Oh, and then there's just about the entire cast of The Happening. (If I had to pick just one person, though, I'd go with the gardener who babbles on about hot dogs. The man's priceless.)

So, unless we're about to let Witless Protection sweep the Razzies, what were some of your least favorite performances of the year?

In honor of the Thanksgiving holiday that nears, it seemed only fitting that our minds turned to those films for which we are most unexpectedly grateful, those flops and duds, those bombs and turkeys rife with unintentional humor and renewed entertainment values. Now, we've pretty much stuck with the past decade or so with our picks; anything before that has either been done right by MST3K or is probably titled Showgirls.

With that said, please enjoy this Cinematical Seven responsibly, and do feel free to contribute your own personal favorite howlers of late in the comments below...

1. Twilight (2008)

Oh, dear God, I'm kidding. J/K!

Above: You Don't Mess with the Zohan, The Happening, Sleeping Beauty

You Don't Mess with the Zohan
Adam Sandler wandering into topical territory, actually making sense, and stll making the funny? I was surprised too! Don't worry, he still packs in plenty of juvenile gags about the outlandish size of his package and drags in every ancient ethnic stereotype possible, but as an Israeli intelligence operative who wants to become a hairdresser, he pulls off the neat trick of creating a completely silly character in a wish-fulfillment scenario that, well, nearly everyone wants to see. Rent it. Available rated (theatrical cut) on a single-disc DVD and unrated in single-disc and double-disc DVD editions. The Blu-ray includes both the rated and unrated versions.

The Happening
Maybe the inclusion of "over 1 hour of intense bonus footage not shown in theaters!" -- extended versions of "Lion Attack" and Survivalist Porch" among them -- will convert me. Maybe I'll watch M. Night Shyamalan's first R-rated horror flick again some day to see if it still makes me roll my eyes and laugh out loud at scenes that were evidently intended to make me shiver in my seat. Maybe one day pigs will fly. Skip it. Available on DVD and Blu-ray with deleted scenes and "making of" features.

Sleeping Beauty
Scott Weinberg has already written about the awesomeness of the new edition of Disney's animated treasure on Blu-ray. This is a classic no-brainer, a movie that both young and old can dip back into time and again. Buy it. Available on DVD and Blu-ray.

After the jump: Indies on DVD, Blu-ray, and Collector's Corner. Join us, won't you?

Notwithstanding the best attempts of some to smear Wall-E as being somehow hypocritical or disdainful of consumers, the little robot gave Pixar the third-best opening weekend in its history, behind The Incredibles and Finding Nemo (and roughly tied with Monsters, Inc.). Its $62.5 million take was on par with expectations, though the lack of the usual family film Saturday and Sunday bump suggests that Wall-E attracted an impressive number of kidless Friday night moviegoers. And that bodes well for the weeks to come: the movie is quite sophisticated and not all that toddler-friendly, so word-of-mouth among adults will be key.

Given Wall-E's apparent cross-demographic appeal, one might have expected Wanted to struggle a bit as the weekend's "adult counterprogramming," but nothing doing: at $51.1 million and a strong second place, we may have a new franchise on our hands. The two combined to make this the strongest three-day weekend of the summer at the box-office overall; in fact, to find a higher combined top 12 gross, we have to go back to Memorial Day 2007 and the debut of Pirates of the Caribbean: At World's End.

The rest of the chart looks unremarkable. The Love Guru dropped almost 61% to 6th place, prompting the unsurprising conclusion that the Guru Pitka didn't connect with summer audiences. The Incredible Hulk continues to run behind Hulk, ruling out the possibility that it will have the staying power to do appreciably better than the embattled 2004 film. Wall-E gave Kung Fu Panda its first significant hit, dropping it to 4th place. Indiana Jones will break $300 million by the end of Monday, if Sunday's final numbers don't push it past the milestone. And The Happening looks like it will top out around $70 million.

The full numbers after the jump.

Both of last week's new releases dropped like a rock to make room for Warner Bros.' Get Smart, which landed smack in the middle of expectations with a nice $39.2 million bow. As many people guessed, toxic word-of-mouth on The Happening led to a steep drop -- 67% -- and a fifth place, $10 million finish for the Shyamalan thriller. The $50.3 million cume is far from an embarrassment, but the descent is hopefully a signal to the filmmaker that he needs to, if not go back to the drawing board, at least steal a glance at it.

Slightly more surprising is the 61% drop for The Incredible Hulk, which finished third with $21.6 million. That's a measurable improvement on the 69.7% hit that Ang Lee's Hulk took in 2003, but the new film is still running behind the old one, and its lack of legs in a summer where big movies (Iron Man, Indiana Jones) have held up admirably might be an indication that the "less arty" reboot didn't solve the problem with the franchise, whatever that may be.

I can't bring myself to type that headline; I'm sorry. First of all, every other movie website has used it already, and it wasn't that clever to begin with. Second, it's not really true: The Incredible Hulk did have a solid $54.5 million first-place finish, but it was The Happening -- which Hulk is supposed to have "smashed" -- that really exceeded expectations, cheerfully sitting in third place with $30.5 million. That's M. Night Shyamalan's third-best opening weekend ever, and the equivalent of the director holding up a sign reading "Not Dead Yet." If the annoyed groans I heard when the credits rolled at my opening night showing are any indication, word-of-mouth won't be good, so I wouldn't expect the film to approach the $100 million mark.

The opening for The Incredible Hulk is about right. Ang Lee's "artsy" Hulk opened to $62 million back in 2003, and maybe the "reboot" is to blame for the Hulk-to-Hulk decrease. But by all accounts, this version should be more appealing to the masses, and so should do well in the weeks ahead. In other news, Iron Man should cross the $300 million mark in the next few days, ahead of Indiana Jones and the Kingdom of the Crystal Skull.

The weekend numbers after the jump.

Well, my defense of M. Night Shyamalan certainly struck a nerve last week. The thread generated the expected disagreements and the occasional vaguely racist mocking of the man's last name but it also, as a commenter pointed out, served as a sort of support group for the strong minority who admire his recent work. There was enough interest in the conversation that I thought I'd follow up by offering this space to discuss this weekend's The Happening, which looks headed for a respectable $30 million-ish opening despite predictably middling reviews.

Our James Rocchi liked the movie, and I offer my abbreviated thoughts after the jump. If you haven't seen it, beware of spoilers.

In the Hollywood variation on a classic proverb, whom the gods would destroy they first make successful. So it's been for writer director M. Night Shyamalan, where the breakout success of The Sixth Sense first suggested he could do no wrong and then his later films suggested, in dribs and drabs, that he in fact could. The minor missteps in the otherwise-watchable Unbreakable, Signs and The Village were one thing; eventually, Shyamalan's status as a unquestionable talent culminated in Lady in the Water, a textbook example of what can happen when a filmmaker becomes so used to proceeding without supervision that they go right off the steep cliffs of self-indulgence with a full head of steam.

However, it seemed that even M. Night knew this, and looked to be retrenching with The Happening, promising us R-rated chills and thrills and goosebumps. And after actually seeing The Happening, it has to be said that the film's a perfectly fine summertime chiller, one that avoids the excesses and errors in judgment that unmade Lady in the Water but also one without the vision and excellence of The Sixth Sense. It's not that The Happening is bad, as such -- although there are a few fairly off moments in it -- it's more that I found myself wishing, on more than one occasion, that Shyamalan could forget about plucking the audience's heartstrings and instead just keep going for the jugular. I wanted The Happening's tension at a higher pitch so that I wasn't puzzling over plot holes and questionable character decisions while actually sitting in the theater; The Happening simmers when you want it to boil, smolders when you want it to burn.

The animated family film Kung Fu Panda proved to be the favorite last week, though the Adam Sandler comedy You Don't Mess With the Zohan didn't do too shabby either. The two films led the way for the second biggest June weekend in box office history.

1. Kung Fu Panda: $60.2 million
2. You Don't Mess with the Zohan: $38.5 million
3. Indiana Jones and the Kingdom of the Crystal Skull: $22.7 million
4. Sex and the City: $21.2 million
5. The Strangers: $8.9 million

Two huge releases this week, each of which represents a comeback of sorts.

The Incredible Hulk
What's It All About: In the wake of Ang Lee's not so well received 2003 The Hulk, the franchise gets a reboot and the character gets back the adjective that all the 60s Marvel characters had (The Uncanny X-Men, The Amazing Spider-man, etc.). Edward Norton plays the over-irradiated Dr. Bruce Banner who, when angered, turns green around the gills and starts throwing tanks around. He is being pursued by the military which is led by General "Thunderbolt" Ross (William Hurt) and he does battle with another gamma powered mutation called The Abomination (Tim Roth).
Why It Might Do Well: There appears to be more action in this Hulk movie than the last, and as Iron Man proved not that long ago, an exciting, well produced comic book movie can be a license to print money.
Why It Might Not Do Well: While this is a more satisfyingly ferocious looking Hulk, the fact that he's a CGI creation (albeit a pretty good one) is obvious to the point of distraction. Will audiences be able to get past this?
Number of Theaters: 3,400
Prediction: $65 million