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I usually don't like kids in the movies all that much. Maybe I'm missing that maternal gene, or maybe I'm just not that into the little rugrats. But suffice to say that I sometimes have a pretty dark view of children, and that's why I love The Bad Seed -- and I especially love little Rhoda Penmark. The Bad Seed was based on William March's novel about a murderous little girl who terrorizes her family and friends, and by the time it's all said and done, she comes up with relatively respectable body count. The 1956 film was directed by Mervyn LeRoy and starred Patty McCormack as the pigtailed terror, and in spite of a tacked-on ending to satisfy the Hays code at the time, the film is still considered on of the penultimate 'creepy kid' flicks.

But what set Rhoda apart is that usually when you have murderous kids, the moral caveat is usually that they are outside the 'normal run of things', leaving our heroes to dispatch the bad guy without any hand-wringing about harming children. So most films give you kids like Damian (the Antichrist himself) or those creepy little buggers from Village of The Damned who come from another planet -- but with Rhoda, there is no one to blame but her. Although in both the film and the original book, there is an argument that she is just the victim of her family tree, but that's not exactly the same as the supernatural kids in those other horror films. There is no excuse for why Rhoda is the way she is, and she reminds you that evil can come in all kinds of packages -- and that's why to this day, the sight of her skipping away with her braids swinging remains as one of my most beloved movie villain moments.

After the jump; some of Rhoda's creepier moments and a tribute to her lasting inspiration to the macabre everywhere...

"Listen to this!" A friend pressed the ringer on his BlackBerry, and it played the theme to The Omen, "Ave Satani" by Jerry Goldsmith, which he'd assigned to a particularly heinous client of his. Another friend had, for a time, assigned a relative the unforgettable score from Halloween as composed by writer/director John Carpenter himself. And I'm sure somewhere there is someone with the theme from The Exorcist, which was written by Mike Oldfield.

Ringtones aside, there's no denying that a deft soundtrack or score can ratchet up the tension in any movie, especially one that uses droning noises and other disturbing, almost subliminal effects that can slip past the viewer and straight into our brain. Some of my favorite spooky soundtracks sure to make the hairs on the back of my neck stand on end include the above, naturally, but there are a few that need some love as well.

Read the rest at Horror Squad!

Okay, so I've never been much for the company of kids. which may make me extra-susceptible when it comes to the evil deeds and manipulations of a perfectly precious child on-screen. It's an easy button to push, though -- after all, who would ever suspect, let alone harm a vengeful little moppet?

None of that appeal escapes tomorrow's release, Orphan, and it certainly isn't the first time that horror and horseplay have mixed on film. While I'm tempted to include that little girl from [REC] (and also Quarantine, I suppose) for giving me the willies, I won't because she wasn't the chief antagonist, and the only reason I'm leaving Children of the Corn off the list is, well, I haven't actually seen that yet. And although it doesn't hit Stateside shelves until this October, keep an eye out for the very tense import, The Children.

But worry not: even with the exceptions, there's certainly no shortage of other brats to choose from.

Everybody loves evil children! Judging from its trailer, the wide release of The Unborn this weekend promises to unleash a new terrifying tot upon a nation of unsuspecting teens. But the idea of scary juveniles extends far beyond the expected audience for David Goyer's jolt-fest.

One writer suggested that the idea of evil children originated "in the biblical tale of Elisha's mockery," in which 42 small boys disrespected a prophet of God -- and were promptly torn to pieces by two bears. The silver screen featured dozens of bratty kids in the 30s and 40s (e.g. the Dead End Kids/Bowery Boys) but none as murderously terrifying as 10-year-old Rhoda Penmark (Patty McCormack) in Mervyn LeRoy's The Bad Seed (1956), a rebel yell against a conformist generation of "perfect" suburban families.

The 50s also produced Jerome Bixby's short story "It's a Good Life," featuring a three-year-old with more super powers than anyone at Marvel or DC could dream up. First adopted as an episode of The Twilight Zone (with Billy Mummy), Joe Dante added layers of suburban subversion when he used it as the basis for his segment of Twilight Zone: The Movie (with Jeremy Licht as the kid).

Which tots, tykes, and teens have terrified you? Here's my personal countdown of evil children that have inspired nightmares or, at least, made me shiver.

7. Darby O'Gill and the Little People

I was five or six years old and had never seen little people before -- I freaked out because I couldn't understand why kids my age had wrinkles and beards, and were dancing and drinking liquids my Dad said never to touch. The wailing banshee gave me nightmares, but those little people made my hair stand up.

Above: You Don't Mess with the Zohan, The Happening, Sleeping Beauty

You Don't Mess with the Zohan
Adam Sandler wandering into topical territory, actually making sense, and stll making the funny? I was surprised too! Don't worry, he still packs in plenty of juvenile gags about the outlandish size of his package and drags in every ancient ethnic stereotype possible, but as an Israeli intelligence operative who wants to become a hairdresser, he pulls off the neat trick of creating a completely silly character in a wish-fulfillment scenario that, well, nearly everyone wants to see. Rent it. Available rated (theatrical cut) on a single-disc DVD and unrated in single-disc and double-disc DVD editions. The Blu-ray includes both the rated and unrated versions.

The Happening
Maybe the inclusion of "over 1 hour of intense bonus footage not shown in theaters!" -- extended versions of "Lion Attack" and Survivalist Porch" among them -- will convert me. Maybe I'll watch M. Night Shyamalan's first R-rated horror flick again some day to see if it still makes me roll my eyes and laugh out loud at scenes that were evidently intended to make me shiver in my seat. Maybe one day pigs will fly. Skip it. Available on DVD and Blu-ray with deleted scenes and "making of" features.

Sleeping Beauty
Scott Weinberg has already written about the awesomeness of the new edition of Disney's animated treasure on Blu-ray. This is a classic no-brainer, a movie that both young and old can dip back into time and again. Buy it. Available on DVD and Blu-ray.

After the jump: Indies on DVD, Blu-ray, and Collector's Corner. Join us, won't you?

Since I am a single gal, the very thought of having my own kids is enough to send me into a terror spiral. But, the little darlings on this list aren't your every day kids; nope, these are the kids that nightmares are made of (Like Richard said, "children are almost essential to a real horror film"). But this list just isn't about children in horror movies; it's about when the children are the source of the horror. Now I'm not saying all kids are evil, but if you take this list as an example of just how bad children can get, you will never look at those trick-or-treaters on your doorstep the same way again.

1. The Bad Seed (1956)

If you are going to talk evil children, then you have to give props to one of the baddest in the bunch: Patty McCormack as little Rhoda Penmark. Directed by Hollywood vet Mervyn LeRoy (who was more famous for his sophisticated comedies than suspense thrillers), the film was based on William March's novel of the same name and focused on a little pig-tailed demon who gets away with murder (despite a tacked-on ending that gives Deus ex Machinas a bad name). Rhoda terrorizes her nice suburban mom and tortures the staff while draped in a pinafore and knee-socks. It might not be the scariest flick in the bunch, but you can't deny that she was a nasty piece of work.

2. The Omen (1976)

Sure Rhoda Penmark might have been one of the first, but when most people think of evil kids in horror flicks they're usually thinking of Damien Thorn. Besides, you can't get much worse than being the Anti-Christ. Richard Donner directed the story of an upwardly mobile couple who bring home their bouncing baby boy, and the last thing they were expecting was to have to avert an apocalypse. Throw in some serious overacting on the part of Gregory Peck and the unforgettable scene at Damien's birthday party (if you haven't seen The Omen, I won't ruin it for you), and you get a preschooler that no one in their right mind would want to mess with.

I used to think Julia Stiles was the next big thing. That was back when she seemed to star in every Shakespeare update around (10 Things I Hate About You; Almereyda's Hamlet; O). Then she somehow became better remembered as "Nicky", the deer-in-headlights character from The Bourne Identity and its sequels. Sure her part increased through the series, but all I can think of is that line, "I can send Nicky to do that, for Chrissakes." Now, I associate her with any role that's so easy even she could do it. Which certainly seems to apply with a movie in which she's just been cast, Cry of the Owl. According to The Hollywood Reporter, Stiles is replacing Sara Polley in the thriller, which makes me wonder if maybe the part is too simple for the now-very-respected Polley. "They can send 'Nicky' to do that, for Chrissakes," the actress must have thought.

Cry of the Owl is based on a novel by Patricia Highsmith (author of The Talented Mr. Ripley, which starred Bourne co-star Matt Damon) and was previously adapted by Claude Chabrol. This version will be helmed by Jamie Thraves, who directed my favorite Radiohead video, "Just", as well as videos for Blur ("Charmless Man") and Coldplay ("Scientist"; "God Put a Smile Upon Your Face"). The movie co-stars Paddy Considine (The Bourne Ultimatum) as a new guy in town who Stiles' character falls for. Problem is, he's also stalking her. Scott Speedman (who was probably looking forward to working again with Polley, his My Life Without Me co-star) plays her ex, who plots revenge for being dumped. The movie begins shooting in Toronto next week.

To be fair to Stiles, I have to admit that coming from Highsmith, Cry of the Owl may not be just another stalker thriller. Also, she has been delivering fine performances in little-seen movies like A Little Trip to Heaven and Edmond -- never mind that she also starred in The Omen remake. She's also just made her directorial debut with the short Raving and she's set to star in an adaptation of The Bell Jar. Perhaps one of these days I'll have something new, and more favorable, to associate her with.

With the release of the latest Harry Potter flick finally upon us, the end of the series is in sight and Warner Bros. is going to be short one fantasy franchise. The most likely candidate to replace the Potter magic is the upcoming family film, The Golden Compass. But there are also still plenty of projects on the way for fantasy fans that like their stories with a little more menace. Variety reports that John Moore, who directed the somewhat "flaccid" Omen remake back in 2006, optioned the feature rights to the fantasy novel The Book of Lost Things. Lost Things was written by Irish novelist John Connolly, and the story focuses on a young boy who is dealing with the loss of his mother and hides himself away in an attic with a book of legends. He becomes drawn into a fantasy world that eventually starts to creep in on reality.

When read the synopsis for the book, I couldn't help but notice that it sounded a little familiar; namely, The Neverending Story, but after looking at a few reviews, I realized that this one might not be for the kiddies at all. Lost Things has been described as a "dark fantasy" due to the heavy subject matter of a child dealing with the loss of a parent, and Connelly has made a name for himself writing a series of crime thrillers, so he has plenty of experience when it comes to subject matter that is a little more grim. The timing for the project probably couldn't be better, though, since fantasy fans have gotten a taste for the more adult approach in films like Pan's Labyrinth. There is no word of a studio yet, but with Potter and the gang nearing the end of their box-office stay, it shouldn't take long before a deal is struck.

Well, this is weird. For the bulk of my 30+ years on this planet, there's been no such thing as a "televised horror awards" presentation, and now, not 15 minutes removed from geeking out over the newly-announced Fangoria Chainsaw Awards nominations -- I come across the Spike TV Scream Awards nominations! Cool!

Now, with all due respect to Spike TV and their cool new concept, I gotta say the Fango Chainsaw noms are just a little bit cooler. But hey, there's no law that says the horror freaks can't hang their hat on TWO new awards presentations. Frankly I think we could use a few more enthusiastic celebrations of juicy genre filmmaking.

Anyway, the Screams seem to run a lot like the Chainsaws do: Check out all the categories and nominees (after the jump) and then head on over to SpikeTV.com and cast your own votes! This is particularly amusing for the horror nuts -- because we're nothing if not passionately opinionated on which horror flicks rock and which ones suck the proverbial egg. Spike TV broadcasts their Scream Awards on the evening of October 10th.

20th Century Fox has succeeded with their plan to capitalize on the 6-6-06 release date. Their remake of The Omen took in a reported $12.6 million, which is pretty good for a movie that was produced only to take advantage of a date. The movie joins this summer's trend of bad reviews = good box office and its one-day take puts it at the top for earnings on any Tuesday, beating out Meet the Fockers, The Lord of the Rings: The Return of the King and Spider-Man 2. ComingSoon.net is also noting that The Omen now has the best Tuesday opening day total ever, previously held by Ali. I would like to point out, however, that since movies are never released on that particular day of the week unless it is Christmas (in the case of Ali) or another special date (in this case), that the achievement is not particularly remarkable.

We'll have to see if today's business, or the rest of the film's run, is also good for The Omen. I'm guessing that the novelty of yesterday's opening has already worn off, but that doesn't mean we won't see further attempts by studios to do similar schemes with release dates. I wonder if the makers of Fantastic Four and V for Vendetta are kicking themselves now.

Update:  Box Office Mojo has the full gross as $12,633,666. Notice those last three numbers.  Eerie.