the princess bride Tagged Articles at Cinematical

In a world rampant with gender barriers, "chick flicks," and manly movies, it's the rare film that can tow the line and be truly beloved by all. When it happens, it's usually because the filmmakers drove themselves nuts making it accessible -- and certainly not because it followed the course of "true love." But somehow, The Princess Bride was one of those awesome films that transcended the boundaries of taste and sex. Or so I thought...

Last year, I was drinking a beer at a party when loud, drunken shrieks rang through the room. A drunk girl was going on a rampage about The Princess Bride, of all things! She swore that if you had a penis, you loved the movie, and then went on to make some statement about how guys love it and girls don't. Inconceivable!

Substitute "The Princess Bride" for any sort of gruff and bloody action film, and at least some sort of overgeneralized argument could be made. But the story of Buttercup and Westley's* true love? "True love" was so flipping prevalent in the film that it could've gotten its own character credit. I did a quick mental check to make sure I had the requisite parts and then weighed in on the argument, but there's nothing anyone can do to dissuade intoxicated and rampaging people. Although there was something sweet about an argument that linked penis-having with a love of romantic cinema... How progressive!

Without fail, at least once a month I peruse my DVD collection looking for a solid film focused on a female star -- a film where the woman is smart and successful, a film that focuses on something other than her romantic foibles. It's like I think wishing for there to be more films that fit "The Rule" will create a whole slew of new selections in my library. If only ... But there aren't a horde of these films to pick from, so that often means picking something of the romantic variety, often with a side of comedy.

But oh, the woes of romantic comedies. These days the term usually meets the following criteria: women acting irrationally, men being jerky, unbelievable occurrences taking place over and over again -- you know, all those super-fun stereotypes that every damn romcom these days seems to latch onto.

However, there are some romantic comedies out there that cater to those outside the throngs who thrive on fashion-obsessed ladies and relationship stereotypes. Sure, the films might get sappy or take an easy laugh here or there, but they also showcase a variety of relationships and romantic scenarios without falling into that typical void. These films work for a variety of themes -- the fantasy, the lesbians, the intellectuals, the music lovers, the single people, the passion fiends, and the lovers of foreign film -- and prove that romance is about a lot more engaging, and a lot more real, than many movies might suggest.

Two things I enjoyed about Definitely, Maybe, which came out on DVD today: the cheesy jokes about New York City in the early '90s and the fact that it is a chick flick for guys. What I mean by the latter is that the movie seems targeted to females yet it caters more to the male viewer. It's basically a male fantasy: Ryan Reynolds tells the story of how he dated three beautiful women (played by Isla Fisher, Rachel Weisz and Elizabeth Banks), one of whom he married and later divorced -- meaning he's now single again. And he also got a cute, precocious daughter (Abigail Breslin) out of the deal who becomes beneficial to him in his return to bachelorhood.

But then is it really a chick flick? I guess it is if you count romantic comedies in that grouping, though the genre has never necessarily been aligned with the term, nor vice versa. And in the age of Judd Apatow, it's more likely that any new romantic comedy is actually a guy movie. Do many men realize it's a movie for them, though? Probably not. Though chick flicks are typically movies primarily populated by women characters and/or a female protagonist (think Steel Magnolias), romance films not made by either Apatow or the Farrelly brothers may be thought of as being for the ladies, even if they feature a male lead, like Reynolds in Definitely, Maybe.

I'll admit I've always been confused about chick flicks as a term. I apparently enjoy many so-called chick flicks, including even (especially) Beaches. So, I may not be using the term correctly in this list. However, I am a guy and I know what guys want. So, I'm going to do this my way, and answer the following question: What other films may have been initially perceived by males as being made for chicks but which turned out to be more for them (us)?

Back in 2000, we saw the brilliant debut of filmmaker David Gordon Green. The movie, George Washington, also marked the first screen credit for Danny McBride. Three years later, with Green's also-brilliant sophomore effort, All the Real Girls, McBride made the switch from second unit director to supporting actor, playing the film's excellent comic-relief character, "Bust-Ass". Then the two film school classmates kind of went separate ways. Green continued making beautiful little independents like Undertow and Snow Angels, while McBride wrote and starred in the low-budget comedy The Foot-Fist Way (which finally hits theaters this weekend) and then continued to find minor roles in big-budget comedies such as Hot Rod, Drillbit Taylor and The Heartbreak Kid (and the upcoming Tropic Thunder). Finally, this summer Green and McBride are reunited for the Judd Apatow production, Pineapple Express.

You know how it is on Valentine's Day, if you're not involved with (or married to) anyone. You try to avoid those annoying radio and TV commercials about how the men need to show their love by buying the women in their lives all kinds of fancy things. You attempt to make plans with friends, but they're all hoping for something romantic or planning to mope about their lack of romance. Maybe you join the Anti-Valentine's League, maybe you just try to ignore it all until the hype is over.

But there you are on Valentine's Day night with no plans, and naturally you gravitate toward the time-tested entertainment method of sitting in front of the TV with a good movie. Pizza and/or ice cream might also be part of the viewing process. For years, I liked to curl up with a thin-crust pizza from the local pizza joint, a pint of that Ben and Jerry's ice cream with the chunks of brownies in it, some Dr. Pepper (to be tres Agnes Gooch about it) and my favorite Valentine's movie, Some Like It Hot. After all, it is set around the St. Valentine's Day Massacre, so it's a delightfully sideways hat tip to the holiday. Plus, that glorious last line. But maybe you're in a different mindset on February 14. Here's a list of movies to cover whatever kind of mood might strike you that night, as you ponder which movie you want to spend St. Valentine's Day with.

Avast readarrs! Today be Septembarr 19th -- Talk Like a Pirate Day, where land lubbers lounge with arrsome pirate lingo without pillaging saucy wenches, donning patches, or walking the plank. Ye might ARR the day away, or watch yeself some Petarr Sarrsgarrd. But maybe ye like to pull out the bung, drink up ye Grog, and fire up the VCARR. If ye do, here be a treasure chest of movie booty and pirate kings. Godspeed!

Sorry, this is as far as my pirate-speak goes!

The Pirate King -- The Pirates of Penzance (1983)

In 1980 New York City theater producer Joseph Papp fired up The Pirates of Penzance for his Public Theater, with a young Kevin Kline cast as the Pirate King. It was so successful that the cast brought it to Broadway, and then onto the big screen with almost everyone reprising their roles (Angela Landsbury was the lone change). Kline swaggered, swung his sword, and wrapped his tongue around 'often' and 'orphans,' because -- he is the Pirate King, Taran-tara, Taran-tara, and it is, it is a glorious thing to be a Pirate King!

Everyone is familiar with Carol Kane. But from where or from what do they remember her best? The actress has stolen scenes in so many films that you could have a room of twenty people and each person might choose a different title she's most memorable in. She's played so many types -- quiet and loud; cute and sexy and plain and creepy; young and very, very old -- it is amazing that she can sustain such easy recognition. Perhaps it is her tired, Bette Davis eyes. In a non-physical way, it is her distinct voice, of course, which people recall.

She held her own in early, small parts opposite Al Pacino, Woody Allen and Jack Nicholson before landing one of her few leading roles in the original When a Stranger Calls, where her ageless face allowed her to play her character as a teenager and an adult. She spent a season on the TV-show Taxi, though her presence was so huge it feels like she appeared throughout its five years. In My Blue Heaven, she had little to do, but she still left a mark with her swooning reception of one of the greatest pick up lines ever. She beat up Bill Murray with a toaster in Scrooged, called Billy Crystal a LIAR!!!! in The Princess Bride and most recently went AWOL on Vin Diesel in The Pacifier, leaving him alone to care for the film's children and deliver its comedy (he succeeds only in the former).

One film, a guilty pleasure of mine, for which Kane is not usually remembered, is License to Drive. Personally I think of her most fondly in that film, playing Corey Haim's pregnant mother. In fact, take out all those scenes with Corey and Corey, and you've got a great little maternity short starring her and Richard Masur. The role has a beautiful build-up, and it displays nearly all of Kane's traits and trademarks, allowing her to start out simple and finish with a tremendous bang.