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The Road
This bleak tale of one family trying to survive the apocalypse is based on a Pulitzer Prize winning novel by Cormac McCarthy, author of No Country For Old Men. After some kind of global cataclysm (it's not clear if it's a nuclear war), a man played by Viggo Mortensen must help his son to survive by whatever means necessary. Charlize Theron, Guy Pearce and Robert Duvall also star. This looks darkly fascinating and probably would have gone well with a Cinematical Seven I did not long ago. This one comes out on October 16.

Pandorum
This new trailer reveals quite a bit more than the teaser we saw awhile back. Two men awaken aboard a space craft wondering what's become of the thousands of other crew members. Other people show up as do some scary monster types who may be the mutated crew. Looks like an intersting take on the Alien formula. Watch for this one on September 4.

Alvin and the Chipmunks: The Squeakuel
I didn't see the first film because it looked pretty awful, although the ridiculous amount of money it made showed that not everybody thought so. This teaser, which involves Alvin, Simon and Theodore doing their rendition of the 20th Century Fox Fanfare is pretty cute and the film should presumably please those who enjoyed the original. This one scurries into theaters on Christmas Day.

The trailer for The Road (which now has a release date of October 16) has hit the net courtesy of Yahoo! Movies but we've got an embed here thanks to Trailer Addict. For those who read the Cormac McCarthy book (and I haven't, but I was told the entire thing by a "helpful" friend), you're going to notice what looks like a lot of changes to the story. The mysterious disaster is made explicit, Charlize Theron is given a lot more screen time than the wife ever had in the book, and the action is upped ten times over.

However, this trailer has caused a lot of controversy already with people who have seen the film. Esquire just published a review this week, and noted that the Weinstein Company was falling prey to the temptation to cut a trailer that looked like a post-apocalyptic action movie. According to Esquire, John Hillcoat's film is (and other reviews have borne this out) as quiet, harrowing, and bleak as the novel is, and may just be "the most important film of the year". Unfortunately, the Weinsteins feel no one will see it unless there's an "explanation" and a hook of kick ass action, even if the film itself lacks the things the trailer sells.

But at least you get a glimpse of the real film underneath, which is enough to cause you to choke up. I think we're promised one hell of a gut-wrenching performance from Viggo Mortensen. Just look at his eyes.

It's been ages since we've heard a peep about the adaptation of Cormac McCarthy's Pulitzer Prize-winning novel The Road. After McCarthy's brutal Texas drama No Country for Old Men won four Oscars at the 80th Academy Awards, rumors of future McCarthy adaptations of The Road and Blood Meridian sprung up immediately, with The Road slated for a November 2008 release. Then McCarthy's post-apocalyptic doom-fest was pushed to December, and then ... silence.

But fans of the book -- which was re-released with one of those "Now being made into a real-life motion picture!!!!" stamps a while ago -- can quit their grumbling, because The Road will be released on October 16th, 2009. Once again, it's just in time for Oscar season.

It seemed like a no-brainer to shuffle this genius McCarthy work out the door, especially judging by the cast (helloooo, Viggo), director John Hillcoat, and the few grimy photo stills released to the public. It also bears mentioning that Mr. McCarthy is a tough road to hoe himself, and is known for his dislike for the press and reluctance to get involved in any more film projects after his rumored dissatisfaction with the 2000 adaptation of All the Pretty Horses. So what happened?

Normally when I find out that a feature film is being made from one of my favorite novels, I immediately prepare myself for disappointment. But, when it comes to The Road, I don't know what to tell you -- for once I'm convinced everything is going to work out just fine. Although that's probably the first time that particular sentence was used in conjunction with anything having to do with Cormac McCarthy's novel. BBC4's arts show Today recently profiled the project, and the highlight of the report was the first audio clip of Nick Cave's original score. It's only a short clip, but from what you can hear it's the perfect musical accompaniment to the tale of a father (Viggo Mortensen) and son (Kodi Smit-McPhee) traveling through an apocalyptic wasteland.

So even though most of us probably never pay that much attention to the orchestral score to most of the films we watch, you can't ignore a bad one. For me, one of the most distracting things about a film is a bad score -- some of my more hated examples include The Perfect Storm and The Last Samurai. I know there are plenty of reasons why a film might fail to connect with audiences, and I also know that this film is already going to be a hard sell. But, as a former Goth who wore way too much eyeliner while listening to Mr Cave's Murder Ballads on repeat, I have every faith that if there is anyone that can pick the perfect mood music for a downer, it's him.

The Road has yet to find a solid release date, but will hopefully arrive in theaters this fall.

Interviews with Viggo Mortensen are a rather rare and wonderful thing -- or at least ones that don't get all coy and snarky over his remarkable intelligence and publishing company. So, when I saw Capone's interview with Mortensen over at Ain't It Cool News, I had to share it with you all.

His thoughts on the upcoming Good are too long and interesting to crop and paste here -- but what I will post is his disappointment over The Road being delayed. Despite starring in the film, he is unsure what's going on with it. "My understanding is that they know that they've got a story that a lot of people want to see, because of the book. And, the people that read the book, which are many, were very moved by it and by this relationship between this boy and this man, in particular, in that setting. And, I think that they are really aware of the fact that they've got one chance to do it, and if there's any little things that they still want to work on a little more, to get it just right, whether it's the music --I don't know what it is -- a variety of things, they want to do it right. And, if you rush it out before you feel in good conscience it's there ... So, I am disappointed. I wanted to see it. I want to see how it is."

He's also concerned that the film might be released at the wrong time of year, and is hoping for a fall release. "What I hope they don't do is then just put it out in February or something. I hope they wait and do it at the right time. I don't know." (Yes, Weinstein Co. Release The Road in the fall, please. No February or March dump!)

It seems like every other day Ridley Scott is promising to make a movie (even when we wish he wouldn't). But, one project that he can't seem to get in motion is the feature film adaptation of Cormac McCarthy's western, Blood Meridian. In an interview with Empire, Scott gave an update on the adaptation, and it sounds like it could be one heck of a movie, but you are left with the feeling that it isn't going to happen any time soon. Scott told Empire, "It's written. I think it's a really tricky one, and maybe it's something that should be left as a novel. If you're going to do Blood Meridian you've got to go the whole nine yards into the blood bath, and there's no answer to the blood bath, that's part of the story, just the way it is and the way it was."

McCarthy's novel centered on a teenage runaway referred to as "the kid" and his time with the Glanton gang, a historical group of scalp hunters who massacred pretty much everyone they came across on the United States–Mexico borderlands in 1849 and 1850. Back in August, it had been announced that Todd Field (Little Children) would be taking over for Scott on the project, but Scott made no mention of Field in Empire's interview. Leaving us with another unanswered question hanging over the project: if and when this movie ever gets going, just who is going to be directing it?

Since I haven't read the original novel, I leave it to you out there. Can anyone make a film version of McCarthy's brutal and violent novel? Or, is Scott right? Maybe Meridian should stay on the bookshelf where it belongs.

If they got some sort of financial bonus for every year they kept an unreleased movie on the shelves, I could understand it -- but this is getting a little ridiculous. According to a rather interesting L.A. Times piece, the Weinsteins are taking all their movies (save for Zack and Miri, The Reader, and perhaps the inevitably brilliant Extreme Movie) and bumping them back to next year. That includes some oft-delayed titles like Killshot and Fanboys, as well as higher-profile stuff like Crossing Over (with Harrison Ford and Sean Penn) and Shanghai (with John Cusack). Ah yes, and the highly-anticipated adaptation of the Pulitzer Prize-winning Cormac McCarthy novel The Road.

Despite the fact that The Weinstein Co. is losing employees by the fistful, Harvey W. insists that the reasons for the delays are legit: Killshot he wants to hold for Mickey Rourke's The Wrestler; Fanboys is waiting for a Comcast promotion in January; Crossing Over deserves to enter a non-crowded marketplace; and Shanghai isn't even finished yet. Regarding The Road ... hmph, it never came up.

Can J.J. Abrams boldly go where many have gone before to relaunch Star Trek? Why is The Road being pushed back? How will Ridley Scott's planned adaptation of The Forever War be different from any sci-fi film in the history of the genre? And what Spanish film has sci-fi fans waiting with bated breath? Joining James this week to talk about all things sci-fi is Annalee Newitz, Editor-in-chief of the science fiction, fantasy and comics blog io9. Cinematical's podcast is now available through iTunes; you can subscribe at this link. Also, you can listen directly here at Cinematical by clicking below:



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What's happening in Hollywood? Does no one have a day planner? Can nobody stick to a schedule? Pushing a film's release date back a week or two isn't a big deal, but when you move it to an entirely different calendar year, that changes everything -- especially its Oscar chances.

As we've already mentioned, rumors are swirling that the Weinsteins' The Road won't be done in time for its November release, and maybe not for December, either. Now we have three more titles on the move. Jeffrey Wells at Hollywood Elsewhere is reporting that the Weinsteins' Hurricane Season, an Inspiring Sports Drama® about a high school basketball team composed of displaced Katrina survivors, is "not ready" for its planned Christmas Day release and is being pushed back to March. And at Paramount, two Oscar hopefuls, Defiance and The Soloist, are being bumped to 2009, too, according to Variety.

The Soloist move is the one that should raise the most eyebrows. A true story starring Jamie Foxx and Robert Downey Jr. (pictured), it has all the hallmarks of a feel-good Oscar contender, and that's how Paramount and DreamWorks (which produced it) were positioning it. But now it's being moved from Thanksgiving to March, which is basically Paramount's way of saying they don't have much confidence in its Oscar potential after all. At the very least, it means they think its chances of making a lot of money (which are higher in March than in the crowded holiday season) are greater than its chances of winning awards. Which might actually be a very smart financial move, so good for them.

In news that is equally rumored and dreaded, it looks like the Weinsteins' haste to get The Reader in the running for this year's awards season might be a matter of John Hillcoat's anticipated adaptation of Cormac McCarthy's acclaimed novel, The Road, not being ready for its limited release a month from now, let alone year's end.

It's bad enough that neither film was ready for any of the big fall film festivals, but a good friend told me something similar three days ago, and now, Kristopher Tapley at In Contention and Dave Karger's EW Oscar Watch are talking along the same lines. I can't say that I'm the same William who posted the following reaction on Karger's page -- and I quote: "NOOOOOOOOOOOOOOOOOOOOO" -- but my own sentiments on the (possible) move aren't all that far off.

For that matter, my feelings on the novel and film themselves are akin to those of our own Eugene Novikov: that the book is merely Damn Good, but could make for a Great movie. We may not have a poster, or a trailer, or a fully functioning website just yet, but for all the Weinsteins' release date shell games, I can't help but think they have more to lose holding off on this than The Reader, which producer Scott Rudin took his name off after it was bumped up to contend with star Kate Winslet's other awards prospect, Revolutionary Road (itself based on an acclaimed novel).

I mean, I'm not exactly wishing that The Reader is Winslet's next All the King's Men or anything, but is this studio not big enough for the both of them? Or is this year merely not long enough?