This may sound paranoid, but I am convinced that Thomas Jane must have made some enemies in Hollywood. The guy is talented, he has great screen presence, he's awfully easy on the eyes; and still he ends up flicks like Mutant Chronicles. If you don't believe me, take a look at the new teaser for the sci-fi thriller over on the actor's personal site, and tell me this movie doesn't look destined for obscurity.

Chronicles is loosely based on the successful role-playing game of the same name from Target Games. In Philip Eisner's (Event Horizon) script, the world has been divided into four corporations who are constantly at war. When a new plague of mutants are unleashed unto the world, an ancient society recruits a battle-hardened soldier (Jane) as humanity's last chance for survival. Joining Jane are Ron Perlman as the mystic Brother Samuel, Devon Aoki as a fellow bad-ass, and John Malkovich as the political leader Constantine.

On paper, the whole thing sounds fine; mutants, elite military squads, and pseudo-mysticism -- what could go wrong? After watching the trailer, the answer would appear to be ... everything. The film was originally announced back in 2006, but other than a quick poster release and a website, there hasn't been much attention paid to the film...and now I'm starting to understand why.

Mutant Chronicles is scheduled for release later this year.

[via Coming Soon]

So what do you think? Is former Punisher Thomas Jane the right man to bring gun-slinging Jonah Hex to the big screen? Film School Rejects is posting what they claim might be test shots of Jane as Hex in the adaptation of John Albano and Tony DeZuniga's western comic -- and if it's a fake, it's a darn good one. The photo might look legit, but there hasn't even been a casting announcement for the film, which leads me to believe that it could just be an overzealous fan with some time on their hands (and Photoshop on their computer). There had been some chatter that Firefly's Nathan Fillion was in talks for the lead, but nothing was ever confirmed.

Hex is the story of a former confederate solider turned bounty hunter with a drinking problem and an itchy trigger finger. In the original run of the comic, Hex stuck to traditional western story lines, but in a later incarnation, there was a touch of the supernatural thrown in; pitting Jonah against zombies and werewolves. Warners first announced the project last year, with Crank's Mark Neveldine and Brian Taylor to write and direct; the two had promised that they would be using the later 'supernatural' editions of Hex as a starting point for the story.

But for now, it's all rumor and speculation, so stay tuned to Cinematical for the official word.

UPDATE: Shock says it's a fake, straight from the mouth of Mark Neveldine. So there goes that ...

UPDATE 2: FSR spoke to Jane who says the photo is real, and it was part of his audition to play the character.

Warning: Spoilers for The Mist obviously follow.

Though it opened to an enormous collective yawn, I thought that Stephen King's The Mist -- just released on DVD -- was one of the very best films of last year. Perhaps more accurately, I thought it was a movie that Frank Darabont and Stephen King tailor-made for me. There were moments in it that completely embodied everything I love about the horror genre: when a disheveled, bloodied Jeffrey DeMunn barreled into the supermarket, yelling that "there's something in the mist," the terror in his eyes and voice chilled me to the bone. That intersection between the mundane and the fantastical, the film straddling the line between the world we know and some place far beyond our imagination, is what makes that moment, and many others in The Mist, so scary. It approaches its supernatural conceit with an unforgettable combination of horror and wide-eyed wonder.

The last time a so-called 'urban' musician took on The Wizard of Oz, we ended up with The Wiz. Hopefully things will work out a little better this time. Variety reports that Pras Michel (of The Fugees) has secured the film and television rights to the comic series Dark Oz. The story centers on a much more violent and scary Land of Oz. A grown-up Dorothy Gale is back in town along with some of the familiar faces (Tinman, The Scarecrow), and even some less familiar characters from Frank L. Baum's fantasy.

The comics were created by Aaron Denenberg, Ralph Griffith and Stuart Kerr, and were released by Caliber Comics. After twenty issues, six specials, and two three-issue limited series, the Oz line was completed. Then, the series was revived under Arrow Comics and earned the name change of Dark Oz to finish the stories originally started in the first series. After five issues, another name change was on board, and Dark Oz became The Land of Oz. When these later stories began, a much more conventional (and far less Gothic) vision of Oz returned.

Pras is planning to produce all three live action films adapted from the Dark Oz line. Plus, he has his sights on playing The Scarecrow in the feature film. For those of you out there who only know Pras as a musician, he already has plenty of experience in the business. In 2007, he produced and starred in a documentary about the homeless, and he is also behind the sci-fi thriller The Mutant Chronicles with Thomas Jane. There is no word yet on who Pras has in mind to write or direct Oz, but stay tuned to Cinematical for any updates that come our way.

It would seem that the biggest enemy The Punisher faces is not the criminals of New York and villains of the Marvel Universe, but ... Hollywood scriptwriters? Punisher: War Zone is due to hit theaters in September 2008, already bearing the scars of development hell. Thomas Jane dropped out of reprising the title role, reportedly because of script problems. Ray Stevenson of HBO's Rome stepped into the combat boots, much to the skepticism of fans. Paddy Considine was dismissive about the five minute offer he received for the part of Jigsaw. Early stills failed to inspire much excitement.

Now, Kurt Sutter, one of War Zone's writers, has elected to take his name off the project. Over on his blog, Sutter claims that not only does he not deserve credit, as his original script has been rewritten out of existence, but he no longer wants credit or any association whatsoever with the project. In fact, he has few kind words for the film whatsoever. In his words, War Zone is a "simple story, very obvious dialogue and the inclusion of as many characters from the anthology that a movie will allow." It's a very tight script, he notes, but not very unique and not something that he could take any pride putting his name on. Sutter's dismissal of the current script earned him the ire of Punisher fans, though it is a bit perplexing as to why ducking out of WGA arbitration should earn you a death threat. Perhaps it was the seeming dismissal of comic book films and fans in general, or the implication that Jane left the project because of his draft.

He's battled creepy aliens. He's fought The Mist. Now that his second foray into the world of Stephen King is over, Thomas Jane is getting some less freaky action. According to Variety, he's signed on to star in John McTiernan's new flick for Arclight Films called Run. This won't be a Die Hard sort of film contained in small spaces. At least, not completely in small spaces. Instead, it sounds like Die Hard meets The Fast and the Furious.

Jane seems to be replacing Karl Urban, who originally signed on to the project back in 2007, and is not mentioned at all in this latest bit of news. To be shot on location in Argentina, the action flick will focus on "an American Interpol agent happening upon a conspiracy during a thrills-and-spills high-speed pursuit across the country." Now, you might remember that this cross-country car chase (at speeds over 120mph) is the one that has a 51-minute chase scene, so it sounds like the flick will get maybe a bit of an intro and something to wrap it up, with the chase plunked down in the middle. This is the guy who brought us John McClane, so I can't be totally pessimistic, but McTiernan better be on his game if he wants this to work.

Exorbitantly long chase scenes need good cars, and the cast are going to get some sweet rides. According to Arclight head Gary Hamilton: "This is an unrelenting action-thriller in true McTiernan style, creating acrobatic mayhem in exotic locales. BMW has come onboard to provide the cars, and Roush Performance is designing a Super Mustang for the film, setting up what will be a spectacular vehicle stunt-action chase movie." So, the question becomes who will win: the BMW guys or the Mustang guys?

After mining the soft-and-fuzzy (and yet still kinda grisly) end of Stephen King's literary catalog with The Shawshank Redemption and The Green Mile, writer-director Frank Darabont may seem like an unlikely choice for tackling one of King's shorter, grimmer horror tales. After turning high-end King into Oscar statues and nominations, why go slumming in the shabbier-seeming sections of King's catalog? Darabont's proven he can warm our hearts with King's stories, but does he have what it takes to chill our blood with one of the author's less high-minded efforts?

The Mist answers that question with a firm "Yes," although you'll be hard-pressed to hear it over the shrieks and shouts coming from the screen and the audience. Darabont's made what can best be called a grade-A B-movie, full of jolts and jumps and classic monster-movie tricks played out with old-school showmanship and thoroughly modern special effects. The plot is vintage King, placing ordinary people in an extraordinary circumstance and watching to see who dies and who doesn't, who discovers hidden strength and who displays hidden madness. And no, The Mist is nothing new -- but it's superbly executed, and far smarter than it had to be. Apparently, Darabont read The Mist when it was published in 1980 and longed to make a film from it; instead, his debut was Shawshank, with The Mist in development limbo for years. The horror fan in me thinks it was more than worth the wait.

In a small coastal town, artist David Drayton (Thomas Jane) huddles in the basement with his wife Stephanie (Kelly Collins Lintz) and son Billy (Nathan Gamble) as a storm rages. The next morning, with the power out and downed trees everywhere, David takes Billy into town to get some food, some hardware to fix up damage to the house; it looks like the storm has passed, except for the weirdly dense mist rolling towards town. ... But, as the mist rolls towards the store, a man races in -- bloody and frightened. "Something in the mist! ... Shut the doors!" He claims something in the mist "took" one of his friends. It sounds insane. It is insane. But it isn't wrong. ...

Now I understand why Thomas Jane didn't sign on for the Punisher sequel (no longer a sequel thanks to him). He's making history by making his feature directorial debut with a 3-D film titled The Dark Country. We already learned a month ago that the actor would be directing the film, for Sony's new Stage 6 label, but now Variety tells us the "noir thriller" will indeed be shot simultaneously in 3-D high definition and in 2-D high definition. The Dark Country isn't the first movie to be shot this way (though I'm unaware of the actual first), but the news nonetheless seems appropriate considering all the hype about this week's 3-D release of Beowulf. Since The Dark Country is currently shooting in New Mexico, it is likely to be released sometime next year, when it will still need to open on both 3-D and 2-D screens.

The movie, about a honeymoon turned nightmare, was written by Tab Murphy (Disney's Tarzan and Brother Bear) and it stars Jane, Ron Perlman (Hellboy), Chris Browning (3:10 to Yuma) and Lauren German (Hostel: Part II). The script had been reported as being adapted from a yet-to-be-published graphic novel by Steve Niles (30 Days of Night), but as far as I can figure out, that information isn't true. Apparently there will be a graphic novel version, but it will be done by David Allcock, who also did the film's storyboards. For more information on the making of The Dark Country, you can turn to the production diary, which includes a whole ton of photos, some of which are rendered in 3-D.

Sony Pictures has just launched Stage 6 Films, "a label that will acquire and produce films for theatrical and straight-to-DVD release." The Variety announcement reports that Stage 6 will focus mostly on the DVD market, and on films budgeted at $1 to $10 million dollars. They've got a lot of movies on the horizon, with some pretty big stars involved. Conspiracy is an action flick starring Val "Iceman" Kilmer, Gary "Lumbergh" Cole, and Jennifer "Hot" Esposito. Thomas Jane is acting in and directing Dark Country (hope it's not a punisher!). The Stone House is a horror film starring Shane West and JK "Schillinger" Simmons. The Lodger stars Alfred Molina, whom I always picture in his underwear singing "Sister Christian." And Felon brings us even more Kilmer thrills, with Stephen Dorff and Harold Perrineau in tow.

And you know when you're talking direct-to-DVD, you're talking about some really random sequels. Stage 6 has announced a prequel (a prequel?) to this year's pretty cool horror flick Vacancy. There will also be a second Starship Troopers sequel -- Starship Troopers: Marauder, with Casper "Van Dien" Van Dien, Boris Kodjoe, and Jolene Blalock. Wesley Snipes will star in a sequel to the absolutely terrible action movie The Art of War, which I will refer to as The Art of War 2: Seriously? And Center Stage 2 will capitalize on the public's love of melodramatic teen dance dramas. I must confess a special place in my heart for the original Stage, because it led to a memorable high school back seat rendezvous. Put that quote on your poster, Sony! "Stage 6 will also continue to leverage our vast library of studio films, as we have done with Daddy Day Camp and the I Know What You Did Last Summer franchise," threatens a Stage 6 executive.

After the release of the trailer for The Mist, I think expectations for the Stephen King adaptation rose significantly -- at the very least, I know Scott's did. Now, Ain't it Cool News has an early look at a new poster for the film, and it's only a slight let-down. To be fair, it's not a bad poster, it's just kind of there. Written and directed by Frank Darabont, The Mist is based on King's story that was originally published in the 1980 book, Dark Forces.

The story focuses on a group of townspeople trapped in a supermarket when a unnatural mist rolls into town, and if you have ever read a Stephen King book, you can probably guess what happens next -- containing the usual 'motley crew' in so many of King's works; an artist and his son, a religious zealot, and a soldier. Eventually the paranoia and fear combine and the situation inside the supermarket becomes as dangerous as the unknown creatures outside. Casting was finalized last winter with Thomas Jane as the protagonist David Drayton. Joining Jane are Marcia Gay Harden as the bible thumping Mrs. Carmody and Shawshank alum Bill Sadler.

It was a long road for the production, starting back in the 90's when Darabont put Mist on the back burner to focus on The Shawshank Redemption -- and I doubt many would disagree with that particular decision. When you consider Darabont's previous successes with Stephen King adaptations, it's going to be interesting to see what he can do with one of King's more traditionally 'scary' stories. The Mist opens November 21st.