tom mccarthy Tagged Articles at Cinematical
Thomas McCarthy Joins '2012' Instead of Making More Awesome Movies of His Own
Filed under: Independent », Sci-Fi & Fantasy », Casting », Scripts », Cinematical Indie »
When is the news of an actor you really like joining the cast of a high-profile new movie bad news? When you wish that actor were doing other things with his time, that's when. In the case of Thomas McCarthy -- whom you may remember from his masterfully detestable performance as weaselly reporter Scott Templeton in the final season of The Wire -- I wish he were writing and directing another film as brilliant and deeply moving as The Visitor, which at this halfway point is my favorite movie of 2008. I'd even settle for something with the wry, quiet charm of his lovely 2003 debut The Station Agent. Instead -- ::sigh:: -- he's gone and taken a supporting role in Roland Emmerich's disaster flick 2012, playing Amanda Peet's boyfriend. C'mon, Tom: anyone can do that. Only a handful of people have your behind-the-camera chops. Quit messing around.
I'm being mean, and in this Hollywood Reporter piece McCarthy makes a valiant effort at defending the choice in terms of how working with directors who make different kinds of films helps him with his own work. (The article also mentions that McCarthy moonlights as an uncredited studio script doctor, which I didn't know, and which makes perfect sense given the natural, effortless flow of the films he's written.) Okay fine. But direct something else please.
Indie Weekend Box Office: 'The Visitor' Continues Its Reign
Filed under: Comedy », Documentary », Drama », Foreign Language », Independent », Music & Musicals », IFC », Box Office », Fox Searchlight », Cinematical Indie »
College professors rule! Well, at least the one that Richard Jenkins plays so well in Tom McCarthy's The Visitor (Overture Films). The comedy-drama expanded to 18 theaters in its second week of release and averaged $9,055 per-screen to remain in the #1 position, according to estimates compiled by Box Office Mojo. Check the film's web site to see where it will be opening in the next couple of weeks (click on "in select theaters now").Debuting indie films did not fare so well, judging strictly by per-screen averages, but it's notable that Expelled: No Intelligence Allowed (Rocky Mountain Pictures), opened on more than 1,000 screens and made $2,997 per location for a total of more than $3 million for the weekend. The doc follows Ben Stein as he chases down Ferris Bueller ... oops, wrong movie! This one's about "intelligent design" in the classroom.
Opening on just one screen, Anamorph (IFC Films) grossed $3,000. Willem Dafoe stars as an NYPD detective investigating a serial killer. Critics were not kind: Anamorph scored just 28% positive at Rotten Tomatoes. David Hudson at GreenCine Daily rounds up pertinent quotes.
Two other holdovers did better as they expanded their runs. Young At Heart (Fox Searchlight), the "elderly folk chorus that sings modern rock songs" documentary, increased its theater count to 33 and averaged $4,393 per screen. Hou Hsiao-Hsien's gentle drama The Flight of the Red Balloon (IFC Films) proved its appeal beyond New York City, making $3,572 per-screen at 11 locations.
Indie Weekend Box Office: 'The Visitor' Beats Out 'Young At Heart'
Filed under: IFC », Box Office », Fox Searchlight », Miramax », Cinematical Indie », Samuel Goldwyn Films »
"A damn fine film with a good heart and some really excellent performances" finished atop the indie weekend box office charts. The quote is from our own Scott Weinberg's review of Tom McCarthy's The Visitor (Overture), and I agree wholeheartedly. The film earned $22,000 per-screen at four theaters, according to estimates compiled by Box Office Mojo. Richard Jenkins stars as a college professor who strikes up a friendship with an immigrant couple he finds living in his NYC apartment. It's even better -- and deeper -- than that description might sound.An elderly chorus sings a repertoire of modern pop and rock songs in Stephen Walker's documentary Young @ Heart (Fox Searchlight); audiences responded to the tune of $13,075 per screen at four locations. Cinematical's James Rocchi wrote: "Even for all its flaws and failures it still succeeds in showing us friends who -- through song and art and community and, yes, love -- are doing their best to face it with everything that they've got."
David Ayer's Street Kings (Fox Searchlight) should be included, I suppose, because it's distributed by an studio specialty division known for its indie releases, though not much about the police drama screams "indie." By the per-screen numbers, it finished third, earning an average of $4,864 at each of 2,467 engagements. "As yet another tale of dirty criminals and even dirtier cops," Scott Weinberg opined, "Street Kings works well enough, albeit strictly in a 'been there, seen that' sort of way."
Sundance Review: The Visitor
Filed under: Drama », Sundance », Theatrical Reviews »

Everyone else got to see (and adore) Tom McCarthy's The Station Agent well before I had the chance to see the movie -- so by the time I caught it on DVD (and adored it), nobody really needed my half-year-late review of the flick. But I managed to catch a Sundance screening of Mr. McCarthy's second film -- and if it isn't quite as fresh or as strangely moving as The Station Agent, it's still a damn fine film with a good heart and some really excellent performances. Kinda like The Station Agent.
I just love it when a well-admired character actor gets a shot at a big-time starring role. OK, so maybe the lead role in a low-key character study like McCarthy's The Visitor is not exactly "big time" (as far as Hollywood goes, anyway) -- but if you're familiar with the name and the works of Mr. Richard Jenkins, then you'll be thrilled with what the veteran actor has to offer here. (You might not know the name, but you should definitely remember Richard Jenkins from movies like Flirting with Disaster, The Kingdom, The Witches of Eastwick, and a bunch of Coen and Farrelly brothers films.)










