tootsie Tagged Articles at Cinematical

Following the success of the Sex and the City movie, I was really, really hopeful (noted in passing here) for a Golden Girls movie featuring the four stars of the ever-popular TV series. Unfortunately, my dream can no longer be fulfilled, because one of the ladies has passed on. Early this morning, at her home in Los Angeles, Estelle Getty (aka "Sophia") died, three days shy of turning 85.

Though the cause of death was not specified, Getty had been suffering from Lewy Body Dementia since at least 2000, when she stopped making public appearances. She was not even able to appear in a Golden Girls reunion that aired on Lifetime in 2003. Obviously, she wouldn't have been able to star in a theatrical film, either.

Getty was best known for her role on The Golden Girls, but movie fans will forever remember her also as the titular matriarch teamed up with Sylvester Stallone in the dreadful action comedy Stop! Or My Mom Will Shoot. She also appears in Stuart Little, Mask and, in a pre-famous minor role, Tootsie. My favorite, though, is her feisty department store owner in Mannequin. Or, maybe her appearance in the surreal clip above, which comes from her awesome 1993 workout video.

Two things I enjoyed about Definitely, Maybe, which came out on DVD today: the cheesy jokes about New York City in the early '90s and the fact that it is a chick flick for guys. What I mean by the latter is that the movie seems targeted to females yet it caters more to the male viewer. It's basically a male fantasy: Ryan Reynolds tells the story of how he dated three beautiful women (played by Isla Fisher, Rachel Weisz and Elizabeth Banks), one of whom he married and later divorced -- meaning he's now single again. And he also got a cute, precocious daughter (Abigail Breslin) out of the deal who becomes beneficial to him in his return to bachelorhood.

But then is it really a chick flick? I guess it is if you count romantic comedies in that grouping, though the genre has never necessarily been aligned with the term, nor vice versa. And in the age of Judd Apatow, it's more likely that any new romantic comedy is actually a guy movie. Do many men realize it's a movie for them, though? Probably not. Though chick flicks are typically movies primarily populated by women characters and/or a female protagonist (think Steel Magnolias), romance films not made by either Apatow or the Farrelly brothers may be thought of as being for the ladies, even if they feature a male lead, like Reynolds in Definitely, Maybe.

I'll admit I've always been confused about chick flicks as a term. I apparently enjoy many so-called chick flicks, including even (especially) Beaches. So, I may not be using the term correctly in this list. However, I am a guy and I know what guys want. So, I'm going to do this my way, and answer the following question: What other films may have been initially perceived by males as being made for chicks but which turned out to be more for them (us)?

Oscar-winning director and occasional actor Sydney Pollack died of stomach cancer on Monday at the age of 73. The New York Times has a fairly astute and comprehensive obituary that details his achievements behind the camera, which include The Way We Were, Absence of Malice, Tootsie, and The Firm. He was nominated for three directing Oscars, winning for Out of Africa, and directed a dozen different actors in Oscar-nominated performances.

To me, it seems like Pollack never quite got his due. Despite the majority of his films being above-average in quality (and at least one, Tootsie, being a genuine classic), he was rarely mentioned in the same breath as the other 1970s and '80s powerhouse filmmakers. Maybe he wasn't prolific enough: In a 40-year theatrical career he made just 21 films, and only a few were major box-office blockbusters.

People liked him, though. I know I did. His frequent supporting roles (sometimes in his own films) gave moviegoers a face to go with the name, and he always came across as a friendly, knowledgeable man, the kind of guy you could chat with. (It's a pity his final onscreen performance was in the wretched Made of Honor. Then again, Orson Welles' last film was the 1985 Transformers movie, so Pollack's in good company.)

On a day like today, when it's cold and hailing in the city, I wish that it was Groundhog Day already. I wish that little Punxsutawney Phil would come out, not see his shadow, and Springtime weather would be imminent. But it's not even technically winter yet, and so I'm just sitting here listening to the ice bricks hitting my porch, glad that I don't have to really leave my apartment today. Now all I need is a good movie to watch, and what better movie to watch when it's icy outside than Groundhog Day? Unfortunately, all we're stuck with currently is the same old special edition DVD version we've had for the last five years. Now I'm at least wishing that it was January 29, 2008, the date that a new 15th Anniversary edition of Groundhog Day comes out on disc.

Never mind that the fact Groundhog Day is 15 years old makes me feel old, this is exciting news. Groundhog Day is one of the best movies of the '90s, let alone best comedies of the '90s, let alone best Bill Murray comedies of the '90s. And this new DVD features some great bonus material, including "newly discovered" deleted scenes. I'm not one for always watching deleted scenes (they're cut out for a reason, right?), but I'll definitely be checking these out -- especially if they feature my beloved Stephen Tobolowsky. Also, director Harold Ramis has supervised a digital remaster of the film and recorded a commentary. And of course, it comes just in time for a marathon viewing (haven't you ever appropriately watched it on repeat for a whole day?) on Groundhog Day.

Friday night I got the opportunity to attend a talk with three of my writing heroes: "The Jack Oakie Celebration of Comedy in Film featuring Judd Apatow, James L. Brooks and Larry Gelbart." James L. Brooks is one of the major reasons I started writing. I saw Terms of Endearment when I was a little kid and sobbed like...that little kid in Terms of Endearment. I have seen Broadcast News fifty times, and consider it perhaps the finest romantic comedy ever written. As Good As It Gets is a modern classic, I loved I'll Do Anything, and even have a soft spot in my heart for Spanglish. Oh, plus The Mary Tyler Moore Show, Taxi, and the guy has been with The Simpsons from day one! No further questions, your honor.

Brooks' incredible skill of seamlessly blending laughter and heartbreak clearly made a huge influence on Judd Apatow (although from reading all the articles about him, you'd think Apatow invented the practice). Like Brooks, Apatow did a lot of television work (the classics Larry Sanders Show, Freaks and Geeks, and Undeclared), and lately he's written and directed two of the best film comedies of the decade -- The 40 Year-Old Virgin and Knocked Up.

Larry Gelbart wrote Tootsie (with Murray Schisgal) -- one of the greatest screenplays ever penned, comedy or otherwise. That script earned him an Oscar nomination, as did Oh God! He earned Emmy nominations for writing, producing, and directing episodes of the classic sitcom M*A*S*H, and his writing career spans more than 50 years.

These three dudes on one stage, plus little cameos from the likes of Garry Shandling, Leslie Mann, and Jonah Hill. It was quite a night. Apatow kicked off the evening by sharing that he had been in that very theater as a boy, to see Steven Spielberg's notorious flop 1941. "I thought this was about comedy," quipped Gelbart.

Happy Labor Day! All year long, you've been working hard, meeting deadlines, filing reports, sending emails, crunching numbers and counting up those vacation days, while strategically placing them at certain times throughout the year in order to maximize their potential. Heck, you deserve a day off -- 24 hours of rest, relaxation and a whole lot of nothing.

My favorite kinds of movies to watch on Labor Day are those that remind me why this day is important in the first place -- ya know, why it matters. And, what a better way to do that then to throw in a package of tasty microwave popcorn, slide into those comfy slippers and settle down with a few of your favorite work-related flicks. So, on a day that's dedicated to the American working men and women, how about we celebrate not working by enjoying some of the following films: