united kingdom Tagged Articles at Cinematical

It's one thing to disagree with somebody. It's another to censor them. That's the central problem with the United Kingdom's decision to condemn The Great Global Warming Swindle, a documentary by Martin Durkin arguing exactly what its title implies.

A response to the global warming awareness popularized by An Inconvenient Truth, Durkin's film was considered disingenuous from the perspective of British broadcast regulator Ofek, which ruled that Channel 4 violated the country's boundaries of impartiality when it broadcast the movie last year. Apparently, Durkin manipulated his subjects in order make them verify his questionable stance that global warming was a conspiracy.

Now, I find it hard to buy into any movie that puts its ugly one-sided argument right in the title, but there's something to be said for freedom of speech in this case. What's the U.K. doing with these nonsensical impartiality laws? Since when do documentaries have to remain objective and avoid agendas? Even your average PBS program takes a side. The ruling suggests a totalitarian mindset where art is subjected to a group think mentality, and that's scary. What if The Dark Knight were banned for condoning torture? Maybe that's an extreme comparison, so try this one: What does Ofcom think about Michael Moore?

Hot on the heels of The Queen, Pathé Pictures and BBC Films have teamed up for a film about former British Prime Minister Margaret Thatcher. Like The Queen, which was co-produced by Pathé, this picture will not be a biopic and will instead deal with only a few weeks. Specifically, it will focus on the 17 days leading up to the Falklands War (Malvinas War, for the Argentines) of 1982. Aside from the production company, there isn't much else connecting this and The Queen, but that certainly won't stop its marketing. Currently the only people attached to the project are screenwriter Brian Fillis and producer Damian Jones, so it is of course still possible for others involved with The Queen to become involved here -- would Helen Mirren make a good Thatcher? (I couldn't see it). I actually say make up Julianne Moore for the part. Seriously.

It is too bad nobody thought about making a film earlier since it would tie in perfectly right now -- today is the 25th anniversary of Argentina's initial flag raising on South Georgia, which kicked off the conflict (I'm figuring it is the first of the 17 days). I'm not an expert on the proceedings from March 19 on, but much of the plot of the proposed film would likely consist of the attempted negotiations prior to Argentina's actual invasion of the islands. It is also too bad the film will be stopped at the moment the war begins, as it would make an interesting companion piece to last year's excellent Argentine film Blessed by Fire (read my Tribeca film festival review), in a Flags of Our Fathers/Letters from Iwo Jima-sort of way. The aftermath would be a worthy focus, too, because the war positively changed the British people's attitude toward Thatcher and the government. In any regard, I'm looking forward to the film and I hope it can be somewhat close to as good as The Queen.

20th Century Fox has a short memory ... or a lot of nerve. Despite the studio's very recent battle with German exhibitors on the issue of release windows -- which it lost -- Fox continues to see how far it can go with shrinking the time between its films' theatrical debut and video debut. This time Fox has upset the British market, announcing a UK DVD release date for Night at the Museum that is barely three months after the comedy's bow in UK cinemas. Like in Germany, there will be a boycott of the movie by most theater chains. Beginning tomorrow, Night at the Museum will not be shown in cinemas run by Cineworld, Odeon, Vue and Showcase.

People in the UK can still see the movie this weekend, but only at Empire, Apollo and some independent theaters, all of which claim a stronger obligation to the customers than to the goodness of a united national position (even though they apparently agree with that position). Despite the absence of real support from the little guys -- some of which, it is probable, need that Museum business this weekend -- Fox is likely to be hurt by the boycott. Museum is the second biggest movie of the season in the UK, and without the theatrical hiatus, it would continue to make the studio millions over the weekend. It is interesting to point out that Eragon, which is one of the films involved in the German boycott, is not part of the threat/action, possibly because it isn't performing nearly as well.

Hopefully, for customers, exhibitors and the image of Fox, there will be the announcement of a postponement of the Museum DVD before tomorrow morning. Otherwise, you'll hear of other effects come Monday.